Henk de smaele (67 risultati)

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven).…

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: Brand New. 352 pages. 9.10x6.75x0.75 inches. In Stock.

Condizione: New. In.

Paperback. Condizione: new. Paperback. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven) Masculinities in nineteenth-century art through the lens of gender and queer history Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Condizione: New. Brand New.

Paperback. 416 pp.; 24x16.5 cm. Text in Dutch / Nederlands. - (name on half title page) Very good, see picture 960g.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: As New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 352 pages. 9.10x6.75x0.75 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. Described as 'the hand of God', as 'pathological' or even as 'a clever trick', exceptional corporeal phenomena such as miraculous cures, stigmata, and incorrupt corpses have triggered heated debates in the past. Depending on their definition as either 'supernatural', 'psycho-somatic' or 'fraudulent', different authorities have sought to explain these enigmatic occurrences by stimulating inquiries and claiming jurisdiction over them. As a consequence, separate ecclesiastic and medical forms of expertise emerged on these issues in the nineteenth and twentieth centuries. This incommensurability has since echoed in historical analyses of paranormal events. In this book the emphasis is not placed solely on the debates within one or the other epistemological system (science or religion), but also on the crossovers and collaborations between them. Religion and science developed through a process of interaction. A changing religious climate and new religious currents provided new cases for study. Religious phenomena inspired new medical approaches such as the healing power of faith.New medical findings could be adopted to oppose new messiahs and medical imagery came to inspire the campaigns of opponents of aberrant of religious currents. Sign or Symptom? explores how the evolutions within religion and science influenced each other, a productive interaction that has been hidden from view until now. Contributors Ellen Amster (McMaster University), Nicole Edelman (Universite de Paris-Ouest-Nanterre), Maria Heidegger (Universitat Innsbruck), Mary Heimann (Cardiff University), Paula Kane (University of Pittsburgh), Sofie Lachapelle (University of Guelph), Tiago Pires Marques (Universidade de Coimbra), Tine Van Osselaer (Universiteit Antwerpen) Religion and science on paranormal events. 'Sign or Symptom?' explores how the evolutions within religion and science influenced each other, a productive interaction that has been hidden from view until now. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: Very Good.

Condizione: As New. Unread book in perfect condition.

Kartoniert / Broschiert. Condizione: New.

Paperback. Condizione: Brand New. 1st edition. 204 pages. French language. 9.00x6.75x0.75 inches. In Stock.

Paperback. Condizione: Brand New. 1st edition. 204 pages. French language. 9.00x6.75x0.75 inches. In Stock.

Paperback. Condizione: new. Paperback. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven) Masculinities in nineteenth-century art through the lens of gender and queer history Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven).…

Condizione: New. In.