Hafif marcia (38 risultati)

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

First Edition. First edition. Softcover. [20 pages.] Features text in English and German by Marcia Hafif. Includes 7 color illustrations, a black and white photograph of the artist, list of previous exhibitions, and a selected bibliography. A fine copy in stapled wrappers.

First Edition. First edition. Small softcover. 46 pages. Exhibition catalog for a show that ran September 21 through October 20, 2001. Features an essay by Hafif in English and an essay by Andreas Pinczewski in German. Includes several color illustrations, biographical information, list of previous exhibitions, and bibliographic information. A fine copy in stapled wrappers. Scarce.…

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

hardcover. Condizione: fine. near fine. Illustrated in color and in black and white. 286 pages. 4to, white cloth with orange lettering, d.w. (lightly dust soiled). California: Laguna Art Museum, (2015). Fine in a near fine dust wrapper. HAFIF, Marcia (illustratore).

62 pp.; 29.6 x 23.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; October-November 1979 issue of Flash Art, edited by Giancarlo Politi. Contents include: "Letter from the Interview," by Giancarlo Politi; "Painting in New York : An Illustrated Guide," by Thomas Lawson; "Monochrome in New York," Jerry Zeniuk, Doug Sanderson, Raimund Girke, Joseph Marioni, Phil Sims, Olivier Mosset, and Marcia Hafif in discussion; "The Italian Trans-Avantgarde," by Achille Bonito Oliva; "Flash Art : New York, The Necessary Dialectical Critic," by Donald B. Kuspit; "The Wound as a Sign : An Encounter with Gina Pane," by Helena Kontova; "Three Cheers for Rebellion," by Hugh Adams; "Installations and Performance in Ireland," by Dorothy Walker; "Italy," by Carlo Bertocci; "Erscheinen und Verschwinden über Urs Lüthi," by Gerhard Johann Lischka; "Interview mit Urs Lüthi und Seine Frau Elke Kilga," by Gerhard Johann Lischka "Interview Avec Jean Clair," by Bernard Blistene. Cover : Frank Stella. Fair / Poor. Soiling across covers, tearing at spine edge at staple binding with a 2 cm. tear and 8 mm. tears to top and bottom of spine. Additional creasing along spine. Curling and chipping of right side of publication. Creasing along top edge of verso with 3 mm. hole to verso. 1.3 cm. dog-ear to bottom of pages 52-62 with additional bumping and creasing to the other pages. Contents clean and unmarked.…

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2021. -- New -- Hardback . 30,5 x 22,5 cm (.1860 gr ) ------ 176 pages . ******************** "" An extensive overview of Olivier Mosset's six-decade painting practice. Olivier Mosset is one of the central figures in postwar abstract painting, and a pivotal reference for generations of Swiss, European, and American painters. The acute historical awareness of Mosset's practice is characterized by his continual questioning of the medium of painting itself and the means by which it resists the repeated assaults of "spectacle" and reification. Published on the occasion of the artist's retrospective at MAMCO Geneva, this publication offers an extensive overview of his six-decade transatlantic painting practice: from his first experiments in Paris in the 1960s within the BMPT collective and his famous "Circle Paintings" to his shaped canvases from the 1980s and his recent monumental works, exploring "appropriation," "radical painting," and his interest in experimental cinema along the way. Designed by Gavillet & Cie, the book proposes a journey through the rooms of the exhibition and the successive steps of Mosset's art, thanks to generous documentation and the life-size reproduction of the paintings' details. The book's cover is silkscreened and reproduces a life-size detail of one of Mosset's most iconic paintings. Introduced and edited by MAMCO director Lionel Bovier, the book features three essays focusing on specific aspects of Mosset's practice: MAMCO's curator Paul Bernard on the artist's filmmaking activities and how cinema constituted a visual model for Mosset; art historian Arnauld Pierre on his "Striped Paintings"; art critic Vincent Pécoil on his idiosyncratic vision of painting; and two essays by fellow painter Marcia Hafifthey met in 1978 in New Yorkwhich decipher why Mosset's painting acted as a form of resistance to the figurative and decorative wave that swept the art scene in the late 1970s. "" ***************** ref gab-02-06.…

Paperback. Condizione: Brand New. 176 pages. French language. 12.00x9.00x0.70 inches. In Stock.

Hardcover. Condizione: Good. Original white cloth, dust jacket, numerous (double page) illustrations (including photographs) mostly in colour, text in German, 4to.

Erste Auflage. 28 x 21,1 cm. 38 S. OKarton. Einband minimalst berieben, sonst gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Der Katalog erschien anläßlich der Ausstellung "Marcia Hafif - Zeichnung", vom 4. April bis zum 17. Mai 2003 in der Galerie Michael Sturm, Stuttgart. Beiliegend ein maschinenschriftliches Anschreiben des Galeristen mit Signatur. Sprache: Deutsch und Englisch. …

Kartoniert. Condizione: Gut. ca. 20 x 24 cm 67 S. Orig.-Karton. Mit zahlreichen Abbildungen im Text. Karton etwas berieben. Hinterer Deckel etwas fleckig. Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries.

Kartoniert. Condizione: Gut. 28 cm 38 S. Orig.-Karton. Mit Abbildungen im Text. Gutes Exemplar. [anlässlich der Ausstellung "Marcia Hafif - Zeichnung" vom 4. April bis 17. Mai 2003 in der Galerie Michael Sturm, Stuttgart] Text in englisch und deutsch Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries.…

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2021. 1 Volume/1. -- Neuf -- Reliure éditeur cartonnée pleine toile. . 30,5 x 22,5 cm (.1860 gr ) ------ 176 pages . ******************** "" Un panorama complet de la pratique picturale d'Olivier Mosset sur six décennies. Olivier Mosset est devenu une référence incontournable pour plusieurs générations de peintres abstraits suisses, européens et américains. Avec une conscience aigüe de l'histoire, la radicalité de son art ne cesse d'interroger la peinture, et les moyens dont celle-ci dispose pour résister aux assauts répétés du spectacle et de la réification. A l'occasion de la rétrospective que lui consacre le MAMCO, la publication revient sur les différentes étapes de sa carrière, de ses premières expérimentations dans le Paris des années 1960 jusqu'aux monumentaux travaux récents, en passant par l'appropriation, la peinture radicale ou encore son rapport au cinéma expérimental. L'iconographie repose sur une série de prises de vues de grande qualité réalisées pendant l'exposition au MAMCO. "" ***************** ref gab-02-06.…

Broschiert. Condizione: Gut. Oktav 47 S. Englische Broschur. Mit Abbildungen im Text. Gutes Exemplar. ( Leicht berieben ) Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries.

Erste Auflage. [32] unpaginierte Blätter. Illustrierter OKarton. Sehr gutes Exemplar. Durchgehend mit schwarz-weißen Abbildungen versehen. Der Katalog erschien anläßlich der Ausstellung "Marcia Hafif - Video, Fotografie, Texte" im Kunstverein Grafschaft Bentheim, vom 18. September 1999 bis zum 07. November 1999. Texte in deutscher und englischer Sprache. Beiliegend eine Einladungskarte zu einer Ausstellung der amerikanischen Künstlerin in der Galerie Michael Sturm in Stuttgart im Jahre 2001. Sprache: Deutsch und Englisch. …

Kartoniert. Condizione: Gut. Oktav 12 S. Orig.-Karton. Mit Abbildungen im Text. Gutes Exemplar. Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries.

Kartoniert. Condizione: Gut. ca. 32 cm 62 S. Orig.-Karton. Mit zahlreichen Abbildungen im Text. Gutes Exemplar ( Hinterer Deckel mit kleinen weißlichen Verfärbungen ). Mit einem Text von Elisabeth Grossmann. Im Anhang findet sich Bio- und Bibliografie. Erschienen zur Ausstellung 9.6.1995 - 27.8.1995. Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries. …

Kartoniert. Condizione: Gut. Oktav 45 S. Orig.-Karton. Mit Abbildungen im Text. Gutes Exemplar. Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries.

16 Seiten, mit vielen Abbildungen. - Beidseitig bedrucktes Deckblatt auf Mattglanz-Karton; 4to.(ca. 29,5 x 20,5 cm). ~~~ 1. AUFLAGE, GROSSFORMATIGE BROSCHIERTE ORIGINALAUSGABE; mit gedruckter Signatur der Künstlerin auf dem Titelblatt. - TADELLOSES EXEMPLAR. --- Viele weitere Monographien einzelner Künstler-innen des renommierten Lieferungswerkes im Bestand. . .…

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. 2.5 cm. crease parallel to top edge of publication, from recto to verso and affecting contents. Rubbing of cover edges and handling wear to covers. Contents clean and unmarked.…

Gr.-8° (quer) kartoniert. 67 Seiten mit Illustrationen. Deckel etwas randgebräunt.Gutes und sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 300.

8° OKart (Klammerheftung). 48 Seiten mit Illustrationen. Mit der dazugehörigen CD "Antoine Beuger - fourth music for Marcia Hafif 3 für Orchester".Gutes und sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 150.

SOFTCOVER. Condizione: As New. 1st Edition. 4to in photo illustrated stiff card covers, unpaginated, approx. 60pp, photos, etc. Dual text in English and German. Uncommon . [CONDITION: A well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

First Edition. First edition. Softcover. 295 pages. Features text in English and French with essays by Hafif and Eric de Chassey. Includes numerous color and black and white illustrations. A clean near fine copy in wrappers. Signed and inscribed by Hafif on the title page to a New York City art gallerist. Uncommon signed.…

Paperback. Condizione: Good in wraps. First Edition. 20 x 24cm 68pp good paperback exhibition catalogue signed by the artist on the title page: 'For Edwina with memories of the garden, Marcia Hafif.' German and English text, black and white reproductions.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Two Cities: Thomas B. Hess and Harold Rosenberg by Donald B. Kuspit Beginning Again by Marcia Hafif Chicago's Emotional Realists by Joanna Frueh William Baziotes: Primeval Sentiment by Peter Plagens Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art by Jonathan Fineberg Composite Imagery and the Origins of Photomontage, Part 1: The Naturalistic Strain by Robert A. Sobieszek Capital Follies by Jeremy Gilbert-Rolfe Jake Berthot's Recent Work by Steven Kasher The Venice Biennale: Can it Rise Again? by Jan van der Marck.…

Condizione: Gut. 28 x 21 cm. 37 S. OKt. Einband leicht berieben, sonst gut erhalten. Sprache: Deutsch/Englisch.

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2010. 1 Volume/1. -- Comme Neuf -- Broché . Format 27 x 22,5 cm . ----- 296 pages avec 499 illustrations couleur et N&B . ************************* "" Le catalogue raisonné des uvres de la période italienne de l'artiste américaine : la totalité des quelque 500 peintures et dessins réalisés dans les années 1970 reproduites (ou, pour les uvres détruites ou non localisées, redessinées par Marcia Hafif d'après les notes qu'elle a conservées), un long entretien au cours duquel elle revient sur sa démarche dans le contexte culturel de cette période, une analyse de son travail dans une perspective historique par Eric de Chassey. Un ouvrage majeur pour comprendre l'histoire de l'abstraction occidentale, au travers de cette figure de la femme peintre, emblématique des mutations de l'époque. ***************************** "" En 1961, Marcia Hafif quitte la Californie pour effectuer son « Grand Tour » en Italie. Bientôt établie à Rome pour près d'une décennie, elle va y créer quelque 210 peintures et 255 dessins, collages, sérigraphies, dont elle laisse la majeure partie en Europe lors de son retour aux États-Unis. Il faudra attendre la fin des années 1990 pour voir ressurgir cet ensemble dont la pertinence et la qualité sont saisissantes (Mamco, 1999). Prologue jubilatoire aux monochromes qu'elle considère comme des « peintures à une seule figure » et réalise à New York à partir de 1972, la période romaine d'Hafif explore les possibilités offertes par une peinture non-figurative qui trouve ses motifs dans le réel (« néo-géo » vingt ans avant) puis les ressources d'une abstraction post-matissienne, parfois à la limite de l'image, imprégnée d'esthétique pop et travaillée par des courbes biomorphes. Cette décennie privilégiée la voit ainsi inventer avec brio une figure de femme peintre, emblématique des mutations de l'époque. Ce catalogue raisonné, publication irremplaçable pour qui veut aujourd'hui comprendre l'histoire de l'abstraction occidentale, s'accompagne d'un important récit de l'artiste. Il pose le cadre d'un quotidien qui ne cesse d'interférer dans la genèse des uvres, permettant de saisir comment s'opère l'osmose entre les influences acquises au contact des expressionnistes abstraits de la Côte Ouest, familiers de la mythique Ferus Gallery de Los Angeles, et les registres de couleurs et de formes relevés à Rome, dans l'architecture, les mosaïques de pavement, la signalétique, le cinéma, etc. L'essai d'Eric de Chassey commente les enjeux de l'abstraction géométrique de la décennie et inscrit ces travaux romains dans une perspective historique."" ******************* ref 51e40bs ref 50bs. …