hager hellmut (42 risultati)

Paperback. Condizione: Fair. 1984; Volume I only; paper cover is lightly faded; Interior clean and unmarked; b&w photograph illustrations; 4to, 9 3/4" - 12" Tall; Additional shipping charges will be required for international orders; 166 pages.

Paperback. Condizione: Very Good. Papers In Art History.

Paperback. Condizione: G/NO DUSTJACKET. Black & White Illustrations (illustratore). PA: Pennsylvania State Univ Pr. G/NO DUSTJACKET. 1984. Paperback. Sm 4to., 166 pp. .

Paperback. Condizione: Very Good. 168 page softcover - 7 papers by seven scholars and many illustrations. Volume 1 of Papers in Art History from The Pennsylvania State University. Unmarked, tight and clean.

166pp. Prof. illus. Lrg. 4to. Wraps.

kart. Condizione: Gut. 29,5 x 20,5 cm quer ; Private Fotokopie aus unbekannter Quelle. Ohne Verlag und ohne Erscheinungsjahr. Großformatige Paperbackausgabe, 48 Blatt mit zahlreichen Abbildungen. Gutes Exemplar. hw1160.

Soft Cover. Condizione: Very Good. First Edition. Softcover 1st Printing in illustrated wraps, no text markings, NOT ex-lib, no spine creases, minor edge wear with small nicks to spine extremities, from collection of Renaissance architectural historian Eunice Howe with her blindstamp to endpaper, else clean tight excellent copy; 4to; 340pp illus. Extra shipping charge REQUIRED for priority or overseas delivery of this heavy oversize book (extra charge SUBSTANTIAL for overseas shipment).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Near Fine. 1st Edition. Publishers REVIEW COPY with slip laid in. The text portion of the book is printed on what is clearly not acid-free paper which exhibits modest even age tanning; the glossy stock presenting the photographs by contrast is bone white. Minor binding flaw to front fixed endpaper, VG. The dust wrapper is nearly fine.

Broschürt. TB.,255s., in gutem Zustand, Deutsch 400g.

Paperback. Size: 8x11 inches, 340pp., illus. As new, clean, tight and bright condition.

Paperback. Condizione: Very Good. Name inside else near fine ; Papers In Art History; 4to 11" - 13" tall.

Paperback. Condizione: Good. Moderate edge wear to cover and spine. Pages clean. Binding sound.

Softcover. Quarto. Softcover. Red/white illustrated wraps. 340 pages : illustrations (some color) ; 28 cm. Papal artistic commissions as definitions of the medieval church in Rome / Hans Belting -- Nicholas V and the rebuilding of Rome / Charles R. Mack -- Leonardo, Raphael, and Caravaggio / Richard E. Spear -- Oil sketches, unfinished paintings, and the inventories of artists' estates / Linda Freeman Bauer -- A caravaggesque 'Sacrifice of Issac' / Jeanne Chenault Porter -- The fortune of Bernini's colonnaded Piazza San Pietro and the city frontispiece in urban planning / Pamela S. Hemzik -- Bernini's altar for the Val-de-Grace / George C. Bauer -- Johann Dietzenhofer's cathedral in Fulda and the question of its Roman origins / Helmut Hager -- Filippo Raguzzini, the Palazzo and Casino Lecari in Albano, and the neapolitan ingredient in Roman rococo architecture / Dorothy Metzger Habel -- Rome in 1732 / Elisabeth Kieven -- Roman antiquities in early photography / Heinz K. Henisch --Charles F. McKim and the foundation of the American Academy in Rome / Mary N. Woods. VG-. Light scuffing around edges of wraps and light bumping at head/tail of spine.

Condizione: Fair. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0915773007.

Soft cover. Condizione: Very Good. 1st Edition. Papers in art history from the Pennsylvania State University, 2. Large-format softcover volume, measuring approximately 8.25" x 11.25", shows light shelfwear. Binding is sound. Interior is clean and bright. Text appears in double columns. Numerous b&w illustrations. 340 pages. Contents: "Papal Artistic Commissions as Definitions of the Medieval Church in Rome" by Hans Belting, Institut fur Kunstgeschichte, Munich; "Nicholas V and the Rebuilding of Rome: Reality and Legacy" by Charles R. Mack, University of South Carolina; "Leonardo, Raphael, and Caravaggio" by Richard E. Spear, Oberlin College; "Oil Sketches, Unfinished Paintings, and the Inventories of Artists' Estates" by Linda Freeman Bauer, University of California at Irvine; "A Caravaggesque Sacrifice of Issac: Multiple Versions, Multiple Problems" by Jeanne Chenault Porter, The Pennsylvania State University; "The Fortune of Bernini's Colonnaded Piazza San Pietro and the City Frontispiece in Urban Planning" by Pamela S. Hemrik, The Pennsylvania State University; "Bernini's Altar for the Val-de- Grace" by George C. Bauer, University of California at Irvine; "Johann Dientzenhofer's Cathedral in Fulda and the Question of its Roman Origins" by Hellmut Hager, The Pennsylvania State University; "Filippo Raguzzini, the Palazzo and Casino Lercari in Albano, and the Neapolitan Ingredient in Roman Rococo Architecture" by Dorothy Metzger Habel, University of Tennessee; "Rome in 1732: Alessandro Galilei Nicola Salvi, Ferdinando Fuga" by Elisabeth Kieven, Bibliotheca Hertnina, Rome11; "Roman Antiquities in Early Photography" by Heinz K. Henisch, The Pennsylvania State University; "Charles F. McKim and the Foundation of the American Academy in Rome" by Mary N. Woods, Cornell University.

Taschenbuch. Condizione: Gut. Orig.-Ausg. 254 S. ; 19 cm Alle Bücher & Medienartikel von Book Broker Berlin sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Dieser Artikel weist folgende Merkmale auf: Altersentsprechend nachgedunkelte/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 222.

Condizione: quasi ottimo. Architettura Fine arts Architecture in 4°, tela edit. con titoli al dorso, cofanetto edit. cartonato figurato - ristampa anastatica dell'edizione del 1696 - illustrazioni in b.n. e in seppia nel testo, due tavole ripiegate più volte a fine volume OTTIME CONDIZIONI.

Hardcover. Navy boards with gilt spine lettering. Glossy white and illustrated dust jacket with black lettering. xxvii, 222 pp. BW illustrations. "Carlo Fontana (1638-1714) was the chief papal architect at the turn of the 18th century, the Italian counterpart to Sir Christopher Wren and Hardouin Mansart, and one fo the most influential artists of his day, with Fischer von Erlach, Hildebrandt, Juvarra and James Gibbs amongst his many pupils." -Jacket. VG-/VG- light discoloration to page blocks, yellow marker dot on bottom page black, light wear to corners/edges/spine of dust jacket, very thin split to paper at top of inner front hinge, not affecting solidity at all.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 222pp. 570 b&w illustrations. Heavy item, may attract additional postage.

Softcover. Embossed whiet wraps. 178 pages : illustrations (some color). Drawings selected and catalogue research directed by Hellmut Hager ; appendix of notes and documents from the archives of the Accademia nazionale di San Luca by Paolo Marconi, Angela Cipriani, and Enrico Valeriani ; catalogue organized and edited by Susan S. Munshower. Includes bibliographical references (pages 175-177). VG/G, covers shows moderate wear marks/rubbing, ex-library label on back. Pages clean and tight,

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Quarto. Navy cloth in d/j., pp.222 plus 570 b/w plates mainly reproductions of drawings, but also some photographs of buildings. Sections of book cover St Peter's, other ecclesiastical work, secular buildings and the "Albani" volumes.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. A superb collection in an excellent ed. Much on St. Peter's. pp.xxvii.222. Illus [570].

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Slight bumps to cover corners. Slight shelfwear to dustwrapper.

Condizione: Gut. S. 36-117, davon 45 S. ganzs. Abb. Auf den ersten 15 S. viele Unterstreichungen, sonst gut und sauber. - Aus dem Vorwort: Der Entschluß, das Bild der Minerva als Signet der [Max-Planck-]Gesellschaft zu wählen, das auf Briefen und Drucksachen sowie auf den Abzeichen der Mitglieder und den Auszeichnungen erscheinen sollte, entsprach dem Denken und Fühlen einer humanistisch geschulten Generation. Athene-Minerva, von den Alten als göttliche Spenderin der Klugheit, der Einsicht und des weisen Rates, der Ausdauer und Tapferkeit, zugleich als Beschützerin erleuchteten Studiums und der bildenden Künste verehrt, war in der christlichen Ära zum allegorischen Symbol der Wissenschaft, des wissenschaftlichen Denkens und jedweder vom Geiste gelenkten und disziplinierten Betätigung geworden. Die griechisch-römische Kunst hat in allen ihren Zweigen mit der Darstellung der dem Haupt des Zeus entstiegenen Göttin ihr Höchstes geleistet. Selbst das antikem Götterglauben feindliche christliche Mittelalter räumte zuweilen dem Minervabild einen Platz in seiner Bilderwelt ein. Im Zeitalter des Humanismus wurde es zu einem allgemein verständlichen Symbol, das ohne Scheu in enge Beziehung zur sakralen Ikonographie gesetzt wurde. Der nachfolgende Aufsatz führt die Entwicklung des Athene-Minerva-Bildes in einer Auswahl erlesener Kunstwerke vor Augen. Den archäologischen Teil lieferte Frau Dr. phil. Helga Freifrau von Heintze vom Deutschen Archäologischen Institut in Rom, der für ihre Mühe Dank gesagt sei. Der nachantike Teil ist aus den Forschungen der Bibliotheca Hertziana hervorgegangen; er wurde bearbeitet von Dr. phil. Hellmut Hager, Assistent am Institut. - Wikipedia: Helga Freifrau von Heintze, geborene Helga Hoinkes, (* 9. August 1919 in Bielitz; 15. November 1996 in Rom) war eine österreichisch-deutsche Klassische Archäologin, deren Forschungsgebiet besonders das antike Porträt bildete. - Hellmut Wilhelm Hager (* 27. März 1926 in Berlin; 10. November 2015 in State College (Pennsylvania)) war ein deutscher Kunsthistoriker. Sprache: Deutsch Gewicht in Gramm: 550 Sonderdruck, Privatbindung, Leinen kaschiert, Goldschnitt am Rücken.

rilegato. Condizione: Buono (Good). ST1185FCopertina editoriale in cartone rigido e sovraccoperta alettata, volume complessivamente in buone condizioni,  illustrato, copertina e interno in ottimo stato, la sovraccoperta presenta lievi segni di usura dovuti al fattore tempo  61 pagine circaCopertina come da foto  . Book.

Condizione: buono. Antiquariato, Arredamento e Collezionismo Fine arts Antiques, Furniture, Collecting ristampa anastatica dell'edizione del 1696 - in 4°, tela edit. con titoli in nero al piatto e al dorso, cofanetto rigido edit. figurato, lieve scoloritura ai titoli e due macchie al dorso - illustrazioni in b.n. e in seppia nel testo, due tavole ripiegate più volte a fine volume BUONE CONDIZIONI.

paperback. Condizione: Ottimo (Fine). Opera con copertina morbida in brossura. ill. in b/n e a colori ft e nt. LF.30. Book.

8°, Leinen mit Umschlag-O. Condizione: Gut. 61 Seiten. Mit zahlreichen s/w Abbildungen und mit fünfzeiliger Widmung des Autors auf Italienisch, Umschlag mit leichten Randläsuren, lichtrandig und berieben, sonst gutes Exemplar. 116040_Architektur Sprache: Deutsch Gewicht in Gramm: 600.

Hardback. Allan Braham And Hellmut Hager, A. Zwemmer Ltd. Author: Allan Braham And Hellmut HagerBinding: HardbackPublished: A. Zwemmer Ltd, 1977Condition:Book: GoodJacket: Worn/faded, no tearsPages: GoodMarkings: No markingsCondition remarks: Tear on plastic cover over dust jacketThis scholarly volume presents a comprehensive catalog of Carlo Fontana's architectural drawings housed within the esteemed collection at Windsor Castle. It meticulously details each work, offering critical analysis of Fontana's design principles and his significant contributions to Baroque architecture. The text uncovers the intricate processes behind his grand projects, illustrating his artistic evolution and influence on his contemporaries. Braham and Hager's authoritative research chronicles the provenance and significance of these rare sketches, providing invaluable insights into 17th-century Roman design. This essential reference work illuminates the enduring legacy of a master architect through his preserved visual legacy. Hardback.

Near Fine in publishers buckram in like slightly rubbed dustjacket. ISBN 0302027807.