helmut breidenstein (8 risultati)

Jahr: 2005. Einband: Broschur. Beschreibung: 2005 - Mit farb. Porträt des Autors als Frontispiz. Mit Abb. und Notenbeispielen. Sehr gutes Expl. Sprache: de. 208 S.

Erste Ausgabe. 15 x 21 cm. Musikwissenschaftliche Studien ; Bd. 8. Erste Auflage, 208 S. Illustrierte Originalbroschur. Notenbeispiele, Porträt. Gut bis sehr gut erhalten. Auf dem Titel gewidmet: "Mit Verehrung und Dank für die Argumentationshilfe auf S- 5t2, Fußnote 38. Ihr Helmut Breidenstein". Signatur des Verfassers.

Hardcover. Condizione: Gut. 123 Seiten Ein Bildband, der die Schönheit Deutschlands in Landschaften, Städten, Dörfern und Menschen dokumentiert. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-579-8/8-00592611 Sprache: Deutsch Gewicht in Gramm: 1113.

Hardcover. Condizione: Gut. 123 Ein Blick auf die historischen und kulturellen Aspekte Pommerns und Mecklenburgs, präsentiert in einem vielfältigen Bildband. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-505-4/8-00713031 Sprache: Deutsch Gewicht in Gramm: 406.

Hardcover. Condizione: Gut. 10. Auflage. 123 Seiten Ein Bildband mit beeindruckenden Aufnahmen von Deutschlands Landschaften, Städten und Dörfern, ergänzt durch erklärende Texte. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-850-8/8-00441813 Sprache: Deutsch Gewicht in Gramm: 1114.

Condizione: Sehr gut. 1. Aufl. 380 S. OPpbd o. SU, tadelloses Ex. Sprache: Deutsch Gewicht in Gramm: 1650 gebundene Ausgabe, Hardcover/Pappeinband.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -A reference book for the musician's practical work of interpretation, this volume, after a general presentation of 18th century principles for determining a tempo, offers a compendium of all Mozart's autograph tempo markings in 420 lists of pieces of similar character. Thus, a comparison of slower and quicker movements is made possible by 434 music examples, and there follows a wide-ranging collection of relevant texts taken from historical sources.The book does not claim to know 'the single correct tempo' for the works of Wolfgang Amadeus Mozart. It hopes to be of assistance in the unavoidable search by every interpreter for the 'true mouvement' of each work-for the work itself, for the performer, the instrument or instruments, the room, the public, the nature of the event. It follows that there can be no absolutely 'authentic' tempo for Mozart's works. And yet his tempo markings, since he chose them so meticulously, should be taken equally seriously with the other parameters of his famously precise notation.Alfred Brendel writes: 'an astonishing opus . one of those rare and important books in which music and musicology form a vital association; a lifelong study that makes one very much aware of a field to which attention is rarely paid. It accomplishes this by bringing to bear an understanding that never loses sight of the musical foundation on which it is built, and by a discerning intelligence that does not shy away from raising debatable topics, although without ever claiming infallibility . One cannot be grateful enough to Helmut Breidenstein for his methodological accuracy which allows us Mozart interpreters to orientate ourselves with ease and pleasure . His book sharpens our perception, at the same time giving an overview and making us sensitive to each individual case. Admiration and gratitude.' 386 pp. Englisch.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A reference book for the musician's practical work of interpretation, this volume, after a general presentation of 18th century principles for determining a tempo, offers a compendium of all Mozart's autograph tempo markings in 420 lists of pieces of similar character. Thus, a comparison of slower and quicker movements is made possible by 434 music examples, and there follows a wide-ranging collection of relevant texts taken from historical sources.The book does not claim to know 'the single correct tempo' for the works of Wolfgang Amadeus Mozart. It hopes to be of assistance in the unavoidable search by every interpreter for the 'true mouvement' of each work-for the work itself, for the performer, the instrument or instruments, the room, the public, the nature of the event. It follows that there can be no absolutely 'authentic' tempo for Mozart's works. And yet his tempo markings, since he chose them so meticulously, should be taken equally seriously with the other parameters of his famously precise notation.Alfred Brendel writes: 'an astonishing opus . one of those rare and important books in which music and musicology form a vital association; a lifelong study that makes one very much aware of a field to which attention is rarely paid. It accomplishes this by bringing to bear an understanding that never loses sight of the musical foundation on which it is built, and by a discerning intelligence that does not shy away from raising debatable topics, although without ever claiming infallibility . One cannot be grateful enough to Helmut Breidenstein for his methodological accuracy which allows us Mozart interpreters to orientate ourselves with ease and pleasure . His book sharpens our perception, at the same time giving an overview and making us sensitive to each individual case. Admiration and gratitude.'.