Illus fritz eichenberg (26 risultati)

hardcover. 1st. 8vo, 144 pp., First printing of the illustrated edition. Nearly fine copy in nearly fine dust jacket. Illus. by Fritz Eichenberg (illustratore).

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Illus. By Fritz Eichenberg (illustratore).

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Illus. By Fritz Eichenberg (illustratore).

Hardcover. Condizione: Very Good+. No Dust Jacket. Reprint. In slipcase. Crisp, clean copy.; Small 4to 9" - 11" tall; 234 pages. Illustrated by Fritz Eichenberg (illustratore).

hardcover. Condizione: Fine copy in slipcase. reprint. Tall 8vo, 178 pp., Sandglass newsletter laid-in. Translated from the Russian by Babette Deutsch. Edited, with an introduction, by Avrahm Yarmolinsky. Illus. by Fritz Eichenberg (illustratore).

Octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

ix, 95 [1] pp. Illustrated by Fritz Eichenberg. 8vo, publisher's cloth-backed decorated paper-covered boards, a.e.g. in slipcase. First edition; No. 249 of 1700 copies. A fine copy in a tanned slipcase. Publisher's printed compliments slip laid in. Maple Press Eighth Annual Keepsake Volume.

Hardcover. Condizione: Fine. Limited ed. One of 1100 unnumbered copies. Hardcover in checkerboard patterned paper covered boards over brick colored cloth spine, illustrated paper lable front cover and paper title label on spine. 135 pp. Illustrated with drawings by Fritz Eichenberg. A fine, bright copy, a handsome little example of a deco-period binding.…

1st edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains quite well-preserved overall. Physical description: 31p : illustrations ; 21 x 28 cm. Subjects: Children's Fiction; Christmas stories; Wales Fiction; Children's Literature. 1 Kg.

Hardcover. Condizione: Near fine. Two volumes, blue-green silk covers housed in green slipcase. #830 of 2000 copies. Feels unread, though slipcase has rubbing & rough paper to bottom panel. Extra postage required for international or expedited shipping.

1st edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains quite well-preserved overall. Physical description: 31p : illustrations ; 21 x 28 cm. Subjects: Children's Fiction; Christmas stories; Wales Fiction; Children's Literature. 1 Kg.

ix, 95 [1] pp. Large 8vo, publisher's cloth-backed decorated boards; a.e.g., in slipcase. First edition; No. 520 of 1700 copies. Very light foxing to endsheets; contents otherwise fine in a near fine slipcase.

Octavo (23.5cm). Publisher's black full leather binding, titled and decorated in gilt to spine and boards; silk moiré endpapers; integral ribbon bookmark; all edges gilt; 235pp. A fine, unread copy. A collectible edition from the "100 Greatest Books Ever Written" series. Translated by Constance Garnett; illustrated throughout by Fritz Eichenberg.…

Octavo (23.5cm). Publisher's saddle-tan full leather binding, titled and decorated in gilt to spine and boards; silk moiré endpapers; integral ribbon bookmark; all edges gilt; 343pp. A fine, unread copy. A collectible edition from the "100 Greatest Books Ever Written" series. Illustrated throughout after woodcuts by Fritz Eichenberg.…

Condizione: VG. New York 1944 first edition thus. Doubleday Doran Limited Editions. No limitation number. Two matching hardcover 4to volumes, baby blue cloth. Translated from Russian by Constance Garnett. Illustrated by Eichenberg. 736p. VG+++, no wear, no owner marks; spines a bit toned. no djs and no box. Text clean, hinges not cracked, binding quite secure. Top edges gilt. Pictures available on request. Pair.…

hardcover. Condizione: Fine copy in slipcase. 1st. 4to, 403 pp., Limited to 1500 numbered copies, signed by the illustrator., Translation by Leo Wiener Revised & edited for this edition by F.D. Reeve. With an introduction by Ernest J. Simmons. Illus. by Fritz Eichenberg (illustratore).

Lwd., Hardcover, no dust jacket, 279 S., gut erhalten.

Condizione: Near Fine. Very Good +. New York: Limited Editions Club, 1952. First Thus, Limited to 2000 sets of which this is no. 792. Three volumes; slim folios; publisher's pictorial cloth in glassine dust jackets, housed in original paper-covered slipcase; color illus. throughout. Glassine jackets a bit toned and lightly edge worn, small abrasion to slipcase spine label slightly affecting text, else a Near Fine set. King Midas signed by illustrator Fritz Eichenberg on colophon in rear; Pandora's Box is signed by illustrator Rafaello Busoni to the same; The Emperor's New Clothes is signed by both illustrator Ervine Metzl and translator Jean Hersholt. Publisher's prospectus laid in.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapters 9 and 27 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (154 x 228 mm) with card backing, image size approx. 53 x 90 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapters 2 and 20 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (154 x 227 mm) with card backing, image size approx. 54 x 92 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapter 8 and 14 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (151 x 226 mm) with card backing, image size approx. 54 x 91 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapter 31 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (152 x 227 mm) with card backing, image size approx. 53 x 90 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning and creases, near-fine.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration headed chapters 4, 12, and 21 in Eichenberg's brooding edition of Wuthering Heights (1946, expanded from 1943). The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (154 x 227 mm) with card backing, image size approx. 54 x 90 mm. Mounted, framed, and glazed (frame size: 273 x 222 mm). Mild toning, a little creasing with negligible wear to left margin, still near-fine. …

The artist's copy of this signed limited edition, one of 100 prints signed by Eichenberg in pencil, this copy being from his estate. This illustration of Heathcliffe was used to illustrate the cover art of Eichenberg's edition of 1943. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Single sheet (348 x 254 mm), image size approx. 262 x 178 mm. Mounted, framed, and glazed (frame size: 433 x 339 mm). Gentle creases to edges, a couple of nicks repaired on reverse. Well-preserved condition.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration, showing the final embrace of Catherine and Heathcliffe, was used to illustrate chapter 15 in Fritz Eichenberg's edition of 1943. The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (305 x 228 mm), image size approx 187 x 129 mm. Mounted, framed, and glazed (frame size: 358 x 288 mm). Excellent condition.…

The artist's copy of this proof wood engraving, signed by him in pencil, and from his estate. This illustration, showing Catherine looking across the moors, was used to illustrate chapter nine in Fritz Eichenberg's 1943 edition and for the covers of his 1946 edition. The initial run of proofs consisted of no more than ten unnumbered copies. Fritz Eichenberg (1901-1990) moved to the US in 1933 and quickly became acknowledged as one of the leading wood engravers of his generation, also illustrating such authors as Dostoevsky, Tolstoy, and Poe. His proofs for Wuthering Heights were reprinted in a signed run of 20 numbered copies in 1980 by Harold McGrath. The original blocks are now part of the Eichenberg Archive at Yale University's Sterling Library. Thin paper (305 x 228 mm), image size approx 187 x 129 mm. Mounted, framed, and glazed (frame size: 358 x 288 mm). Excellent condition.…