Hickey dave foreword (16 risultati)

Paperback. Condizione: Good. Softcover. Good binding and cover. Shelf wear. Some stains to cover and end pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Edward Ruscha (illustratore).

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st. xix, 420 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Age toning. First Printing. Dust jacket protected in a mylar cover. *** "Christopher Knight is the unprecedented five-time winner of the Chemical Bank Award for Distinguished Newspaper Art Criticism, and was a finalist for the 1990 Pulitzer Prize in criticism. Writing first for the Los Angeles Herald Examiner and now for the Los Angeles Times, Knight has developed a new journalistic approach to American art and culture, in which a radical defense of images stands alongside an incisive critique of cultural institutions. Among the 129 essays and reviews collected here are individual writings on internationally important historical figures, such as Rembrandt van Rijn, Tung Ch'i Ch'ang, and douard Manet; contemporary American masters like Edward Ruscha and Mike Kelley; and significant artists virtually forgotten today, such as California's Henrietta Shore and Mexico's Hermenegildo Bustos. Articles address politically motivated attacks on the NEA; the sculpture commissioned as the Vietnam Women's Memorial; Ariana Huffington's cynical biography of Picasso; the emergence of Los Angeles, birthplace of America's distinctive suburban sprawl, as a cultural powerhouse; the criticism of Time magazine's Robert Hughes and The New Criterion's Hilton Kramer; and a wide variety of museum exhibitions, both large and small." - Publisher. *** CONTENTS: ARTISTS: Peter Alexander; Charles Arnoldi, Laddie John Dill; John Baldessari; Hannelore Baron; Billy Al Bengston; Wallace Berman; Elmer Bischoff; Lee Bontecou; Jonathan Borofsky; Chris Burden; Hermenegildo Bustos; Vija Celmins; Larry Clark; Ron Davis; Roy Dowell; Lorser Feitelson, Helen Lundeberg; Eric Fischl; Judy Fiskin; Helen Frankenthaler; Frank O. Gehry; Hendrik Goltzius; Leon Golub; David Hammons; Palmer C. Hayden; Roger Herman; Eva Hesse; David Hockney; George Inness; Jim Isermann; Alexej Jawlensky; Larry Johnson; Mike Kelley; Ellsworth Kelly; John Frederick Kensett; Vitaly Komar, Alexander Melamid; Jeff Koons; Leon Kossoff; Barbara Kruger; Jacob Lawrence; Annie Leibovitz; Sherrie Levine; Helen Levitt; Roy Lichtenstein; Andrew Lord; E douard Manet; Sylvia Plimack Mangold; Robert Mapplethorpe; Allan McCollum; John M. Miller; Elizabeth Murray; Alice Neel; David Park; Ellen Phelan; Lari Pittman; Jacopo Pontormo; Liubov Popova; Stephen Prina; Charles Ray; Rembrandt van Rijn; Gerhard Richter; Mark Rothko; Henri Rousseau; Edward Ruscha; August Sander; Adrian Saxe; Jim Shaw; Henrietta Shore; Alexis Smith; Kiki Smith; Gary Stephan; Wayne Thiebaud; Tung Ch'i-ch'ang; Richard Tuttle; Bill Viola; Andy Warhol. EXHIBITIONS, EVENTS, ETC. Miss Piggy and the Pieta`; American portraiture in the grand manner; Exile; Authentic reproductions; Otis Clay; The Vatican collections; Nuremberg: a Renaissance city; MoCA: a new museum for Los Angeles; The Olympic art fiasco; L.A. Freeway: the automotive Basilica; The place for art in America's schools; Art in the San Francisco Bay area; The Macchiaioli; Japanese photography in America; An open letter to Attorney General Edwin Meese; Abstract surrealism into abstract expressionism; Photography and art: interactions since 1946; American craft today; Muse e d'Orsay; Wallraf-Richartz Museum/Museum Ludwig; Van Gogh's market; The Armand Hammer collection; Mira! The Canadian Club Hispanic art tour; Picasso: creator and destroyer; The human figure in early Greek art; Against nature: a show by homosexual men; Painting in Renaissance Siena; Richard Neutra at UCLA; The Dada and surrealist word-image; The Minneapolis sculpture garden; Case study houses; Thrift store paintings; Is L.A. a world-class art city?; The criticism of Robert Hughes; Hate mail; Degenerate art; On drawing; MoMA in L.A.; African-American quiltmaking; Worker photography between the wars; Mexico: splendors of thirty centuries; 101 Years of California photography; The brave new NEA; The NAMES project AIDS memorial quilt; Inventing still life; The Vietnam women's memorial; Can L.A. help heal the arts?; Two murals, two histories. Size: 8vo. Collectible.…

hardcover. Condizione: As New. New book in shrink wrap.

hardcover. Condizione: Very Good. Hardcover and dust jacket. Good binding and cover. Minor shelf wear. Dj spine slightly sunned. Clean, unmarked pages. This is an oversized or heavy book, which WILL require additional postage for Priority Mail or International delivery outside the US.

HARDCOVER. Condizione: NEW. Condizione sovraccoperta: Issued without a dustjacket. 1st Edition. 4to in thick colour printed boards, 98pp, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

HARDCOVER. Condizione: As New. 1st Edition. 4to in thick colour printed boards, 98pp, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Condizione: Very Good. First Edition. Publisher: Hudson Hills, New York, 1982.NEAR FINE softcover in illustrated wraps, as issued. Half inch tear at heel of spine. First Softcover Edition, First Printing. Edward Ruscha (illustratore).

hardcover. Condizione: Very Good. First Edition. Hudson Hills Press in association with the San Francisco Museum of Modern Art; New York, 1982. Hardcover. A Very Good, yellow cloth binding with blind stamped lettering on front board and gilt lettering on spine, binding sturdy and intact, smudge mark top and bottom spine buckram, slightly bumped board corners, rubbing along board edges, mild scattered foxing top text block edge, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, spine fade and some offsetting to rear panel margin at spine, faint crease along front panel, Dust wrapper. A nice, clean and unmarked copy. Square 4to[quarto or approx. 10.25 x 10.25 inches], 182pp., appendices, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Soft cover. Condizione: Very Good. This extensive exhibition, which took over both floors of the Royal Scottish Academy, was the first museum survey of Bridget Riley's work to be held in the UK for 16 years, and the largest exhibition of her work to be shown in Scotland. Spanning over 70 years of work, it focused on the origins of Riley's practice and traced pivotal moments across her acclaimed career. It featured very early paintings and drawings, many of which were being exhibited for the first time, iconic black-and-white paintings of the 1960s, Riley's expansive explorations into colour, wall paintings and works made this year, as well as studies that reveal Riley's working methods. Catalogue of an exhibition held at the Scottish National Gallery, Edinburgh, 15 June - 22 September 2019; and at Hayward Gallery, London, 23 October 2019 - 26 January 2020. 279 pages : illustrations (chiefly colour), portraits (some colour) ; 28 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Printing, Limited to 2000. First Printing, Limited to 2000. Dust jacket shows some discoloration and browning as well as some light rubbing, scuffing and shelf wear. Book itself also shows some shelf wear.

hardcover. Condizione: Very Good. used very good. 2026.

Hardcover. Condizione: New.

Paperback. Condizione: Near Fine. 1st. 182 pages, illustrations (some colour), maps; 26 cm. On cover: I dont want no retro spective. Exhibition organized by the San Francisco Museum of Modern Art. Near fine. Firm binding, clean inside copy. Age toning. Stated First Edition. Large softcover. Richly illustrated with colour plates. *** CONTENTS: Introduction: Collage and beyond, by Anne Livet; Available light, by Dave Hickey; Ed Ruscha, seriously, by Peter Plagens. Size: 4to. Collectible.…

Softcover. Condizione: Fine. No Dust Jacket. First Edition; First Printing. First edition. The trade-size paperback issue with the Ruscha work "I Dont Want No Retro Spective" pictured on front cover. Fine in printed paperback wrappers. (182pp. ) (10" x 10") 62 color plates, including 9 gatefolds & 150 duotone & black & white photographs. Laid-in separately is the uncommon exhibition brochure curated by Louise Katzman which is fine in stapled wrappers. (8pp. ) (5 1/2" X 8 1/2") Both items 'as new'.; 10 " x 10"; 182 pages. …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. First edition. Fine in fine dust jacket. (4to. ) (182pp. ) (10 1/4" X 10 1/4") 62 color plates, including 9 gatefolds & 150 duotone & black & white photographs. Choice copy.