Hans eykelboom (9 risultati)

Condizione: Good. Original stapled wrappers, softcover, illustrated with numerous photographs in colour, text in Dutch and English, 8vo.

Condizione: Good. Paperback, french-folded pages, illusrated with numerous photographs in colour, 8vo.; Slipcase missing.

Condizione: Good. Oiginal wrappers, spiral binding, illustrations in b/w, unpaged, 4to.; Covr partly yellowed.

Condizione: Good. Oorspronkelijk omslag, softcover, geà llustreerd met foto's in z/w, ongepagineerd, oblong (circa 15x10cm). 250 cent reeks, deel 19.

Paper-covered boards (hardcover), 19,5 x 35 cms., (120) pp. with colour illustrations.In very fine condition. ISBN 9781907893735.

Condizione: Good. 3 volumes with original stapled wrappers, softcovers, illustrated with numerous photographs in colour and b/w, text in Dutch and English, 8vo. Present are the numbers 5, 7 and 13.

Soft cover. Condizione: As New. 1st Edition. Design by Gerard Wagemans, published between 1995 and 1998, collection of ten books. - Hans Eykelboom - Dagboek 4, edition of 300 copies - Hans Eykelboom - Dagboek / Diary 5, edition of 3000 copies - Hans Eykelboom - Dagboek / Diary 6, edition of 1500 copies - Hans Eykelboom - Dagboek / Diary 7, edition of 300 copies - Hans Eykelboom - Dagboek / Diary 8, edition of 600 copies - Hans Eykelboom - Dagboek / Diary 9, edition of 500 copies - Hans Eykelboom - Dagboek / Diary 10, edition of 1000 copies - Hans Eykelboom - Dagboek / Diary 11, edition of 500 copies - Hans Eykelboom - Dagboek / Diary 12, edition of 800 copies - Hans Eykelboom - Dagboek / Diary 13, edition of 600 copies.…

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.…

In de Krant is Hans Eijkelboom's second book and his most sought-after. For this performative conceptual work, he attempted to appear in the background of a newspaper photograph on 10 consecutive days, at least once daily. He accomplished this by studying the newspaper agendas for the forthcoming week and listening to police radio to learn of other potentially newsworthy events. In In de Krant, he succeeded in appearing in the newspaper on no less than seventeen occasions, though not on 10 consecutive days. Hans Eijkelboom's work is concerned with the way in which society presents itself in everyday appearance and how that appearance is stipulated by factors such as personality and social position. He documents these sociological enquiries by creating photographic typologies of faces, housing and clothing. Also of interest to him is the mediating role photography plays in the relationship between dress, external appearance, and personality, as well as in the role of photography as a means to create evidence. First edition of 150 copies; (290 x 208 mm, 11½ x 8¼ in); black and-white reproductions of details from newspaper pages, printed on newsprint by Drukkerij van den Dool, Sliedrecht, lightly toned; light brown adhesive-bound wrappers printed in black, light toning to edges and upper side, a very good copy; [38]pp. The Photobook: A History III, p288; Dutch photo publications 1918-1980, p518.…