Hsieh tehching (9 risultati)

Rilegato. Condizione: nuovo.

Soft cover. Condizione: As New. 1st Edition.

Hardcover. Condizione: New. Franko B was born in Milan, Italy, in 1960. He lives and works in London. He has been creating work across video, photography, performance, painting, installation, sculpture and mixed media.

hardcover. Condizione: New. Prima edizione (First Edition). Fotografie di Tehching Hsieh. 365 giorni di ritratti della performance ?One Year Performance 1978-1979? (?Cage Piece?). Allegato un foglio con riproduzione della dichiarazione dell'Artista del 30 settembre 1978 circa la realizzazione della performance . Cm 23,5x17. pp. 736. . Nuovo (New). . Prima edizione (First Edition). . Il 30 settembre 1978, Tehching Hsieh iniziò la prima di una serie di straordinarie performance della durata di un anno che lo avrebbero reso un nome ricorrente nella scena artistica newyorkese. Si rinchiuse in una gabbia appositamente costruita nel suo studio e vi rimase in isolamento senza alcuna comunicazione per 365 giorni. Il suo amico Cheng Wei Kuong lo aiutò a realizzare l'opera occupandosi del suo cibo, dei suoi vestiti e dei suoi rifiuti, e scattando i ritratti quotidiani che compongono questo libro.?One Year Performance 1978-1979? (?Cage Piece?) è stato un evento senza precedenti per la difficoltà fisica protratta per un periodo di tempo così lungo. Oltre all'isolamento, l'elenco di regole autoimposte da Hsieh gli proibiva di leggere, scrivere, ascoltare la radio o guardare la televisione. L'artista ha aperto il suo studio al pubblico per 19 giorni su 365, ma anche in quei giorni è rimasto impassibile ed ha evitato il contatto visivo.Tehching Hsieh è nato nel 1950 a Nan-Chou, Taiwan. Hsieh abbandonò la scuola superiore nel 1967 e iniziò a dedicarsi alla pittura. Dopo aver terminato il servizio militare (1970-1973), Hsieh ha tenuto la sua prima mostra personale presso la galleria dell'American News Bureau di Taiwan. Poco dopo questa mostra, ha smesso di dipingere. Nel 1973, Hsieh ha realizzato una performance, Jump Piece, in cui si è rotto entrambe le caviglie. Ha seguito un addestramento come marinaio, che ha poi utilizzato come mezzo per entrare negli Stati Uniti. Nel luglio del 1974, Hsieh è approdato al porto di una piccola città sul fiume Delaware, vicino a Filadelfia, divenendo un immigrato clandestino per quattordici anni, fino a quando nel 1988 gli è stata concessa l'amnistia negli Stati Uniti. A partire dalla fine degli anni '70, Hsieh ha realizzato cinque One Year Performances e un Thirteen-year Plan, all'interno e all'esterno del suo studio a New York City. Utilizzando lunghi periodi di tempo come contesto per il lavoro, rendendo l'arte e la vita simultanee, le prime quattro One Year Performances hanno reso Hsieh un nome ricorrente nella scena artistica newyorkese.Dal 2000, liberato dal divieto di esporre le sue opere durante il Thirteen-year Plan, Hsieh ha esposto i suoi lavori in Nord e Sud America, Asia ed Europa. One Year Performance 1978-1979 (spesso citata come Cage Piece) di Hsieh è stata esposta al Museum of Modern Art in Performance 1: Tehching Hsieh nel 2009; One Year Performance 1980-1981 (spesso citata come Time Clock Piece) è stata inclusa in The Third Mind: Artists Contemplate Asia, 1860-1989, al Guggenheim Museum nel 2009, alla Biennale di Liverpool nel Regno Unito e alla Biennale di Gwangju in Corea del Sud, entrambe nel 2010, e alla Biennale di San Paolo nel 2012. One Year Performance 1980?1981 è stata anche esposta in una mostra personale all'Ullens Center for Contemporary Art di Pechino, in Cina, e al Carriageworks di Sydney, in Australia. Book.…

Condizione: Comme neuf. London, Live Rat Development Agency 2009 Grand in-4 (33x25 cm), cartonnage illustré de l'éditeur, 381 pp. Comme neuf Edition originale du premier ouvrage d'envergure consacré à Tehching Hsieh, artiste taïwanais-américain, qui réalisa ses cinq performances entre septembre 1978 et juillet 1986. Exemplaire à l'état de neuf.…

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. OUT OF NOW, First Edition, First Printing. Oversized pictorial hardcover. No dust jacket as issued. This was the personal copy of writer Jill Johnston who was the dance, arts and culture critic of the Village Voice in the late 50's, 60's and 70's. It bears her stamp "Write First, Then Live." J.J. on a blank front endpaper. She wrote an important piece on Hsieh which was included in her book Secret Lives in Art. Mr. Hsieh, a performance artist extraordinaire, tested the limits of human experience over a lifetime of creating and then following through with concept art that demanded singleness of purpose and extraordinary discipline to execute to completion. His projects have become synonymous with the experimentation of the 70's. Several of those projects are captured in stark black and white photographs included in this book. PLUS a second related book also included with purchase. SECRET LIVES IN ART, Jill Johnston, 1994, a cappella books, First paperback edition and first paperback printing. This book includes the chapter Hardship Art, an article about the work of Teching Hsieh.The book includes many other wonderful articles on various artists of interest to Johnston from the avant garde movement. A perfect companion work to own with Hsieh's OUT OF NOW.…

Softcover printed folder contains 5 folded photographic illustrations and text sheet documenting Hsieh s year long performance to stay outside on the streets of NYC during 1981-1982; very good condition; light creases to 1 edge of folder; internally fine. An edition of 500. Foreign shipping may be extra.…

102 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N.Y.P.A.D.D. by Jerri Allyn, "Earthly Bodies : Judson Dance Theater" by Sally Banes, "Measured Fantasy" by Alyson Pou, VIEWPOINTS : "Touch Sanitation, Robert C. Morgan on Mierle Laderman Ukeles," "What I Do Does Not Have a Name," Jerry Stahl on Gina Wendkos, "Still Doing Time," Jonathan Siskin on Tehching Hsieh, "Who Will Save Us Now?," Dennis Cooper on Tim Miller, NEW YORK TALKERS : Men in Dark Times and More by Eric Bogosian In Search of the Monkey Girl by Spalding Gray, "The Lowell Jerkman Story" by Jill Kroesen, "Brains and Bombs" by Beth Lapides, and "Micropolis" by Theodora Skipitares. Very Good. Small chip at base of spine at verso cover. Covers lightly worn. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.…

Condizione: Very good plus. First edition. Rare portfolio documenting Hsieh's third extended performance piece, a full year in New York City spent outside shelter of any kind (save for 15 hours inside a police station courtesy of the NYPD), issued in conjunction with an installation at Franklin Furnace. Each of Hsieh's one-year performances was preceded by a written statement of intent and documented with notes, on film, and in photographs, as his long endurance of his chosen conditions progressed: "In the same way that the images offer an apocalyptic view of the world, they show us the survivor hero who managed to endure the penalties of his circumstances" (Ingberman). Hsieh's first two performances required only personal and artistic discipline and the cooperation of one assistant - staying inside a constructed cell in his own studio and punching a time clock every hour, respectively. This third performance, his so-called 'Outdoor Piece,' was also an experiment in restriction and discipline, but one which took the artist outside the narrow ambit of a controlled gallery or studio space, relinquishing as much control as he asserted: in New York, outside, like Hell, is other people. An uncommon document of this pioneering performance artist. 11'' x 14''. Folder containing six bifold leaves [24 pages] printed with artist's statement and large-scale black and white photographs. Light to moderate edgewear and creasing to folder. Faint foxing here and there. Overall, sound.…