hendrick goltzius (111 risultati)

No Binding. Condizione: Good. Postcard in Good condition, with writing on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Condizione: Fine. Postcard in fine condition. Unmailed. Cards are sent in stiff mailers. Postcard.

1 Blatt, verso weiß. Condizione: Gut. Darstellung ca. 8,5 x 7 cm, Blatt ca. 30 x 22,5 cm. Brustbild-Portrait, darunter Legende. - Papierbedingt gering gebräunt, ganz leicht aufgewellt, sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 250.

"Apollo Pythius" (The Apollo of Belvedere with the young draughtsman) high-quality facsimile/reprint in giclée print with narrow, white border on 250g Schwarzwaldmühle art print cardboard (30x21cm) after a copperplate engraving published in 1617.

167 Seiten. Mit zahlreichen Abbildungen. Illustrierte Originalbroschur. 20x21 cm Sprache: Deutsch Gewicht in Gramm: 700.

Single leaf, only. Trimmed at borders, lacks upper and lower text. Mounted at corners to larger plain leaf. Suitable for framing. Citations: BM 1872, 1012.22 (1606 ed.). Hollstein (Dutch and Flemish) 361. Unidentified early 17th century, very similar to British Museum copy of the print (c1606). Lettered oval portrait of Floris V wearing armor and crown, illustrated borders with horned beasts at top corners and snake at bottom.

Bassano del Grappa, Minchio, [1990]. 76 pp. B./w. ills. Softcover. 8vo.Catalogue of the exhibition at the Museo civico di Bassano del Grappa, January 19. - April 19, 1990. - Text in Italian.

Kleve, 1982. 167 pp. Ills. Softcover.

Utrecht, Haentjens, Dekker & Gumbert, 1961. 219 pp. B./w. frontispiece (portrait). Orig. softcover (printed wrappers). 8vo. [Diss.] - Light shelfwear.Academic dissertation for the purpose of obtaining the degree of degree of Doctor of Letters at the Rijksuniversiteit Utrecht, March 17, 1961. - Text in German.

175 Seiten. Mit zahlreichen Illustrationen. 4°, Pappeinband mit Schutzumschlag. Einwandfreies Exemplar. Sprache: Deutsch.

Leipzig, Klinkhardt & Biermann, 1976. X,[6],174 pp. B./w. frontispiece (portrait). Orig. publisher's hardcover binding (light gray cloth with blue lettering), d./j. 8vo. Unchanged reprint of the 1921 edition.

Zwolle, Waander & Amsterdam, Rijksmuseum, [2003]. 352 pp. Col. & b./w. ills. Orig. hardcover (gray cloth with silver colored lettering),d./j. 4to.Published on the occasion of the exhibition of the same name in the Rijksmuseum in Amsterdam, March 7-May 25, 2003, and the exhibition 'Hendrick Goltzius, Dutch master (1558-1617). Drawings, prints, and paintings' in The Metropolitan Museum of Art in New York, June 23-September 7, 2003, and in The Toledo Museum of Art in Toledo (Ohio), October 18 2003 - January 4, 2004. - Text in Dutch.

Haag, 1916. XI,104 pp. 15 ills. Softcover. - Spine damaged; sl. worn & soiled. (Quellenstudien zur Holländischen Kunstgeschichte - Heft 9).Van Hall - No.10001.

München, 2016. 118 pp. Col. & b./w. ills. Softcover.Published to accompany the exhibition "Bestechend gestochen. Das Unternehmen Hendrick Goltzius", 11 Aug. - 13 Nov. 2016 at the Kunstmuseum Basel, Kupferstichkabinett.

100p, mostly colour plates from Breen's "MILITARY EVOLUTIONS" and Goltzius1 IMPERIAL ARMY.

Gr.-8°, gebundene Ausgabe, 175 Seiten, SU minimal berieben, sonst in einem sehr guten Zustand. Abgleich des Titelbildes bitte bei nika-books. 9783922909729 Sprache: Deutsch Gewicht in Gramm: 1050.

0. 18 cm. 207 S., überwiegend Ill. brosch. Leicht bestossen und gebräunt. Bibliophile Taschenbücher 386. Sprache: Deutschutsch 0,450 gr.

Pp. Condizione: Wie neu. 175 S. : zahlr. Ill. ; 29 cm neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz, Seiten zart nachgedunkelt Sprache: Deutsch Gewicht in Gramm: 940.

Haag, 1916. XI,104 pp. 15 b./w. ills. Rebound in cloth. ( (Quellenstudien zur Holländischen Kunstgeschichte - Heft 9).

Hamburg, Kunsthalle. 175 pp. Monochrome ills. Hardcover, d./j.

Condizione: Sehr gut. 4°. 31 x 20 cm. 300 Seiten. Gebundener Original-Pappband. (= Schriftenreihe Museum Kurhaus Kleve - Ewald-Mataré-Sammlung, Nr. 77). 1. Auflage. Katalog anlässlich der Ausstellung im Museum Kurhaus Kleve - Ewald-Mataré-Sammlung vom 8. Oktober 2017 - 11. Februar 2018. Mit zahlreichen Abbildungen. Einband fleckig und berieben. Sehr gutes Exemplar.

Condizione: en bon état. Joannes Stradanus Anvers Florence entre 1578 et 1582. Une gravure Originale à l'eau-forte et au burin en noir : Format : 20,4 centimètres de haut par 27 centimètres de large, sur papier crème vergé ligné , Inscriptions / marques - Lettre dans la cuvette au centre : "turdior est phriisiis, equus educatus in aruis curribus aptus, et attrito sub vomere rastus - dentalis pingnes doctus conuellere glebas densa cui destro iuba semper pendet ab armo", à gauche : Joannes Stradanus inuen. Phls. Gall?us excud., titre : PHRISO, en haut au centre dans la gravure, petit manque de papier à l'angle droit en haut, à l'angle gauche en bas et en bas au centre, entre 1578 et 1582 Anvers Florence Editeur, en bon état Adam-François Van der Meulen, baptisé le 11 janvier 1632 à Bruxelles et mort le 15 octobre 1690 à Paris, est un peintre baroque flamand d'origine bruxelloise. Se spécialisant dans la peinture de bataille et de chasse, il vient renforcer en 1665, l'équipe chargée d'immortaliser l'image du roi et est pensionné dès 1667. Il accompagne Louis XIV dans tous ses voyages, dans toutes ses résidences, et dans toutes ses guerres. Il réalise également de nombreux cartons pour la manufacture de Gobelins . SUPERBE ET RARE EAU-FORTE . en bon état malgré les defauts signalés(good condition in spite of the defects indicated).

Soft cover. Condizione: Good. 1st Edition. Three etchings mounted on one sheet. All with damage to corners from earlier mounting. 40x60mm.

Couverture rigide. Condizione: Très bon. Normal 0 21 false false false FR X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} Splendid proofs of the authentic first issue, with all the particularities mentioned by Bartsch. (A. Bartsch, Le peintre graveur, III, 27-38). F.W.H. Hoolstein, n°21 à 32. Precious copy of the greatest chisel engraver in the history of engraving who composed these 12 pieces in the style of Lucas de Leyde, "which perfectly did him good". A. Bartsch. "In Holland, this century ends in grand style with Hendrick Goltzius (1558-1617), virtuoso of the chisel as the history of engraving never knew." "In his early days, Goltzius works for J. Cock, Ph. Galle, whose portrait he engraves in 1582, then for N. and C.I. Visscher, H. Hondius, J. Dankaerts, H. Adolfz and many others. At that time, he engraves beautiful original portraits in the tradition of Antwerp: Mercator in 1576, Ch. Plantin and the famous Henry IV. The Italianism also overcomes him. It is then the Portrait of H. Bol, the one of Scaliger, and he definitely adopts this style in The Holy Family which would be, by the way, an interpretation engraving after Baroccio. Eager to show his virtuosity, he engraves in 1593-1594 the Life of Virgin Mary where he neither copies nor translates, but intelligently does a pastiche of Raphael, Baroccio, Parmesan, Bassano, Durer and Lucas de Leyde by executing compositions that these masters could have conceived. This virtuoso, this king of chisel, who goes from tour de force to tour de force left perfect examples with the Portrait of Frederik Vries in 1597 and the famous Sign-holders. Thus ends the 16th century in Holland with the triumph of fine technique, of mannered work of which the leader H. Goltzius will still have some influence in the 17th century. On the contrary, the Catholic and prosperous Flanders, penetrated by the Spanish pomp, rejects Bruegel's funniness and, with Rubens, will adopt a totally different style." E. Rouir, La gravure des origines au XVIe siècle. This suite, as remarkable by its composition than by its drawing, has been almost instantly copied and imitated several times. A Dutch masterpiece from the end of the 16th century beautifully preserved.

Museum für Volkskunde. Kevelaer. 1973. 18 x 20 cm. 47 (2) Seiten, mit vielen Abbildungen. Original Binding. Illustr. Kartonband. Gut bis sehr gut erhalten. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Zwolle, Waanders Uitgevers, 1993. 543 pp. 390 ills (25 col.). Orig. hardcover (black cloth with silver lettering). 8vo. - Without a dust jacket; small stamp 'doublet'on title page. - Overall a very good copy. (Nederlands kunsthistorisch jaarboek 1991-92, Deel 42-43).Articles in Dutch, English & German by Hessel Miedema, Lawrence W. Nichols, Ilja Veldman, [et al]. Bibliography by Jan Kosten.

kart. Condizione: Neu. 199 Seiten ; 28 cm, 1100 g NEUBUCH ! 9783731910794 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Deutsch Gewicht in Gramm: 1100.

Hendrick Goltzius (illustratore). Study of four heads showing different expressions and angles.Made by Johann Georg Hertel after Hendrick Goltzius.Medium: Engraving on hand laid (verge) paper.Sheet size: 21.8 x 28.4 cm (8.58 x 11.18 inch). Image size: 19 x 23.2 cm. (7.48 x 9.13 inch).STUDY-OF-FOUR-HEADS | PCO-A15-32BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Johann Georg Hertel (1719-1785) was a German engraver known for his detailed landscapes and historical scenes.Biography artist: Hendrick Goltzius (1558-1617) was a Dutch printmaker, draftsman, and painter known for his Mannerist style. Condition: good, given age. Light handling marks, some staining, and general age-related toning. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zwolle, Waanders Uitgevers, 1993. 543 pp. 390 ills (25 col.). Orig. hardcover (black cloth with silver lettering), d./j. 8vo. - Top edge of dust jacket very sl. dam. - Overall a very good copy. (Nederlands kunsthistorisch jaarboek 1991-92, Deel 42-43).Articles in Dutch, English & German by Hessel Miedema, Lawrence W. Nichols, Ilja Veldman, [et al]. Bibliography by Jan Kosten.

0. Sprache: Deutschu.