hugo blake (21 risultati)

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Good. A few small chips from jacket edges, jacket price clipped. Binding tight and square, pages clean, bright, and unmarked. 1946 Hard Cover. xii, 121 pp. A collection of wisdom from various literary greats such as Charles Dickens, Francis Bacon, and Ralph Waldo Emerson, with woodcut illustrations by Rockwell Kent.

Trade Paperback. Condizione: Very Good. Volume 39 issued in 2 parts. 458 pages total. Very Good, internally clean, solid paperbacks. #.

No Binding. Condizione: VG. Condizione sovraccoperta: None. 1543-76. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Soft cover. Condizione: Very Good. No Jacket. VG / -- Many b/w illustrations and line drawings. Pictorial card covers. Binding is very firm and tight. Interior is clean with no inscriptions. Not ex-library. A fascinating book.

Paperback. Wrs, sl creased.

Tapa blanda. Condizione: Muy bien. MUY BUEN ejemplar. 283pp + colofón.

Heft. Condizione: Gut. 58 Seiten; plus Abb. Das hier angebotene Heft stammt aus einer teilaufgelösten Bibliothek und trägt die entsprechenden Kennzeichnungen (Stempel.); Einband fleckig; der Zustand ist ansonsten ordentlich und dem Alter entsprechend gut. ITALIENISCH. Sprache: Italienisch Gewicht in Gramm: 150.

Soft Cover. Condizione: Very Good+. First Edition; First Printing. SIGNED and inscribed on the title page by Victor Hugo Zayas. ; Numerous full page plates in color and duotone. With an essay by Peter Frank. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; Folio ; Signed by Artist.

leg. bross. Condizione: Buono (Good). Estratti da Atti del IV convegno internazionale della ceramica. Albisola 28 maggio - 3 giugno 1971. ill. in bianco e nero f.t. in ottavo leg. bross. pp. 54 Buono (Good) Buon es. ma con segni del tempo. Book.

paperback. Condizione: Good. Estratto da Atti del IV Convegno Internazionale della Ceramica, Albisola 1971. Paginazione da 365 a 392 con illustrazioni in bianco e nero fuori testo, leggeri segni d'uso. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine. Book.

Brossura. Condizione: fine. Estratto dagli atti del IV Convegno internazionale della Ceramica. Albisola, 28 maggio - 3 giugno 1971.Assisi, Casa editrice Francescana, 1973; br., pp. 53, 33 ill. b/n num. f.t., cm 17x24. Libro.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 159 p. : ill. (some col.) ; 30 cm. ; ISBN: 0810918420; 9780810918429; LCCN: 85-23024 ; OCLC: 12722417 ; white cloth in pictorial dustjacket ; Contents: Johann Wolfgang Goethe -- William Blake -- Victor Hugo -- Prosper Mérimée -- George Sand -- Alfred de Musset -- Edgar Allan Poe -- Harriet Beecher Stowe -- William Makepeace Thackeray -- John Ruskin -- Mikhail Lermontov -- Charlotte Brontë -- Emily Brontë -- Edward Lear -- Charles Baudelaire -- Alexandre Dumas fils -- Henrik Ibsen -- Dante Gabriel Rossetti -- Oscar Wilde -- Arnold Bennett -- Thomas Hardy -- Gerard Manley Hopkins -- Paul Verlaine -- August Strindberg -- Robert Louis Stevenson -- Rabindranath Tagore -- O. Henry -- Rudyard Kipling -- George Russell "AE" -- Ernst Barlach -- Max Beerbohm -- G.K. Chesterton -- Sherwood Anderson -- Winston Churchill -- Max Jacob -- John Masefield -- Guillaume Apollinaire -- Vachel Lindsay -- Kahlil Gibran -- T.S. Eliot -- T.E. Lawrence -- D.H. Lawrence -- Wyndham Lewis -- Jean Cocteau -- Henry Miller -- Djuna Barnes -- Pearl Buck -- e.e. cummings -- James Thurber -- André Breton -- John Dos Passos -- William Faulkner -- Hart Crane -- Antoine de Saint-Exupéry -- Federico García Lorca -- James Agee -- Evelyn Waugh -- T.H. White -- James Michener -- Hermann Hesse -- Lawrence Durrell -- Dylan Thomas -- Tennessee Williams -- Allen Ginsberg -- Günter Grass -- Anne Sexton -- John Updike -- Colleen McCullough -- Fernando Del Paso. ; FINE/FINE. Book.

Condizione: Very Good. Brossura editoriale di pp. 53, tavole in bianco e nero fuori testo. Estratto da " Atti del IV Convegno Internazionale della Ceramica, Albissola 28 maggio-3 giugno 1971". Opera in ottime condizioni, spedizione in 24 ore dalla conferma dell'ordine. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. hardback in Fine condition with a Fine unclipped jacket. A 1 mm dent and slight scratch to the surface, otherwise as new. 151 pages. jacket protected in a removable clear plastic sleeve. price includes standard postage worldwide.

SOFTCOVER. Condizione: New. Condizione sovraccoperta: New. 1st Edition. 4to in stiff card covers with stiff paper dust jacket, 110pp, colour plates, etc . [CONDITION: NEW unread and unmarked copy in a faintly sunned and very faintly edge-rubbed but otherwise AS NEW complete Dust Jacket. An excellent copy of this very elusive book ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condizione: Very Good+. First Edition Thus. First edition thus, slipcased hardcover, the book has a light lean to the binding, as well as mild wear to the spine ends and cover corners, and overall, is a solid, tight and clean, Very Good+ copy in a Very Good slipcase, which has a moderate bump to the one of the upper rear corners, lighter bumps to the other corners, rubbing to the panels, and scuffing to the base.

Brossura. Condizione: new. Nuova edizione.Sesto Fiorentino, 2024; br., pp. 160, ill. col., cm 19x28.(Studi e Ricerche. 2). Le indagini archeologiche, e in particolare le ricerche subacquee, hanno evidenziato sin dagli anni '70 la presenza di contenitori fittili (orci), poi riconosciuti come prodotti a Montelupo, in un ambito territoriale globale. Oltre al commercio internazionale dell'olio d'oliva toscano, questa eccezionale diffusione dipende anche dall'uso che la Royal Navy fece degli orci montelupini quale dotazione di cambusa per i suoi navigli tra il XVII (seconda metà) ed il XVIII secolo. I contributi di Hugo Blake, Gaëlle Dieulefet e Nina Linda Jaspers sono dedicati alla diffusione di questi contenitori lungo le vie marittime, in Inghilterra, Francia, Olanda e Canada, sino all'Indonesia e all'Australia, mentre Fausto Berti colloca la fabbricazione degli orci nelle vicende produttive delle ceramiche grezze in Toscana e nell'area di Montelupo.L'insieme dei saggi contenuti in questo volume rappresenta, dunque, un esempio dell'apporto che l'archeologia può offrire alla ricostruzione di vicende storiche complesse. Libro.

Un opuscolo di 58 pagine, brossura editoriale. Dimensioni: 17x24 cm. Minime tracce d'uso alla brossura, un segno a penna nel margine inferiore della copertina. Interno in ottime condizioni. 36 figure in b/n fuori testo. Estratto da Atti del IV Convegno Internazionale della Ceramica, Albisola, 28 maggio 3 giugno 1971.

Condizione: NEW. SESTO FIORENTINO: All'Insegna del Giglio, 2024 9788892853003 Gruppo archeologico di Montelupo. Studi e ricerche 2 610 N vol.: 1, N pag.: 160, Peso: 610, L: 28, W: 19.5, Illustr.: COL + B/N Le indagini archeologiche, e in particolare le ricerche subacquee, hanno evidenziato sin dagli anni '70 la presenza di contenitori fittili (orci), poi riconosciuti come prodotti a Montelupo, in un ambito territoriale globale. Oltre al commercio internazionale dell'olio d'oliva toscano, questa eccezionale diffusione dipende anche dall'uso che la Royal Navy fece degli orci montelupini quale dotazione di cambusa per i suoi navigli tra il XVII (seconda metà) ed il XVIII secolo. I contributi di Hugo Blake, Gaëlle Dieulefet e Nina Linda Jaspers sono dedicati alla diffusione di questi contenitori lungo le vie marittime, in Inghilterra, Francia, Olanda e Canada, sino all'Indonesia e all'Australia, mentre Fausto Berti colloca la fabbricazione degli orci nelle vicende produttive delle ceramiche grezze in Toscana e nell'area di Montelupo. L'insieme dei saggi contenuti in questo volume rappresenta, dunque, un esempio dell'apporto che l'archeologia può offrire alla ricostruzione di vicende storiche complesse. Le indagini archeologiche, e in particolare le ricerche subacquee, hanno evidenziato sin dagli anni '70 la presenza di contenitori fittili (orci), poi riconosciuti come prodotti a Montelupo, in un ambito territoriale globale. Oltre al commercio internazionale dell'olio d'oliva toscano, questa eccezionale diffusione dipende anche dall'uso che la Royal Navy fece degli orci montelupini quale dotazione di cambusa per i suoi navigli tra il XVII (seconda metà) ed il XVIII secolo. I contributi di Hugo Blake, Gaëlle Dieulefet e Nina Linda Jaspers sono dedicati alla diffusione di questi contenitori lungo le vie marittime, in Inghilterra, Francia, Olanda e Canada, sino all'Indonesia e all'Australia, mentre Fausto Berti colloca la fabbricazione degli orci nelle vicende produttive delle ceramiche grezze in Toscana e nell'area di Montelupo. L'insieme dei saggi contenuti in questo volume rappresenta, dunque, un esempio dell'apporto che l'archeologia può offrire alla ricostruzione di vicende storiche complesse.

Hardcover. Second edition. This is a lovely presentation copy of the second edition of this Christmas anthology, edited by Robert Frost's eldest daughter, featuring several noteworthy signatures, inscriptions, and presentations. This copy offers a compelling and ostensibly unique convocation of associations - including the poet Robert Frost, his daughter Lesley Frost, (in)famous Frost collector Earl J. Bernheimer, and newspaper columnist and syndicator George Matthew Adams. A two-page facsimile manuscript of Robert Frost's poem "Good Relief" fills two pages preceding the title page. Below his facsimile signature, in six lines in black ink, Frost signed and wrote "Robert Frost - | second | signature | for | Earl J. Bernheimer | April 5 1936". The Editor, Leslie Frost, signed "Lesley Frost" below her printed name on the title page. She further signed and inscribed the front free endpaper recto in five lines (three at the upper center, two at the lower left): "For | George Matthew Adams | from | Lesley Frost | N.Y.C. | June 1951". Already unique by inscriptions and association, this copy is also noteworthy for condition, approaching fine in a very good plus dust jacket. It is an attractive little book, bound in blue cloth with elaborate gilt print and illustration on the spine, the contents bound with red and yellow head and tail bands and yellow-stained top edges. The dust jacket is striking, printed in green, red, and black on a silver background, the holly leaves and banners design of the binding spine repeated in color on both the jacket spine and front face edges, with further illustrations on both faces. This copy's blue cloth binding is square, clean, bright, tight, and sharp-cornered, with only trivial hints of shelf wear to extremities. The contents are clean and bright, with no spotting, no soiling, no appreciable toning, and retaining a crisp feel. The dust jacket is bright, unclipped, and nearly complete, with only fractional loss at the spine head, flap fold corners, and the bottom edge of the front face. Light soiling to the rear face and minor scuffs, primarily to the extremities, joints, and flap folds, do not significantly mar the book's excellent presentation. The book is housed in a marbled-paper-lined black cloth chemise nested within a black cloth slipcase with three, gilt-printed, dark red leather spine labels. The slipcase is intact, though worn with some loss to the perimeter of the labels. The circa 1929 facsimile manuscript of Frost's poem "Good Relief" herein is the first published appearance of this poem, which was never included by Robert Frost in one of his collections. "The poem was begun in Beaconsfield, England, in 1912." It was first printed in the first, 1929 edition of Come Christmas, and printed again here in the 1935 second edition.The recipient for whom Frost inscribed this copy was one of the twentieth century's first significant Frost collectors. A wealthy, Beverly Hills bibliophile, Earl J. Bernheimer began collecting Frost's books and manuscripts in 1936 - the same year Frost inscribed this copy of Come Christmas to him. Capitalizing on Frost's financial anxieties, Bernheimer eventually acquired from Frost a magnificent trove of Frostiana, with Frost entertaining the hope and understanding that "Bernheimer would one day donate everything to a single university library." Instead, owing in part to a rancorous and expensive divorce and to Frost's manifest resentment Bernheimer sold off his collection in a famous 1950 New York auction.The editor, Lesley Frost Ballantine or Lesley Frost as she always liked to be known (1899-1983) was the second child of Robert and Elinor Frost. She spent her early childhood on the Derry, New Hampshire farm that informed her father's developing poetic voice and where he drafted many of his early poems. It was during her first marriage and after the birth of her first daughter, Elinor (named after her mother and to whom this book is dedicated) that Leslie edited this collection of "Christmas Poetry, Song, Drama and Prose". This 1935 second edition was issued when Lesley was divorced and teaching. She was an author and worked in various fields, but her most well-known work was as custodian of her father's legacy. She eventually served as the first chair of the Robert Frost Foundation, oversaw restoration of the Frost farm in Derry, and gained "an international reputation for her correspondence with her father's friends and for her articles and lectures on his work."George Matthew Adams (1878-1962), to whom Lesley's inscription is addressed, was a newspaper columnist and founder of the George Matthew Adams News Service, which syndicated columns and comic strips to more than one hundred newspapers all over the world over the course of half a century.References: Crane E17; Parini, Robert Frost: A Life; Tuten and Zubizarreta; University of New Hampshire; University of Rochester, ANB.

Paris: Guy Lévis Mano (GLM), mai-juin 1961. Un volume en feuilles (12,2x14,2 cm) sous chemise à rabats imprimée, 18 feuilles libres non numérotées imprimées au recto. Edition tirée à 875 exemplaires numérotés sur cartes de Flandre de diverses couleurs. Bon état. De 1923 à 1974 Guy Lévis Mano (1904-1980), ouvrier typographe et poète a imprimé et édité plus de 500 livres de poésie d'auteurs français et étrangers allant du surréalisme à Garcia Lorca, ou de Louise Labé à Andrée Chedid. "Le style typographique de G.L.M., qui fera rechercher ses livres dans l'avenir comme les plus représentatifs de notre époque, est parvenu à ce même équilibre heureux entre les audaces modernes et la plus sûre tradition."(Albert Béguin, 1949). Livres.