holt phil (26 risultati)

paperback. Condizione: Good.

Condizione: Good. Good Condition. Five star seller - Buy with confidence!

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Good - Cash. Condizione sovraccoperta: Good. Book Club. Light reader wear and rubbing to the edges, corners, covers, and pages. The book is in great condition! The dust jacket has some surface rubbing, edgewear, and creases. Previous owner's name(s) inside. Stock photos may not look exactly like the book.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Used Good. Condizione sovraccoperta: Good. Book Club. This is a marked Book Club or BOMC edition. Dust Jacket is wrapped in mylar Brodart covering, which is removable. Dust Jacket has some edge and corner wear, some scuffing, but still intact. Front and back covers have light wear to edges and corners. Spine intact, some wear. Binding is intact. Pages are generally clean with minor edge or corner wear. Clearly a pre-owned and used copy but still in readable condition. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.

Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: Brand New. 70 pages. 9.00x6.00x0.16 inches. In Stock.

Paperback. Condizione: Brand New. 91 pages. 9.00x6.00x0.23 inches. In Stock.

No Binding. Condizione: VG+. A-COL-16-40. A VG or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

Wraps. Condizione: Very Good. 8vo, 65 pp. Reprints Lazer's poems followed by commentary, and with an Epilogue by the poet. Wrappers a bit sunned, corners bumped.

Paperback. Condizione: Brand New. 75 pages. 11.00x8.50x0.17 inches. In Stock.

Soft cover. Condizione: Near Fine. 1st Edition. 65 Pp. Scarce Collection Of Venice Poetry, Inscribed By Lynn Shoemaker, The Editor, Whose Poems Are Included. Inscribed by Author(s).

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Glazed Boards. Condizione: Fine. Condizione sovraccoperta: No DW. 1st Edition. Signed by the author on titlepage. Signed by Author.

Imperial octavo, blue glossy heavy boards, white & black lettering to spine, covered with iridescent illusion plastic cover, 248pp, illus, VG+ (light chafing & soiling to cover, prev. bookseller's label to rear board & inside front board, sl soiling & foxing to page edges, prev. owner's name in ink to ffep).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. With numerous illustrations, 4to with dustjacket.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. With numerous illustrations, 4to, with dustjacket.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.

[unpaginated]; 23.2 x 14.8cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. Ribé, Daniel Buren, Rafael Ferrer, Scott Burton, and Les Levine. Cover features 5 loose wallet-size photos of Tri-Quarterly 32 (imagined with printed rather than corrugated cardboard covers) featuring a cover with Robert Smithson's "Spiral Jetty" housed in a pocket affixed to corrugated cardboard covers. Includes contributor biographies. Very Good / Fine. 7 mm. tear and 4 mm. loss to tipped in envelope on recto. 8 mm. light soiling of recto. Light edgewear and wear to corners. 8 cm. crease with 1 mm, tear to bottom right corner of title page. Contents clean and unmarked.

Vintage reference photograph of screenwriter Leigh Brackett and director Howard Hawks on the set of the 1966 film. Annotation in manuscript ink on the verso. Loosely based on Harry Brown's 1960 novel "The Stars in Their Courses." A gunfighter comes to the aid of his old friend, now a sheriff, to defend a rancher's family. Shot on location in Arizona and Utah. 8 x 10 inches. Near Fine. Godard, Histoire(s) du Cinema.