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  • Lingua: Inglese

    Editore: Krannert Art Museum, 2022

    1646570294 / 9781646570294

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  • Lingua: Inglese

    Editore: Krannert Art Museum, 2022

    1646570294 / 9781646570294

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  • Lingua: Inglese

    Editore: Krannert Art Museum, 2022

    1646570294 / 9781646570294

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  • Lingua: Inglese

    Editore: Krannert Art Museum, 2022

    1646570294 / 9781646570294

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  • Lingua: Inglese

    Editore: Shaun Tyas, Donington, 2023

    191577408X / 9781915774088

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    Da: Rickaro Books BA PBFA, Wakefield, Regno UnitoRickaro Books BA PBFA

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    Soft cover. Condizione: New. 1st Edition. Edward S. Prior and Arthur Gardner published An Account of Medieval Figure Sculpture in England with Cambridge University Press in 1912. This became the foundational book for the study of medieval figure-sculpture in England (and Wales). The authors' presuppositions about the materials they discuss, their inclusions and omissions, their focus on chronological sequencing, and analytical organisation, as well as their strongly nationalistic tone, all receive thorough scrutiny for the first time in this new study, based on a Cambridge conference celebrating the centenary of the Account. Prior and Gardner's work is contextualised within the history of scholarship devoted to medieval sculpture in France, Germany, Hungary and Ireland, revealing how European nationalism has affected (and continues to affect) both the study and the reception of the medieval past. Many of Prior and Gardner's contemporaries in Britain and Ireland also receive attention and the networks of scholars and contacts who contributed to their book are revealed. Medieval patronage and funerary sculpture, photographic recording and scientific conservation are also discussed in this striking new assessment of the context, accomplishment and legacy of Prior and Gardner's great Account. 256pp. …

  • Editore: Donington, Tyas 2023.; viii, 184pp, 60 pls (most col)., 2023

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    Da: Bennett and Kerr Books, ABINGDON, Regno UnitoBennett and Kerr Books

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    Paperback. Pb. New. PRIOR and GARDNER.

  • Lingua: Inglese

    Editore: Oxford University Press, 2020

    0198836260 / 9780198836261

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  • Lingua: Inglese

    Editore: Oxford University Press, 2020

    0198836260 / 9780198836261

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  • Lingua: Inglese

    Editore: Oxford University Press, Oxford, 2020

    0198836260 / 9780198836261

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    Hardcover. Condizione: new. Hardcover. Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historicalnarratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the lateseventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to thegeneration of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires sincethe nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed. Meredith M. Hale presents the first chapter in the history of modern political satire, one that is critical to the media's emergence as the 'fourth estate'. Discussing themes relevant today, the study locates Dutch printmaker Romeyn de Hooghe (1645-1708) at the birth of modern political satire, and political satire at the heart of the modern media. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Lingua: Inglese

    Editore: Brepols Publishers, 2016

    2503566340 / 9782503566344

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  • Lingua: Inglese

    Editore: Oxford University Press, 2020

    0198836260 / 9780198836261

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    Condizione: New. 2020. Hardcover. . . . . .

  • Lingua: Inglese

    Editore: Brepols Publishers, 2016

    2503566340 / 9782503566344

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  • Lingua: Inglese

    Editore: Oxford University Press, 2020

    0198836260 / 9780198836261

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    EUR 157,29

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    Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: Oxford University Press, 2020

    0198836260 / 9780198836261

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    EUR 178,99

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  • Lingua: Inglese

    Editore: Oxford Univ Pr, 2020

    0198836260 / 9780198836261

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    Hardcover. Condizione: Brand New. 288 pages. 9.50x6.50x1.00 inches. In Stock.

  • Lingua: Italiano

    Editore: Brepols, Turnhout, 2016

    2503566340 / 9782503566344

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    Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei

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    Couverture souple. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Title: Cambridge and the Study of Netherlandish Art: The Low Countries and the Fens Author: Hale, Meredith McNeill (ed) Price: $117.00 = Eur 110,00.- ISBN: 9782503566344 Record created on 02/16/16 Description: Turnhout: Brepols, 2016. 30cm., pbk., 222pp., 40 color, 90 b&w illus. Summary: The Speelman Fellowship in Netherlandish Art at Wolfson College, Cambridge, celebrated its fortieth anniversary in 2011. Holders of the Fellowship have included such world-renowned scholars as Dr Lorne Campbell of the National Gallery, London, Professor Joanna Woodall of the Courtauld Institute of Art, and Professor Ivan Gaskell of the Bard Institute in New York. They have all contributed to the present volume, which presents new research by no fewer than seven Speelman Fellows and is edited by the post's present incumbent. Edward Speelman's endowment of the Fellowship in 1971 has crucially supplemented Cambridge's tradition of distinguished scholarship in the field. It also complements the important holdings of Dutch and Flemish works in the Fitzwilliam Museum and in Cambridge Colleges, a range of which are discussed in this volume. The eminent historian of Early Modern Art, Professor Jean Michel Massing of King's College, who has advised on the selection of Speelman Fellows for nearly forty years, also contributes an essay here. Contents: Jean Michel Massing & Meredith McNeill Hale, The Speelman Fellowship and Netherlandish Art in Cambridge ; Lorne Campbell, Antoine, the 'Grand Bâtard De Bourgogne', and his Portrait by Rogier Van Der Weyden ; Joanna Woodall, 'Greater or lesser?' Tuning into the Pendants of the Five Senses by Jan Brueghel the Elderand his Companions ; Ivan Gaskell, Fooled Again - Trompe l'Oeil Revisited ; Maria-Isabel Pousão-Smith, Adriaen Brouwer's Hybrid Technique and Social Indeterminacy ; Lindsey Shaw-Miller, 'Beautiful Secrets' - Poetical Disclosure in the Work of Michael Sweerts (1618?64) ; Cordula van Wyhe, The Fabric of Female Rule in Leone Leoni's Statue of Mary of Hungary, c. 1556 ; Meredith McNeill Hale, Hollands hollende koe - The Political Satirist and Moral Conviction ; Elenor Ling, The Dutch and Flemish Print Albums Compiled by Lord Fitzwilliam (1745?1816) at the Fitzwilliam Museum - Language : english text Size: 300 x 240 Mm-. …

  • Lingua: Inglese

    Editore: Oxford University Press, 2020

    0198836260 / 9780198836261

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  • Lingua: Inglese

    Editore: Oxford University Press, 2020

    0198836260 / 9780198836261

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  • Lingua: Inglese

    Editore: Oxford University Press, 2020

    0198836260 / 9780198836261

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  • Lingua: Inglese

    Editore: Oxford University Press(UK), 2020

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    Buch. Condizione: Neu. Birth of Modern Political Satire | Romeyn de Hooghe and the Glorious Revolution | Meredith McNeill Hale | Buch | Gebunden | Englisch | 2020 | Oxford University Press(UK) | EAN 9780198836261 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

  • Lingua: Inglese

    Editore: Oxford University Press(UK), 2020

    0198836260 / 9780198836261

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    Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historical narratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the late seventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of thequalities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to the generation of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires since the nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed.…

  • Lingua: Inglese

    Editore: Oxford University Press, 2020

    0198836260 / 9780198836261

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