Iakov chernikhov (17 risultati)

Softcover. 16,5 x 16,5 cm. Black, illustrated ring binder (booklet). (16) pages (including cover) with texts (small font size) and illustrations in color. Clean copy in good condition. Apparently a booklet of a travelling exhibition -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! K00048-620338.…

Soft cover. Condizione: Acceptable. Acceptable condition. Clean pages, intact binding.

Soft cover. Condizione: Fair. Fair condition. Clean pages, intact binding.

4to. pp. xvi, 96. numerous illus. (many colour). biblio. wrs (ex-libris, wrappers sunned in portions).

paperback. Condizione: very good(+). First. Richly illustrated in color and b/w. 88 pages. Short, slender 4to, off-white pictorial wrappers. London: Architectural Design Editions, (1984). First edition. Edgewear and toning to wrappers, scuffing to fore-edge of wrappers and text block. A very good(+) copy. Scarce. CHERNIKHOV, Iakov (illustratore). …

Paperback. Condizione: Good. Edges show some rubbing, scuffing and fading. Covers show some scuffing and rubbing and front cover has some indentation from a note that was written using the book as a hard surface. Previous owner's name in brown pen on cover page.

paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Condizione: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Former owner's name in ink on copyright page, otherwise clean and unmarked copy. Light bumping visible to corners of covers and ends of spine strip. Light scuffing and smudging to covers and spine strip. Secure packaging for safe delivery.…

paperback. Condizione: Sehr gut. Seiten; 9780312403133.2 Gewicht in Gramm: 1.

Paperback. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

4°. 4 Bl., 96 S. mit vielen farbigen Abb. OBrosch. Hg. von Hans-Peter Schwarz und Bernhard Schneider. - Als Architekt, Designer, Graphiker, Konstrukteur, Lehrer und Schriftsteller zeigt uns Iacov Chernikhov noch heute, wie wichtig Visionäre für die Gestaltung unserer Welt sind.

Soft cover. Condizione: Very Good. 1st Edition. Ornaments: Compositional Classical Constructions by Iakov Chernikhov, published in Leningrad in 1931, is one of the most significant and visually compelling architectural publications of the early Soviet avant-garde period. The first edition was issued in different colour covers, notably red and green, according to the author's design intention. Both variants are considered equally rare and are highly sought after by collectors of Constructivist and early modernist material. The work forms part of Chernikhov's broader theoretical and visual exploration of architectural composition, structure, and ornament, expressed through a highly distinctive graphic language. Iakov Chernikhov occupies a major place in 20th-century architectural history. Working within the context of Soviet Constructivism, he developed an extraordinary body of theoretical and imaginative architectural drawings that extended far beyond practical construction. His work bridges architecture, graphic design, and visionary utopian composition, and has had a lasting influence on later movements such as postmodernism and deconstructivism. Although many of his projects were never realised, his publications became essential references in architectural education and visual culture, particularly for their systematic exploration of form, rhythm, and spatial construction. This 1931 volume is especially important as it reflects Chernikhov's mature theoretical system and his unique ability to reinterpret classical ornamental principles through a Constructivist vocabulary. It stands both as an artistic manifesto and as a pedagogical work that continues to be studied for its formal innovation and visual clarity. Condition: Very good to near fine. Rare occasional spots. Spine preserved in original condition. All eight colour plates are present, complete, with no stamps or losses. A well-preserved copy.…

Soft cover. Condizione: Near Fine. 1st Edition. (The Foundations of Contemporary Architecture. Experimental Research Works) Quarto 28x22 cm., wrappers, 123 (4) pp., illustrated throughout with five color plates. Iakov Chernikhov (1889-1951) was a visionary designer, and produced the most original design work in the USSR. He taught widely throughout his career and produced an enormous amount of work in the studio, none of which was built. The present work lays the foundations for what would come to fruition in 101 Architectural Fantasies in 1933. However, it drew fierce criticism and Chernikhov was labeled a Formalist. Remarkably inventive, he only acknowledged Suprematism as an affinity to his futuristic work which looks ahead even today.…

Rilegato. Condizione: come nuovo. prima edizione. copertina rigida, 336 pagine, copia pari al nuovo.

4° (30 x 22,5 cm.). 221 S., [3] Bl. mit 8 Farbtafeln und 772 weiteren Abbildungen im Text. Moderner schwarzer Leinenband mit silbergeprägtem Rückentitel in Pappschuber mit montiertem Orig.-Umschlag (hinterer Umschlagdeckel liegt bei). Compton, Russian Avant-Garde Books 1917-34, S. 142. Hellyer 73. Rowell/Wye 857 (verz. nur 7 Farbtafeln). - Sehr seltene erste Ausgabe von Chernikhovs berühmtem Lehrbuch zur avantgardistischen Formenlehre. Nur in 3100 Exemplaren erschienen. - "A practical textbook aimed at students, with illustrations of correct and incorrect ways to draw, color, etc., and it seems remarkable today for its myriad of geometric conceits generated without the help of a computer" (Compton). - Sehr gutes Exemplar. Very rare first edition of Chernikhov's famous textbook on the avant-garde theory of form and color. - Private black cloth in sllipcase with mounted original wrappers. - Very good copy. …

Hardcover. Condizione: Near Fine. 1st Edition. (Architectural Fantasies, 101 Compositions in Color. Architectural Miniatures, Realized with the Participation of D. Kampanitsyn and E. Pavlov) Quarto 30.5x21.5 cm., embossed cloth, altogether 303pp, which consists of 102pp. text with 113 illustrations, plus 101 leaves with plates of full page color plates hors text, released in 3000 copies. Iakov Chernikhov (1889-1951) is known for his theoretical works which are encapsulated in the books he published from 1927 to 1933. As an architect, very few of his conceptions were realized and he spent most of his life in teaching positions at design institutes throughout his professional life. The present work is acknowledged to be the last publication of avant-garde design in Stalinist Russia. It is an amazing feat, with 101 color plates of visionary drawings executed by the author and two design assistants. It also contains numerous black & white renderings, equally remarkable in daring and scope. This work, a statement of publishing excellence and daring architectural vision appeared in spite of the narrowing options left for designers under increased Party dictated strictures. They would soon jell into the dreary Neoclassicism that pervaded the USSR under Stalin. Chernikhov was censured soon after the book's release. One later work, The Construction of Letter Forms, appeared posthumously in 1959. As a working contemporary with Soviet designers, Chernikhov had a great interest in Futurism, Constructivism, and a real affinity with Suprematism; he was a friend of Malevich. But he was too much of an individual with many visual concerns and dimensions to explore to be subsumed into a school other than his own. He emphasized that design must start with pure abstraction. Many of the architectural fantasies in this book are sheer exercises in pure form. These were meant to serve for the bases of extraordinary structures, most beyond the technology of the day for realization. These and other Chernikhov designs have inspired architects and designers starting in the 1980s when there was a reevaluation of Constructivism and Suprematism in Post-modernist circles and individual design pioneers which continue to the present day. Senkevich 205, MOMA 1022. This copy with slight spine fading, else fine. A masterpiece of architectural design, a Russian art book treasure. Iakov Chernikhov (illustratore). …

4° (31 x 22,5 cm.). 102 S. mit 113 (12 ganzs.) Illustrationen im Text und 101 Farbtafeln. Schwarzer Orig.-Leinenband mit blindgepr. Rücken- und Deckeltitel. Hellyer 71. Compton 142. Holstein catalogue 105, 342. Paris-Moscow 1900-1930, Centre Pompidou 535 (mit Farbabb. S. 304). Rowell/Wye 1022 (mit Abb. S. 227). Senkevitch 205. Erste Ausgabe von Chernikhovs berühmten und nie realisierten Architekturvisionen, sein bedeutendstes und am aufwendigsten gestaltetes Werk und Hauptwerk der utopistischen Architektur des 20. Jahrhunderts. Mit Titelblättern in Russisch, Deutsch, Französisch und Englisch. "A richly illustrated work dealing with methods of architectural design, technical and compositional systems, and systems of constructing architectural fantasies An amazing compendium of one hundred and one colored inventions which still excite the imagination today" (Compton, Russion Avant-Garde Book S. 142 ff.). Nur vereinzelt leicht fingerfleckig, sehr gutes Exemplar. First edition of Chernikhov's famous and never realised architectural visions, his most significant and elaborately designed work and a major work of 20th-century utopian architecture. With title pages in Russian, German, French and English. 'A richly illustrated work dealing with methods of architectural design, technical and compositional systems, and systems of constructing architectural fantasies An amazing compendium of one hundred and one coloured inventions which still excite the imagination today' (Compton, Russian Avant-Garde Book p. 142 ff.). Only a few minor finger stains, fine copy.…