hemingway ernest text (16 risultati)

Soft cover. Condizione: Fair. 1669pp. + 10 pages Guide to research. The Stories, Their Sources, Their Critics. Book is a very good reader copy, clean no marks or tears. 8vo.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2nd. Cloth, 133 pages, illustrations (some colour); 29 cm. First published, 1948. Firm binding, clean text. Small previous owner's ink stamp/title page. Age toning, endpapers lightly soiled. Dust jacket price-clipped on the front flap. Size: 4to.

Wraps. Condizione: G/No Dustjacket. Black & White Plates (illustratore). New York, NY: Modern Age Books. G/No Dustjacket. (1939). . Wraps. 4to., unpaginated, Binding rubbed & chewed with tears, lightly pulling from text .

Paperback. Condizione: Very Good. 1st. 29, [91] pages, illustrations; 28 cm. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. First Trade Edition. *** Artist Luis Quintanilla (1893-1978) adopted a Cubist style in the pre-World War One period and became acquainted with writer Ernest Hemingway in Paris in the 1920s. After returning to Spain in the 1930s, he was imprisoned for some time, then served in the Spanish Civil War, going into exile in New York and later Paris after the fall of the Spanish Republic. Size: 4to. Collectible.

Trade Paperback. Condizione: Near Fine. First Edition. A trade-size paperback original. Near fine in printed wrappers. (Mild discoloration at spine & adjacent edges of covers) The stories, their sources & their critics.

First edition thus. Signed by the illustrator. Hardcover. Quarto. Endpapers slightly foxed, otherwise fine in pictorial glazed boards as issued. A bull-fighting tale by Hemingway, with colour illustrations by Foreman, who has flat-signed his name on the copyright page, opposite his printed name on the title-page.

Hardcover. Condizione: Fine. First Edition. Fine in a Nf. dj. (A few short edge tears & a couple of very tiny edge chips in dj. Hint of age toning at spine on dj.) Features an original 3 pp. Ernest Hemingway introduction. An exceptionally nice copy.

Softcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket. First Edition; First Printing. First paperback edition. (First publication under this title. Originally published under the title: "This Must Be The Place." ) About fine in striking pictorial printed wrappers. (The text shows the inevitable toning, as do the inside blank covers. ) Sharp copy.

Condizione sovraccoperta: dj. First Edition. Quarto (28.5cm); oatmeal cloth-covered boards, with titling stamped in brown on spine and front cover; photographic endpapers; dustjacket; 343pp; black and white photographic (halftone) frontspiece portrait with halftones throughout. Light tanning to spine and board edges; Very Good. Dustwrapper, price-clipped, with trivial surface wear, tape mend to verso of upper spine panel, and creases and rubbing to spine ends, flaps, and extremities; Very Good. Pictorial recollection explores the life of Ernest Hemingway, created by his friend, Lloyd R. Arnold, with a foreword by his grandson, John Hemingway. [84596].

Cloth. Condizione: As New. Condizione sovraccoperta: As New. Roberto Herrera (illustratore). First Edition. First edition. Mint in original dust jacket and shrink-wrap UNOPENED!!! One of 1000 copies printed with an introduction by Gabriel Garcia Marquez and photographs by Roberto Herrera. Unusual in this condition.

softcover. Condizione: very Good. First Edition. Folio & quarto, unnumbered, the paper portfolio has a horizontal tear (not affecting the plates). Holland was Editor-in-Chief of Field & Stream, and a hunting partner to Lynn Bogue Hunt. In a separate, included, unpaginated booklet, Holland has written a description of Lynn Bogue Hunt, and descriptions of each of the 12 game birds depicted in the accompanying portfolio. The booklet also is annotated to identify various of the birds in the paintings. Also in the booklet are blurbs from various enthusiasts, not least of whom is Ernest Hemingway: "Lynn Bogue Hunt is the finest painter of game birds that we have in Ameica, and all sportsmen will want to have this new portfolio of his paintings. If you do not shoot birds, but only love to watch them, then these paintings are even more for you. . " [ Unknown to Hanneman's 1st or revised Hemingway Bibliography ].

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. First Edition; First Printing. 2nd. Printing. Deluxe Limited Edition. (Folio) (343pp. ) SIGNED by Ernest Hemingway's son John H. Hemingway numbered 533 of 950 copies on a special colophon. Close to fine in white buckram laid-into a matching slipcase with leather inset panel. (Hint of faint foxing at edge of preliminariy page. ) Heavily illustrated. ; Folio ; Unpaginated pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. Limited edition. One of 1000 copies. (83pp. ) Fine in fine dust jacket. Originally published in Holiday magazine. ; 6 1/2" x 6 1/2"; 83 pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. Limited Edition.1000 copies printed. (83pp.) Complimentary copy with printed publisher's bookmark attesting. Fine in a fine dj. A surprisingly elusive title. (B).

First Edition. First Printing. Octavo (21.5cm); green cloth, with titling and author's facsimile signature stamped in gilt and black on spine and front cover; [viii],295,[1]pp. Sunning to spine, slight sun-mottling to covers, with neat ownership signature to front endpaper, dated 1935; contents clean; just Very Good, lacking the dustwrapper. Hemingway's non-fiction account of a month-long safari in East Africa, first serialized in Scribner's Magazine between May-November, 1935. HANNEMAN A13a.

No Binding. Condizione: Fine. Exhibition catalogue of drypoints by Luis Quintanilla. Fine condition. Format consists of a single long sheet of 8vo size folded into three panels, the rearmost of which is blank and forms the rear cover when the paper is folded. Contents within (four pages) are printed sideways. An extensive essay by Hemingway takes up two closely typeset pages followed by a list of items exhibited and a single page with another essay by John Dos Passos. The exhibition first took place in New York at the Pierre Matisse Gallery from November 20 to December 4, 1934. This venue must have immediately followed. The Spanish Civil War lay two years in the future. During the war Quintanilla devoted himself to the Republican cause. Hemingway later wrote the text for Quintanilla's depictions of the war All The Brave (1939), published by Modern Age Books. Cf. Hanneman B16, recording only the New York show. No copies of this gallery venue in WorldCat.