Iampolski (35 risultati)
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Tisch Film Review: Second Issue, Spring 2008: A Student Publication for Film Studies: The Politics of Cinema
Morrison; Perry; Rizov; D'Ambrose; Sidorkin; Haber; Wigon; Kogen; Fleck; Chyutin; Iampolski; Russo-Young; Ladd; and Baumbach
Editore: [Tisch School of the Arts at NYU], 2008
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Aggiungi al carrelloSoft cover. Condizione: Near Fine. 1st Edition. 118 p., illustrated. Includes interviews with noah baumbach, ryan fleck, and alan ladd, jr; media's creation of jessica lynch story; commodification of culture; Hostel and the politics of torture porn; and more. [b 722].
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Da: Broad Street Books, Branchville, NJ, U.S.A.Broad Street Books
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paperback. Condizione: New. Brand New Book.
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Da: Bibliofolie, Haudrecy, FranciaBibliofolie
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Couverture souple. Condizione: Neuf. In-8° broché,format moyen,couverture imprimée,Editions l'Age d'Homme/Collection"Classiques Slaves",Lausanne,1990.Traduction du russe par Madeleine et Wladimir Berelowitch,239 pages,livre neuf.
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Da: Bibliofolie, Haudrecy, FranciaBibliofolie
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Couverture souple. Condizione: Neuf. In-8° broché,format moyen,couverture imprimée,Editions l'Age d'Homme/Collection"Classiques Slaves",Lausanne,1990.Traduction du russe par Madeleine et Wladimir Berelowitch,239 pages,livre neuf.
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Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780520085305.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
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Condizione: As New. Pbk, 326pp, a new and unread copy, excellent, clean tight and unmarked, as new.
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Condizione: New.
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Paperback. Condizione: New. The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In "The Memory of Tiresias", Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertext…uality. Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls 'textual anomalies'. These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed. Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Bunuel, he presents different strategies of intertextual reading in their work.His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.
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Paperback. Condizione: New. The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In "The Memory of Tiresias", Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertext…uality. Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls 'textual anomalies'. These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed. Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Bunuel, he presents different strategies of intertextual reading in their work.His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Paperback. Condizione: New.
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- Prima edizione
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. Develops a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, this book defines cinema as a chain of transparent, mimetic fragments intermixed with quotations. It is of interest to film historians and theorists, as well as readers in cultural and literary stu…dies. Translator(s): Ram, Harsha. Num Pages: 285 pages, black & white illustrations. BIC Classification: APFA; CFG. Category: (P) Professional & Vocational. Dimension: 154 x 229 x 2. Weight in Grams: 534. . 1998. 1st Edition. Paperback. . . . .
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Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
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Condizione: As New. Unread book in perfect condition.
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Condizione: New. Develops a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, this book defines cinema as a chain of transparent, mimetic fragments intermixed with quotations. It is of interest to film historians and theorists, as well as readers in cultural and literary stu…dies. Translator(s): Ram, Harsha. Num Pages: 285 pages, black & white illustrations. BIC Classification: APFA; CFG. Category: (P) Professional & Vocational. Dimension: 154 x 229 x 2. Weight in Grams: 534. . 1998. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.
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Paperback or Softback. Condizione: New. Memory of Tiresias: Intertextuality and Film. Book.
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Condizione: New. pp. 336.
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Paperback. Condizione: Brand New. 285 pages. 9.00x6.25x1.00 inches. In Stock.
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Softcover/Paperback. 326 S. Kanten etw. bestoßen, Buchschnitt etw. bestaubt // POP ARTS CULTURE PERFORMING FILM & VIDEO HISTORY CRITICISM N05 9780520085305 *.* Sprache: Englisch Gewicht in Gramm: 570.
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Paperback. Condizione: New. The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In "The Memory of Tiresias", Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertext…uality. Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls 'textual anomalies'. These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed. Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Bunuel, he presents different strategies of intertextual reading in their work.His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.
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Da: moluna, Greven, Germaniamoluna
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Condizione: New. Develops a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, this book defines cinema as a chain of transparent, mimetic fragments intermixed with quotations. It is of interest to film historians and th.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 38,75
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Taschenbuch. Condizione: Neu. Neuware - The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias, Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic… intertextuality.Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls 'textual anomalies.' These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed.Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Buñuel, he presents different strategies of intertextual reading in their work. His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.
