Hopper edward et al (16 risultati)

Paperback. Condizione: Fine. 263 pages, illustrations (some colour); 29 cm. Published in conjunction with the exhibition "Edward Hopper" organized by the Museum of Fine Arts, Boston, the National Gallery of Art, Washington, DC, and the Art Institute of Chicago. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Spanning the entirety of Hopper's career, but with particular emphasis on his heyday in the twenties, thirties, and forties, Edward Hopper highlights his greatest achievements while discussing such topics as his absorption of European influences, critical reactions to his work, the relation of realism to modernism, his fascination with architecture, his depiction of women, and the struggle in his last years to produce original works. Illustrated with more than 150 of his oils, watercolors, prints, and drawings, and including essays by several noted scholars in the field and an extensive chronology and bibliography, this is the most comprehensive volume on Hopper to be published in many years." - Publisher. Size: 4to. …

Soft Cover. Condizione: Very Good. Volume 58, No. 3, July 1988. 148 pp. Volume 58, No. 3, July 1988 only! Solidly bound copy with moderate external wear, crisp pages and clean text.

Soft Cover. Condizione: Very Good. First Edition. soft cover, folded card covers., some foxing under the flaps, traces after careful cleaning. no other flaws or wear. no mildew or odor. no markings. no bumps, creases. tight binding.; 36pp., 35 illustrations, most all in color. texts and excerpts by various individuals. extraordinary group of important drawings. Size: Oblong 8vo. Exhibition Catalogue.…

Softcover exhibition catalog, 64 pages, very good condition, no internal marks, clean and crisp with essays and b/w reproductions.

Softcover. First Edition; First Printing. Book condition is Very Good in wraps. Text is clean and unmarked, illustrated throughout. ; Small 4to 9" - 11" tall.

Hardcover. Sky blue boards, maroon dust jacket with color illustration, clear plastic protective cover. 240 pp. Includes 51 color plates and many additional images. Text in Dutch. Edward Hopper (1882-1967) is the most famous artist of American Painting from the beginning of the twentieth century. His work is characterized by a treacherous calm in empty streets and landscapes, and by solitary figures in an urban environment. His paintings have shaped our image of America. The exhibition and publication show Hopper for the first time in the context of his time. Besides masterpieces by Hopper are over eighty masterpieces from the collection of the Whitney Museum of American Art in New York selected by such artists as Georgia O'Keeffe, Charles Sheeler, Man Ray, Lyonel Feininger, Grant Wood and Alfred Stieglitz. -book jacket, with Google translate. Exhibition held September 26, 2009 - January 17, 2010, at Kunsthal Rotterdam. VG, ex-private library, with minimal markings, including two labels on jacket cover, stamp on title page and on verso of colophon. …

Hardcover without dustjacket as issued, 256 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Cloth. Condizione: Good. No Jacket. Orange cloth. No jacket. 179 pp. Black and white reproductions of paintings throughout, as well as several full page color plates. A primarily visual survey of American paintings and painters from the early 1900s to 1939, with a critical essay at the front. Artists include Arthur Dove, Georgia O'Keeffe, Edward Hopper, Grant Wood, Charles Prendergast, Max Weber, Marsden Hartley, Walt Kuhn and many others. GOOD+ condition. Minor soiling, darkening and a few tiny stains to the covers. Corners bumped. Light toning in the interior. A few tick marks in the index of names at the rear. …

Softcover exhibition catalog, 256 pages, in German; as new condition; no internal marks. Foreign shipping may be extra for this item.

MFA Publications, 2007. Hardcover (clothbound) with dust jacket. 29 x 27,5 cm. With 202 illustrations including 180 plates in full color. 263 pages - dustjacket with a repaired tear else FINE COPY [Art / International general [Algemene Internationale Kunst] ].

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. First edition/printing. Book and dust jacket each in As New, unread condition from the original publisher's warehouse! Gorgeous folio sized book of (recognizable) classic paintings in colour. Introduction by Robert Rosenblum. Very heavy, some extra postage likely. Edward Hopper; John Sargent; Whistler; Audubon; Bingham et al (illustratore).…

Hardcover. Condizione: New. British author Geoff Dyer once surmised that Edward Hopper "could claim to be the most influential American photographer of the twentieth century- even though he didn't take any photographs." What we see in Hopper's paintings when we look at them through the lens of photography, and how, in turn, the language of photography was influenced by Hopper's work, are the twin subjects of Edward Hopper & Company. Thoughtfully curated and edited by the respected San Francisco gallerist Jeffrey Fraenkel, seven paintings and three drawings by Hopper are here thematically interlaced with carefully selected photographs by eight of the masters of twentieth-century photography: Robert Adams, Diane Arbus, Harry Callahan, William Eggleston, Walker Evans, Robert Frank, Lee Friedlander and Stephen Shore. As Fraenkel writes in his introduction,"More than almost any American artist, Hopper has had a pervasive impact on the way we see the world-so pervasive as to be almost invisible. The photographs that follow are potent evidence of his legacy, each a revelation of how one mediummight point to unimagined new possibilities for another." In his intimate essay for this volume, photographer Robert Adams identifies the singularity of Hopper's influence when he writes that it was Hopper who enabled his artistic realization "One did not need to be ashamed of having a heart.".…

Hardcover. Condizione: New.

Paperback. Condizione: As New. 0.79 x 10.87 x 8.5 Inches.

Paperback. Condizione: New.

26 x 30cm 368pp good hardback, the copy once belonging to David Anfam, curator and writer, whose annotations are evident on several pages . English text with colour plus black and white reproductions. Edward Hopper is as quintessentially American as Jackson Pollock or Andy Warhol. Like them, his imagery has reached far beyond the realm of art to impact on our culture in the broadest terms, so that we see early twentieth-century America through his work, as much as within it. The painter Charles Burchfield attributed Hopper's success to his 'bold individualism,' declaring that 'in him we have regained that sturdy American independence which Thomas Eakins gave us.' Hopper's art was profoundly of its time, both in its expression of the subtle melancholies of modern life and in its deeply cinematic qualities--perhaps Hopper's greatest gift was his treatment of light--to which directors from Alfred Hitchcock to Wim Wenders have paid homage. This volume presents a definitive Hopper monograph. Published for a massive retrospective at the Museo Thyssen-Bornemisza in Madrid, and the Grand Palais in Paris, it approaches Hopper's relatively small oeuvre in two sections. The first covers the artist's formative years from approximately 1900 to 1924, examining a selection of sketches, paintings, drawings, illustrations, prints and watercolors, which are considered alongside works by painters that influenced Hopper, such as Winslow Homer, Robert Henri, John Sloan, Edgar Degas and Walter Sickert. The second section considers the years from 1925 onwards, addressing his mature output through chronological but thematic groupings. A very heavy book, may require extra postage.…