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  • Editore: Harvard University Press, Cambridge, Massachusetts, 1952

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    Da: The Haunted Bookshop, LLC, Iowa City, IA, U.S.A.The Haunted Bookshop, LLC

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    Condizione: Usato - Molto buono

    EUR 27,85

    EUR 4,96 spedizione 
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    Quantità: 1 disponibile

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    Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good-. Second Edition. Crisp, clean pages except for a single small tea droplet spot on the foreedges; sewn binding in full black cloth shows only mild shelfwear around heel edges and at corner points; unclipped dust jacket is rather faded along the spine and shows several very short edge tears at spine ends and corners, with a short, open tear at the top right rear corner and another at the bottom left rear, but is otherwise sound and now protected in a clear sleeve. xxxv, 171pp. incl. index.…

  • Editore: The Artist & The New York: Hacker, 1982

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    Da: Norbert Plate, Wildberg, D, GermaniaNorbert Plate

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    Condizione: Usato

    EUR 28,00

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    3. Auflage. 4°. 232 S. Orig.-Leinwand mit Schutzumschlag Sehr gutes Exemplar.

  • Lingua: Inglese

    Editore: Boston: Harvard College and Museum of Fine Arts, 1961

    Da: Borkert, Schwarz und Zerfaß GbR, Berlin, GermaniaBorkert, Schwarz und Zerfaß GbR

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    Membro dell’associazione: BOEVVDAGIAQILAB

    Condizione: Usato - Ottimo

    EUR 37,60

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    Condizione: Sehr gut. 232 S. Umschlag berieben. Papierbedingt leicht gebräunt. - The title of this exhibition has been chosen with care in order to cover the wide scope of material that it contains. A bow should at once be made to the only other large-scale showing of the sort in America: the pioneering exhibition at the Museum of Modern Art in New York (1936) a quarter of a century ago. There the title was Painters and Sculptors as Illustrators, and the catalogue was by Monroe Wheeler. This exhibition is to show, primarily, what major artists of Western Europe and the United States have contributed in book form during the last hundred and, especially, the last sixty "explosive" years. The absence of well known names will indicate that some important European and American artists passed the medium by. Among these Cézanne, van Gogh, Monet, and Seurat -to take the French artists as an example. But those French masters who did concern themselves were far more numerous: Daumier, Courbet, Manet, Toulouse-Lautrec, Bonnard, Vuillard, Redon, Rodin and nearly all the later "School of Paris," beginning with Derain, Dufy, Picasso, Braque, Rouault, and Matisse. As a result, the French have recently awarded books by these artists a special name or classification: "les livres de peintres." The phrase has also come to mean books that contain original graphic work by the masters in question. Books by sculptors of equal eminence are included in this category - hence the Museum of Modern Art's 1936 title -but not books by that special classification of artists who are primarily engaged in illustration. Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.…

  • Editore: Boston: Harvard College and Museum of Fine Arts,

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    Da: JLG_livres anciens et modernes, Saint Maur des Fossés, FranciaJLG_livres anciens et modernes

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    Condizione: Usato - Ottimo

    EUR 128,31

    EUR 18,00 spedizione 
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    Condizione: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

  • Altre immagini

    Condizione: Usato - Ottimo

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    Condizione: Sehr gut. XXXV, 171 S.und 16 farb.Tafeln; Original-Leinenband; 8°. Sehr gutes, schönes Exemplar. Auf dem Innendeckel der Adressstempel von Maria Gräfin Lanckoronska, auf dem Vorsatz eine Widmung, Weihnachten 1955, unterschriebn mit Ihre Olga (hierbei dürfte es sich um Olga Hirsch handeln (1889-1968) .…