Harold phillip stern (18 risultati)

Soft cover. Condizione: Very Good. No Jacket.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. A very good solid copy with little wear, clean and unmarked. Clipped Jacket has some edge and corner wear and creases top of spine, Thick book.

Hardcover. Condizione: Very Good. Hardcover. No dust jacket. Good binding and cover. Clean, unmarked pages. Ships daily.

Paperback. Condizione: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

Condizione: Ex-library else VG+/no dj. 591pp. First Edition so stated. Special commentary by Lloyd K. Garrison.

Hardcover. Condizione: New. Condizione sovraccoperta: New. Stored new; Book. Book.

Paperback. Condizione: Very Good. Very good+ softcover exhibition catalog featuring 192 pages of color and b/w reporoductions and photographs of sculpture, painting, ink on paper, silk, and more. Book is clean and uncreased, covers fresh, pages unmarked.

Hardcover. Condizione: As New.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First Edition. xii + 593 pp, Preface, 15 chapters - many subdivided, # XV entitled Epilogue, footnotes throughout; William Lloyd Garrisons's responses to questions put to him by the Author. 6.5" x 9.5" gray cloth boards, red letters to frcover and spine, in illustrated price-clipped DJ, with acetate protector. acknowledgments, Notes and Sources, Index. Black humor is the rule rather than the exception on these subjects - the last scene of Dr. Strangelove comes to mind. No one was laughing. A very fine book on the subject. Size: Large Thick Octavo. Book.…

Hardcover. Condizione: As New.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First UK Edition. First impression of the first UK edition. Foreword by Sir Solly Zuckerman. ***Near fine in blue cloth-covered boards with gilt titles to the spine. The boards are clean and unmarked. Head and tail of spine slightly rubbed. No bumps or creases. Corners sharp. No reading lean to the binding. Spine tight. Page block edges clean. Internally also near fine with no inscriptions. Pages clean. No creases or tears. ***In a near fine monochrome-illustrated dustwrapper, which has not been price-clipped, retaining the original publisher's dual price of £3.50 (70s). Extremities of dustwrapper just slightly rubbed. Bottom edge of back panel slightly creased. No chips or tears. Back panel and spine of dustwrapper slightly rubbed and discoloured. Very small surface-splash mark to top of inner front flap. Front panel of dustwrapper bright. ***224mm x 144mm. 591 pages including notes and sources and index at the back of the book. ***'In 1958 an obscure ex-official wrote to the FBI, claiming that J. Robert Oppenheimer, "father of the atomic bomb", one of the most respected scientists in the West, was a Soviet agent. The charge was incredible - literally unbelievable - yet suddenly powerful people throughout the Government were rushing to bring him down. The result was the still notorious security "trial". ***'There hasn't been a proceeding like this, 'said one key witness, 'since the Spanish Inquisition.' ***How such a thing could happen - even to so eminent a public figure - is the appalling mystery which this book unfolds. The first full-scale account of the historic case, it deals fully with Oppenheimer's earlier years, with his affair with the radical left in the thirties, and with his wartime directorship at Los Alamos when security agents watched every move - even the night he spent with his former fiancee, a communist. It covers occasions when Oppenheimer informed on friends and associates, collaborating in the very security system which would later destroy him. It follows his ascent to the highest councils of government, and recounts his conflict with the H-bomb advocates. and illuminates in the trial, where, ruthlessly grilled, kept from confronting hostile witnesses, deprived of crucial papers and even sometimes of his defence counsel, Oppenheimer was brought to cry aloud, "I was an idiot". ***The Oppenheimer Case is still very much a live issue and it involves men still prominent - Nixon, for instance, defended Oppenheimer four times. and it involves questions vitally important to any democracy - the power of the military, the meaning of loyalty and freedom of conscience. This freedom, at that time a victim of the McCarthy scare, is still by no means completely assured. ***As a special appendix, Oppenheimer's chief defence counsel, Lloyd K. Garrison offers his first public commentary on the case.' (Quote taken from the front flap of the dustwrapper) ***First impression of the first UK edition, complete in its original dustwrapper. An uncommon book in first edition. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.…

Original publisher's gray cloth hardback, red title spine and frontcover, pictorial dustjacket, large thick 8vo: xij, [ij], 594pp. footnotes, bibliographical notes, epilogue, responces by Lloyd K. Garrison on questions asked by Philip M. Stern, acknowledgements, notes, sources, index.

Soft cover. Condizione: Good. No Jacket. 1st Edition. English text.; Paperback.; 21 x 27.5 cm.; 0.9 Kg.; 196 pages with black and white and colour illustrations.; Used with signs of wear on the exterior and interior. Edgewear. Some fading on the front and rear cover. Good condition overall.; Catalogue from an exhibition of Japanese art held at the Los Angeles County Museum of Art (In the Lytton Gallery), from September 29, to November 7, 1965; The Detroit Art Institute, from December 5, 1965 to January 16, 1966; The Philadelphia Museum of Art, February 13, to March 27, 1966; and the Royal Ontario Museum, Toronto, from April 24 to June 15, 1966.; "An exhibition consisting of 128 masterpieces of Japanese art consisting of painting, sculpture, applied art, and calligraphy. The present exhibition is unique in including, at the special request of the participating museums, as many as sixty representative examples of applied art, such as metal and lacquer ware, ceramics, and textiles. In view of the fragility of age-old Japanese art treasures and other insuperable difficulties, I believe this exhibition is most representative, both in quality and quantity, and is worthy of fullfilling its mission in introducing to the American and Canadian public the development and flowering of Japanese art." excerpt from the foreword by Shunsaku Kawahara, Chairman, National Comission for Protection of Cultural Properties, Tokyo, March 20, 1965. …

Condizione: Good. First edition copy. . Acceptable dust jacket. (oppenheimer, world war ii, atom bomb, trial).

Condizione: fair. 616, appendix, notes and sources, index, ink & red ink underlining throughout, binding cracked at p. 300, rear board stained. Board corners somewhat bumped, some wear to spine edges. As a special appendix, Oppenheimer's chief defense counsel, Lloyd K. Garrison, offers his first public commentary on the case.…

184 pp.; 128 b/w and colour plates. Otowa: Kodansha, 1972. Hbk. KEYWORDS: 024 Japan - General & Ainu 026 Japan - Prints/Surimono/Paintings/Calligraphy etc. 025 Japan - Netsuke - Inro - Lacquer etc.

40 pp.; 42 x 28 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Inugural issue of "Applause," edited by Harold Stern. Contents include: "On Theatre: Cymbeline in the Park," by Harold Stern; "Fiddlers on the Roof;" "What Ever Happened to Cliff Arquette?," by Harold Stern; "The Loudest Noise on Summer TV: Channel 13's 'The Silent Years;'" "On Film: Brotherhood of Satan;" "A Marriage of a Young Stockbroker;" "Soul to Soul;" Reviews of "Doc," "Omega Man," "Cry Uncle," "Deep End," "Fool's Parade," and "Make a Face," by Charles Goldman; "Mangled Movies on TV," by Don Miller; "The Strange World of Augustus Faust," by Bruce Moore; "Jazz Behind the Iron Curtain," by Harold Stern; "Miss Julie Budd," by Peter Carey; "Gloria Jean - Why Did This Girl Stop Working?;" "New York's Premiere Restaurant," by Harold Stern; "Editorial;" "On Production: Good Friends Shot on Street;" "On Travel : Hawaii Kapu--or. Keep off the Sugarcane," by Constance Clarke; "Gambling, Girls and Seductive Latin Charm," by Bill Thomas; "Travel Is My Beat," by Philip M. Bottfeld; "Stillwell and the American Experience in China, 1911-1945," reviewed by Malcolm Monroe; "The Name Above the Title," reviewed by Don Miller; "On Books.and Authors: An Authoritative Look at the Inside of TV," by Harold Stern; "On Fashion," by Bill Thomas; artwork by Irv Docktor; "Temptations," by Vernon Gibbs; "Jim Morrison," by Vernon Gibbs and "Osibisa," by Vernon Gibbs. Good. Tearing of spine edge and recto edge, staining and mild foxing of right side edge of recto and bottom edge of verso, light creasing of covers. Light discoloration of page edges, contents otherwise clean and unmarked.…

Original publisher's white plastic covered boards, gilt title spine, gilt ornament frontcover, pictorial dustjacket, 2nd printing [1972], folio: Vol. 1- China: frontispiece, 184pp., 131 page-large plates, description of plates, list of forms & shapes chinese caramics & bronzes, map, list of plates. Vol. 2: Japan: frontispiece, 184pp., 128 page-large plates, description of plates, , list of plates. Very fine copies in slipcases. …