hayward frederick (24 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. paperback, illustrated, 32 pages, very good. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf 241.

Soft cover. Condizione: Very Good. 44 pages. Jacqueline Rose "David Grossman's Dilemma" / David Thomason "Joan Didion Goes Back Home" / David Edgar "Arthur Miller and the Oblong Blur" / Ross McKibbin "Who Wrecked the Tory Party?" / John Gittings "Chiang Kai-shek" / Michael Wood "'The Master'" / Christopher Tayler "Robert Stone" / Tessa Hadley "Anne Tyler" / Theo Tait "Paul Auster" / Peter Campbell at the Hayward Gallery / John Sutherland "The John Murray Archive" / Geoffrey Best "Prof: The Lige of Frederick Lindemann".

Condizione: New. pp. 166.

Condizione: New. pp. 166.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Softcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. Presumed First Edition. 168 pages. Blue lettering on a pictorial spine and front cover. Very minimal wear to the edges. A fine copy of this history of the United Empire Loyalists' Association. Illustrated throughout with b/w and colour photographs. This is a heavy book and may require additional shipping charges (at cost. Size: 8.25 x 10.75.

Hardcover. Condizione: Very Good. No Jacket. Binding is tight. This book shows minimal sign of wear to the cover, binding, or pages. No dust jacket included with this book. Secure packaging for safe delivery.

Paperback. Condizione: Fine. Book.

Paperback. Condizione: Fine. Book.

Hardcover. Condizione: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Boards show scuffing, interior pages clean and unmarked. Secure packaging for safe delivery.

Hardcover. Condizione: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Boards show scuffing, interior pages clean and unmarked. Secure packaging for safe delivery.

Soft cover. Condizione: Near Fine. Softcover; 168 pages. SIGNED by author. Clean cover, colourfully illustrated. Bumped tail-edge of spine. With both b&w and colour photographs. Clean white pages. NF. By Author. Book.

Hardcover. Condizione: Very Good. Dust Jacket Included. 1st Edition. 1) The Furniture Doctor, 2)The Junior Woodworker, 3} Working with Tools for Fun and Profit1 The furniture doctor : being practical information for everybody about the care, repair, and refinishing of furniture, with easy to follow directions and tricks of the trade that use commonly available materials, all presented with the author's usual hilarious anecdotes in the Yankee manner and more about his infamous Uncle George VG/VG Book Club edition 19622The Junior Woodworker by Charles H Hayward A young woodworker's every step This is an early Printing in the USA circa 1952 Former library tightly bound washable durable HC library binding Illustrated throughout the 203 pages with instructional drawings Includes an Index Classic tools that all beginners must have and how to use them,3 Working with Tools for Fun and Profit by Frederick Collins New Home Library, New York, 1943 Hardcover First Edition; third Printing Very Good+ sharp unmarked Lacks the dust All three VG only Furniture doctor has a dustjacket.

Condizione: New. Print on Demand pp. 202 402:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Matte Lam.

Condizione: New. Print on Demand pp. 202.

Condizione: New. Print on Demand pp. 202 409:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Matte Lam.

Vintage borderless black-and-white double weight press photograph from the set of the 1967 film comedy. With the stamp of photographer Pierluigi Praturlon on the verso. Born in Rome, Praturlon (better known simply as Pierluigi) embarked upon a career in photography in 1947. The young paparazzo got his first big story by snapping candid shots of Greta Garbo, who was passing through Rome incognito. Armed with his newfound celebrity, he became an habitue on Cinecitta film sets, and many movie icons, including Frank Sinatra and Sofia Loren, made him their regular photographer. Pierluigi's name is often associated with Federico Fellini's "La Dolce Vita," as he covered that shoot extensively. Inspired by his favorite play, Ben Jonson's "Volpone," millionaire Cecil Fox (Harrison) devises an intricate plan to trick three former mistresses into believing he is dying. Based on Frederick Knott's play "Mr. Fox of Venice" and Thomas Sterling's novel "The Evil of the Day." Set in Venice and shot on location both there and in Rome. 8 x 10 inches. Near Fine.

Biographical notes: Martinus Peter Hayward (1817-1904) was the son of Joakim Cooper Hayward (1782-1864) of Hayward's End, Stonehouse [in Gloucestershire]. A qualified doctor, he emigrated to South Australia on theRajasthanin 1839-40. He was declared insolvent in the depression of 1843 and went back to England. He returned to Adelaide in 1846, serving as surgeon on thePhoebe. He combined a medical practice with property interests and became a notable member of South Australian society. He lived at McLaren Vale, served as a Justice of the Peace, presided at public meetings, and was an official at race meetings. In 1857 he and his family returned to England. Following the death of his father in 1864, Hayward became the owner of the Hayward's End estate. (NLA) Johnson Frederick Hayward (1822-1912) was the brother of Martinus Hayward. He emigrated to South Australia on thePhoebein 1846 and immediately was engaged by the pastoralist Price Maurice to work on his sheep station at Pekina. In 1851 Hayward acquired a half share of 'Aroona', a property in the Flinders Ranges owned by Dr John Harris Browne and his brother. At the time, 'Aroona' was the most northerly property in South Australia and Hayward played a leading role in the development of the pastoral industry and in exploring the region. Mount Hayward and other landmarks in the Flinders Ranges are named after him. He sold his share in 'Aroona' in 1861 and purchased Canowie Station near Hallett, 20 miles north of Burra. He returned to England in 1864 and settled in Bath but retained an interest in Canowie until his death. (NLA) CONTENTS OF THE ARCHIVE: I. Manuscript letter. 15 February 1854.Martinus Hayward, Adelaide, South Australia, to his father Joakim Cooper Hayward, Stonehouse, Gloucestershire. Per steamer "Australian". 1 page, quarto. Covering letter for an enclosed bill of exchange for £63, 'of which £53 is the balance due to you and £10 for Mary Anna [Mary Anna Sarah Hayward, 1814-1886] & Madeline [Magdalena Catharina Wiltens Hayward, 1820-1905]. Burra dividend paid in Decr. last. The Gigs are not yet landed, and I have not yet seen Paxton [William Paxton, 1818-1893] but I shall charge to him & myself jointly yours & Albert's [Albertus Lemmers Ricardo Hayward, 1829-1889] expenses in purchasing cloth gigs & which I will send when I remit to Albert for his goods, but I am afraid they will not sell to pay for some weeks . Your affectionate Son, Martinus Hayward'. II.Manuscript letter. 29 May 1854. Martinus Hayward, The Grove, Maclaren Vale, South Australia, to his sister Madeline [Magdalena], [Stonehouse, Gloucestershire]. 4 pages, quarto. Explains the bill of exchange which is enclosed, and the Letter of Attorney empowering his father Joakim (whom he calls "the Governor") to receive the £80 on behalf of his sister Madeline and his brothers Fred (Johnson Frederick) and Charles (Charles Bland Hayward, 1831-190?]. 'I expected Charles here before this, however as he has not come I shall send a duplicate Power to Fred for him and Charles to sign . Fred was here at the beginning of March and looked better than I have seen him for years. I had a letter from him ten days ago, in which he says I may expect Charles about the end of this month.' Martinus then goes into some detail about various remittances he is sending to family members out of dividends he is receiving. 'I also wish he [i.e. his father, Joakim] would buy me a really good telescope. I have explained to Albert the kind I want, and I dare say he could get it in Liverpool. I don't care if it is second hand, we can see all the ships from the windows of our house, but they are from 10 to 16 miles distant. I would not mind £15 or £16 for a good one. Paxton and I made about £130 by the Cloth, and about cleared ourselves by the Gigs. I kept the large Gig with the velvet cushions, but I intend to sell it as it runs so very heavy. I have not yet had the accounts from Paxton for the goods he sent for on our joint account, but I think they will pay very well . I have heard nothing of Perret for years, but suspect he went to the Diggings. I don't know where to enquire for him . I have two gentlemen on a visit here from Adelaide today, and if I lose today's Post, I may be too late for the Steamer, and our Post Office is 4 miles away. Mary [née Mary Jane Bruce, 1834-79] too intended to write to Mother, but our servant is gone to Town for a few days and she is obliged to be in the kitchen. She desires me to thank you and Mother for your kind letters and to send her love to all of you, in which little Mary joins. The latter is very well and very forward in everything but talking, she can only say a few words, she has now nearly all her teeth. The meazles has been going the round of the colony, but as yet Mary has escaped them . Your affectionate Brother, Martinus Hayward.' III.Manuscript letter. 21 September 1854. Martinus Hayward, Adelaide, South Australia, to his sister Mary Anna, Stonehouse, Gloucestershire. 3 pages, quarto. 'About three weeks ago I received a letter from Fred (who had come down to the Burra) enclosing one from Jacob [Jacob Scott Hayward, 1818-1868] explaining how my father was situated with regard to Uncle Jacob &c &c, and on the 4th of this month I received yours of July 2nd . About the end of May I wrote to Madeline, in which I mentioned that out of my legacy of £80 I wished you and Madeline to be paid £10 each for March & June Burra Dividends, £10 to Elizabeth [Elizabeth Copper Hayward, 1824-1905] & £5 to Theresa [Maria Theresa Andree Hayward, 1823-1905], which Fred requested me to send them, and £15 to my father & Albert for expenses incurred in procuring the Cloth & Gigs; now under the circumstances I wish to relinquish all claims to the legacy in favour of my father, and accordingly remit 1st of Exchange for £50 to pay the above sums, and as agreed, the Telescope which I also sent for, it can be paid for from the Interest of Elliot's debt, but as I want one for use on.

Condizione: New. Print on Demand pp. 202.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1922 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 433 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 433 Language: English.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1922. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 433, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 433 433.