hiller marc (5 risultati)

Soft cover. Condizione: Fine. Volume 6, Number 3; 1981 B00K: Fine/+, (illustratore). B00K: Fine/+, $39.03 JOURNAL of HEALTH POLITICS, POLICY and LAW; Volume 6, Number 3; FALL 1981 MARMOR, T. R.; FALCONE, David J.; EICHER, Terry B.; TRESH, Sylvia; SALTMAN, Richard B.; YOUNG, David W.; THOMPSON, Frank J.; CAMPBELL, Richard W.; WRISTON, Sara; HILLER, Marc D.; BEYDA, Vivian; CAPLAN, Arthur L.; STEINBROOK, Robert L.; SHEPPARD, Samona; MAHLER, Julianne; SOMERS, Anne R.; SCHRAMM, Carl J.; HENCKE, Mary S.; WATTS, Thomas D.; BEAUCHAMP, Dan E. DUKE UNIVERSITY 1981 S/C. Blue Spine, With Title In Black Letters, Soft Cover BooK: Fine/, Almost As New/, Slightest Shelf, Edge And Corner Wear. Pages 369 To 575, Printed On Off White Paper, In Fine/As New/ Condition, That Were Lightly Viewed, Or Not Read At All, Clean And Tight To The Spine, Slight Shelf, Edge And Corner Wear. D/J: None. No Tears. No Odor. No Stains. No Writing. No Names. Description Applies To This Book, Only. This BooK Is Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. WORLD WIDE SHIPPING, AVAILABLE.

Brossura. Condizione: quasi ottimo. Libro in quasi ottime condizioni che illustra la razza ariana secondo i nazisti e il modo nella quale preservarla .

In 8°, pp. 374, (6). Brossura editoriale figurata. Copia in buono stato. Prima edizione italiana.

2 vol. : [unpaginated] ; [unpaginated]; 2 vol. : 15 x 10.7 cm. (vol. 1) ; 15 x 10.7 cm. (vol. 2); sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue for a two part multi-venue exhibition held April 5 - June 15, 2008. Curated by Adam Szymczyk and Elena Filipovic. Artists include: Danai Anesiadou, Caner Aslan, Michel Auder, Pedro Barateiro, Ursula Block, Cezary Bodzianowski, Manon de Boer, Nairy Baghramian, Alexandra Bachzetsis, Balázs Béla Studio, Ludovic Balland, Augusto Boal, Oksana Bulgakowa, Banu Cennetoglu, Philippine Hoegen, Marc Camille Chaimowicz, Banu Cennetoglu, Dorit Chrysler, Holk Cruse, Luc Steels, Thea Djordjadze, Aleana Egan, Haris Epaminonda, Patricia Esquivias, Chris Evans, Maria Eichhorn, Seth Siegelaub, Matthias Einhoff, Philip Horst, Markus Lohmann, Harry Sachs, Dan Seiple, Cyprien Gaillard, Jos De Gruyter, Harald Thys, Masist Gül, Daniel Guzmán, Goodiepal, Susan Hiller, Dieter Hacker, Emma Hedditch, IDEA arts + society, Cameron Jamie, Sung Hwan Kim, Daniel Knorr, Susanne Kriemann, Gabriel Kuri, Tellervo Kalleinen, Oliver Kochta-Kalleinen, Miss Le Bomb, Joachim Koester, Luciana Lamothe, Lars Laumann, Janette Laverričre, Zhao Liang, Jacques Lacan, David Maljkovic, Babette Mangolte, Jacob Mishori, Ulrike Mohr, Ania Molska, Melvin Moti, Goshka Macuga, Thomas Macho, Kobe, Matthias, James McFarland, Nashashibi / Skaer, Kristina Norman + Paul Davies, Ahmet Ögüt, Paulina Olowska, Giulia Piscitelli, Paola Pivi, Pushwagner, Pil und Gala Kollectiv, Falke Pisano, Lili Reynaud-Dewar, Pamela Rosenkranz, Kilian Rüthemann, Rebond pour la Commune + Arbeiter- und Veteranenchor Neukölln, Dieter Roelstraete, Jimmy Robert, Paul Sietsema, Ettore Sottsass, Zofia Stryjenska, Superflex, Wilhelm Sasnal, Aaron Schuster, Stefan Thater, Pilvi Takala, Harald Thys & Erik Thys, Piotr Uklanski, Tris Vonna-Michell, Mona Vatamanu / Florin Tudor, Roi Vaara, Annie Vigier & Franck Apertet, Vinyl-Terror & -Horror & Dr. Nexus, Bettina Vismann, Susanne M. Winterling, What, How & for Whom (WHW), Kohei Yoshiyuki, Dolores Zinny, Juan Maidagan, Andrzej Zulawski and Artur Zmijewski. "The exhibition When things cast no shadow consisted of two parts one taking place by day, one by night. The daytime part of the 5th Berlin Biennale presented mainly new productions by 50 artists of four generations shown at four different venues--at the KW Institute for Contemporary Art, the Neue Nationalgalerie, the Skulpturenpark Berlin_Zentrum and the Schinkel Pavilion. Many of the participating artists conceptualized and built their commissioned artworks explicitly in response to the specifically designated exhibition site. Already a few weeks prior to the official opening the first in a series of five solo exhibitions (curated by artists participating in the biennial) was launched at the Schinkel Pavilion as part of the 5th Berlin Biennale. Throughout the duration of the biennial these exhibitions gave insights into ways in which younger artists deal with topics such as the legacy of previous generations, modernity or various exhibition formats." -- publisher''s statement. Fine. Two volumes, both with covers and contents clean and unmarked.

In-8°, legatura in brossura editoriale, pp. 276(6), seguono 32 pagine di illustrazioni fuori testo. Leggera brunitura ai margini delle pagine.