huebler douglas (123 risultati)

88 pp.; 29 x 22.5 cm.; glue bound; black-and-white & color; edition size 2250; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held January 8 - February 23, 1992. Traveled to Santa Monica Museum of Art, Santa Monica, CA, April 2 - June 14, 1992 and North Carolina Museum of Art, Raleigh, NC, August 8 - October 25, 1992. Texts by Frances Colpitt and Phyllis Plous. Artists include Art & Language, John Baldessari, Robert Barry, David Bunn, Sarah Charlesworth, Clegg & Guttmann, Douglas Huebler, Mike Kelley, Joseph Kosuth, Louise Lawler, Glenn Ligon, Thomas Locher, Antonella Piemontese, Stephen Prina, Richard Prince, Buzz Spector, Lawrence Weiner, Christopher Williams. Includes checklist of the exhibition, selected chronology of 1964 - 1992, biographies, and bibliographies. Good. "LAWLER" written in black ink on top right corner of recto and 4.3 cm. sticker wraps around from verso, across the spine, to the recto. Light rubbing of cover edges. Light bumping of top right corner of publication. Contents clean and unmarked.Due to large size and weight of this publication additional shipping charges will be required for international orders.

First Edition. First edition. Softcover. Art magazine that has articles on Christian Boltanski, Pat Steir, Sarah Charlesworth, a tribute to Keith Hairing and an interview of Douglas Huebler. A very good plus copy in wrappers with some minor wear and a crease to the bottom front corner.

Soft cover. Condizione: Near Fine. 1st Edition. Staplebound illustrated green wraps. Quarto. 28 pages. illustrated throughout. Near fine copy.

First Edition. First edition. Small oblong softcover. 70 pages. Features a preface by Terence R. Pitts and essay by Timothy Druckrey. Includes black and white illustrations of works by and information about: Agnes Denes, Jan Dibbets, Douglas Huebler, Barbara Kasten, Barry La Va, Sol Lewitt, Dennis Oppenheim, John Pfahl, Robert Smithson, Alan Sonfist, and Bill Vazan. Also includes a checklist. A near fine copy in wrappers with some very minor wear.

Paperback. Condizione: Good. GOOD. Blue illustrated paperback. Approx. 8.5" x 11". Bumps/chips to edges and corners. Rub wear, dust markings and light scratches to covers. Crease to bottom right corner. Creases along spine edge of covers. Small closed tear to top of spine. Bagged and boarded for protection. Once Read Books, cover scan available - just ask, OnceReadBooks com Orders shipped via USPS.

Softcover, 32 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

32 pp.; 22.1 x 16.4 cm.; sewn bound; duotone; edition size unkown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 15 - April 14, 2002. Texts by Mark Godfrey, Frédéric Paul and Donald Burgy. Fully illustrated. Includes checklist, biography and bibliography. Good / Very Good. 7 mm. bumping of top edge of recto through page 7. Light scratching of covers and edge-wear with light bumping of corners. Very light yellowing along spine and page edges. 1.1 cm. and 2 cm. ghosts with surrounding shine from erased date and price on title page. Contents otherwise clean and unmarked.

272 pp.; 30.8 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; December 1974 issue of Studio International with a cover specially designed for this issue by Kurt Kranz. Edited by Peter Townsend. Contents include: "American painting and British painting: some issues," by Terry Smith; "Two Recent Works," by Douglas Huebler; "Road-digging and aestheticism: Oxford in 1874," by Tim Hilton; "William Scott in conversation with Tony Rothon;" "What sculpture is 1 & 2," by William Tucker; "Agnes Denes: analytical works;" "The mechanism of control and unofficial art in the USSR," by Igor Golomshtock; "NSCAD prints," by Eric Cameron; "Review" and "Guide to publisher's, presses and galleries dealing in graphics." Good. 1 cm. tears to top edge of spine and bottom edge of spine. 3 cm. dog-ear to bopttom right corner of recto. Bumping of top and bottom edges of recto, top left corner, and bottom right corner of publication. Rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover staple bound, small booklet, 24 pages; very good condition, light fading around spine; no internal marks.

Soft cover. Condizione: Good. 1st Edition. Heavily bumped and creased in one area on both front and back by one of the staples, which itself is bumped. Still firmly bound, and interior contents not badly effected. Lightly bumped upper corner, a couple of small stains on the front cover. Scarce.

Softcover, staple-bound artist book, 44 pages, good condition; heavy rubbing wear to cover; no internal marks.

Condizione sovraccoperta: dj. First Edition. First edition. Softcover. Exhibition catalog for a show that ran October 14 through November 18, 2017. Features text by Ann Goldstein. Includes color illustrations and a chronology. A fine copy in stapled wrappers and in a fine dust jacket. A nicely printed catalog that is seemingly uncommon.

Stapled. Condizione: Very Good. No Jacket. Edition of 2500 copies. There are a few rubbing marks/ crease lines wear green color has come off of covers.

270 pp.; 28.5 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 29, 2000 - January 21, 2001. Texts by Enrico Lunghi and Jan Debbaut. Artists include Marcel Broodthaers, Nïele Toroni, Mario Merz, Jannis Kounellis, A.R. Penck, Richard Long, Gilbert & George, Giulio Paolini, Luciano Fabro, Giovanni Anselmo, Gerhard Richter, Daniel Buren, Jan Dibbets, André Cadere, Hanne Darboven, Art & Language, Stanley Brouwn, Robert Ryman, Ian Wilson, Joseph Kosuth, On Kawara, Douglas Huebler, Robert Barry, Dan Graham, Bruce Nauman, Sol LeWitt, Lawrence Weiner, Donald Judd, Edward Ruscha, Carl Andre, Michelangelo Pistoletto, Jan Vercruysse, René Daniëls, Jean-Marc Bustamante, Didier Vermeiren, Rodney Graham, Harald Klingelhöller, Reinhard Mucha, Thomas Schütte, Franz West, Martin Kippenberger, and Mike Kelley. includes exhibition checklist, artist texts, list of the artists. Covers by Lawrence Weiner. Texts in English and French. Very Good. Bumping of top right corner of recto and top left corner of verso. Rubbing and yellowing of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.

[94] pp.; 18.7 x 12 cm.; glue bound; other special feature[s]; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Collection of essays published in conjunction with show held November 23, 1986 - January 18, 1987. Includes texts by Howard Singerman, Lydia Davis, Bernand Welt, Amy Gerstler, T.S. Martin, Anne Turyn, Bob Fiengo, Lane Relyea, Connie Fitzsimons, Douglas Blau, and David Antin. Artists include Komar & Melamid, Laurie Simmons, Douglas Huebler, Richard Baim, Barbara Ess, Marina Abramovic, Ulay, Marcel Odenbach, Dara Birnbaum, Jochen Gerz, and Alexis Smith. Includes color reproductions of works from the exhibition. Very Good. Minor wear to binding of cover. Clean and unmarked.

48 pp.; 28 x 20.5 cm.; comb bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second annual publication in the U-TURN Monograph series focusing on the subject of The Portrait. Edited by Dennis Grady and James Hugunin. Texts by Dennis Grady, Regie Bowron, Peter Reiss, John Brumfield, Larkin Maureen Higgins, David Moreno, Judith Golden, Christopher Burnett, Douglas Huebler, Dana Asbury, and James Hugunin. Includes notes on the contributors. Cover by Craig Dietz. Good. Rubbing, yellowing, and scratching of covers with bumping of corners at spine and top right corner of recto. 3.5 cm. and 2.8 cm. of soiling to verso with light yellow foxing along top edge of verso. Signed and inscribed on title page by [James Hugunin] in black ink. Contents otherwise clean and unmarked.

100 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1982 issue of Artforum, edited by Ingrid Sischy. Contents: "Man Ray's Early Paintings 1913-1916: Theory and Practice in the Art of Two Dimensions," by Francis Naumann; "Pat Steir and the Science of the Admirable," by Ted Castle; "The Candidate: Photographs by Pedro Meyer"; "Portraits: Necrophilia, Mon Amour," by Joseph Kosuth; "Portraits: Section 2," by Lawrence Weiner; "Portraits: Impassioned with Some Song We," by Kathy Acker; "Portraits of Joseph Kosuth, Lawrence Weiner, and Kathy Acker," by Robert Mapplethorpe; "The Sounds of Violence: Max Neuhaus' Siren Project," by Nancy Princenthal; "Sabotage or Trophy? Advance or Retreat?" by Douglas Huebler; "Books: Clive Phillpot on 'Real Lush,'" by Clive Phillpot "Reviews," by Richard Flood, Kate Linker, Joan Casademont, Colin Westerbeck, Donald Kuspit, Barbara Kruger, Thomas Lawson, Jamey Gambrell, Judith Russi Kirshner, Richard Armstrong, Stuart Morgan, Xavier Girard, and Annelie Pohlen. Cover: a cassette of the February, 1982, conversation between Kathy Acker, Sandro Chia, Philip Glass, Joseph Kosuth, Barbara Kruger, David Salle, Richard Serra, and Lawrence Weiner. Photo by Mary Bachmann. Good. Handling wear with light bumping and creasing of covers, dusting of covers, and light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover, 52 pages, good condition; moderate rubbing and edgewear to covers; pages curled at upper right corner; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Near Fine. Staplebound catalog with glossy covers. (Green Cover variant) 1/2500 copies. Like new with light wear to covers and no marks to text. Art Annex; Brief Fictions Re-Sounding From The Proposal In Variable Piece #70: 1971 "To Photographically Document The Existence Of Every; 4to 11" - 13" tall.

Second Edition. 21 x 13 cm unpaginated. Wrappers, a fine copy.

Softcover, 80 pages, very good condition; light rubbing to covers; owner's name; no other internal marks. An exhibition about artists who attended CalArts. Foreign shipping may be extra.

First Edition. First edition. Softcover. One of 2500 copies. Exhibition catalog /artist book for a show that ran May 10 through June 30, 1985 concurrently at Albright-Knox Art Gallery and CEPA Gallery. Includes numerous black and white illustrations. From the publisher: "Crocodile Tears features a selection of photographs, taken from Huebler's Variable Piece no. 70 (in which the artist aimed to "photographically document the existence of everyone alive"), and found knock-offs of works by Van Gogh, Matisse, and Degas, to illustrate a disjointed screenplay involving a number of fictitious characters dealing in high-end art forgery. The cast includes Richard Decker, a "signature artist" cranking out salable objects to pay the mortgage; Arthur Lord, known as "the great corrector" for his ability to flawlessly replicate the works of the old masters without their original "mistakes"; and Alec Gregory, a con-artist who sells knock-offs of famous paintings to unsuspecting collectors. Huebler's parable is a witty and dark reflection on art-market politics and a compelling exploration of the problematics of authorship and authenticity." A very near fine copy in stapled wrappers.

Softcover. Condizione: Good. First Edition. 28cm x 21.5cm. [44] pages, black and white illustrations. Pictorial saddle-stapled wrappers. Brief fictions re-sounding from the proposal in Variable Piece #70: 1971 to photographically document the existence of everyone alive. Photographs of American conceptual artist Douglas Heubler's Variable Piece #70, and found forgeries of works by Van Gogh, Matisse, and Degas, illustrating a disjointed screenplay. A reflection on the dark side of the art market. Ex-Crocker Art Museum Research Library, minor stamps and stickers. Minor general wear. Category: Art & Design; ISBN: 0939784130. ISBN/EAN: 9780939784134. Inventory No: 0031632.

Paperback. Condizione: As New. One of 2500 copies. Softcover. Good binding and cover. Light wear. Faint foxing to edges. Clean, unmarked pages. Ships daily.

Condizione: Good. 4to. 72 pp. Very Good. Soft Cover. Illustrated paper wraps. Minor shelf wear. Color and B&W plates throughout.Contents: Curator's introduction / Christopher Busa --"An idea in every landscape" / Ann Wilson Lloyd --Peter Hutchinson : a green thought in a green shade / Brian O'Doherty --"Art may die but the idea will not" : interview with Peter Hutchinson / Dorothy Seckler.

Paperback. Condizione: Very good in wraps. 17 x 23cm 32pp very good paperback exhibition catalogue with a foreword by Jenni Lomax, Director of the Camden Arts Centre. With text plus black and white reproductions of the American conceptual artist's works.

Softcover, 268 pages, in English; very good condition, light rubbing and fading to covers; no internal marks. Foreign shipping may be extra.

Softcover, staple-bound exhibition catalog, 44 pages of photos, drawings, text, and reproductions of other artworks; very good condition; light rubbing to covers; no internal marks.

Condizione: Sehr gut. First Edition. Quarto (22.5 cm x 27.7 cm). 40 unnumbered pages. Original, illustrated dustjacket. Excellent condition with only minor signs of wear. Includes the original purchase-receipt. Douglas Huebler (October 27, 1924 July 12, 1997) was an American conceptual artist. Douglas Huebler grew up in rural Michigan during the Depression and served in the Marines in World War II. After the war, funded by the GI Bill, Huebler earned his bachelor's and master's degrees at the University of Michigan, and later went on to study at the Académie Julian in Paris. He worked for several years as a commercial art illustrator in New York as he established himself as an artist. (His family still has a few of the illustrations from this period.) Initially a painter, Huebler moved on to produce geometric Formica sculptures in the early '60s, which aligned him with the Minimalist movement. In 1969, he participated, with Joseph Kosuth, Robert Barry and Lawrence Weiner, in a landmark exhibition of conceptual art curated by Seth Siegelaub. As part of the show, Huebler issued one of his most famous statements: "The world is full of objects, more or less interesting; I do not wish to add any more." In the late 1960s Huebler's work was published in 0 to 9 magazine, an avant-garde journal which experimented with language and meaning-making. Huebler subsequently started producing works in numerous media often involving documentary photography, maps and text to explore social environments and the effect of passing time on objects. A representative example of Huebler's early work is Duration Piece #5, 1969, a series of ten black & white photographs with accompanying text; to document the piece, Huebler stood in Central Park and, each time he heard a bird call, he pointed his camera in the direction of the call and shot a photograph. In 1971, he began "Variable Piece #70 (In Process) Global," for which he proposed his intention "to photographically document the existence of everyone alive." In the 1980s and '90s, Huebler began incorporating painting into his conceptual art pieces, creating a persona he called "the Great Corrector," who took works by masters like Picasso, Matisse, Bruegel and Hieronymus Bosch and attempted to "make them better." For his "Buried Treasure" series, incorporating text about the unscrupulous dealer, Huebler paints fake Monets, Van Goghs, Gauguins and a De Chirico. Huebler's academic career spanned more than forty years; he taught art at Bradford College in Massachusetts, and at Harvard. Huebler served as dean of the art school at California Institute of Arts from 1976 to 1988 where he influenced a generation of artists including Mike Kelley and Christopher Williams. In 1989, he retired to Cape Cod. He died in Truro, Massachusetts in 1997. Huebler's first one-person museum exhibition was at the Phillips Gallery, Detroit, in 1953. Thereafter, he exhibited extensively in galleries and museums in the United States and Europe, as well as in international exhibitions such as documenta V (1972), and was included in many surveys of conceptual art. The last retrospective of his work during his lifetime was presented at the Palais des Beaux-Arts in Brussels in 1994. There have been several posthumous one-person exhibitions, including at the Camden Arts Centre, London (2002) and the MAMCO, Geneva (2006). In 2004, Huebler's work was included in the exhibition, A Minimal Future? Art as Object 19581968, at the Museum of Contemporary Art, Los Angeles. (Wikipedia).