Illus graham rigby (21 risultati)

Soft cover. Condizione: Fine. Stitch-bound softcover, 8 pgs. Limited to 80 copies printed. Signed by the publisher, with inscription. Fine, nearly new copy.

Octavo hardcover (VG) in d/w (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.…

Paperback. Condizione: Fine. First Edition. Wraps. 8vo. pp 8. Original publisher's thin card on average about 8 inches by 5 with a poem by Caddick and a small illustration or printers device. Limited edition of 120 copies, this being no. 99. Signed by the printer, Toni Savage on the limitation page. ISBN: 0901870366 Fine. Graham Rigby (illustratore). Signedes. …

Softcover. Wraps, a fine copy. ; Small 4to 9" - 11" tall.

Softcover. Condizione: Fine. [8 p.]. 24 cm. Half title illustration, frontispiece, and one colour illustration. Green paper covers with white cord, green print. Accompanied by note card signed by curator Frances MacNally. 500 numbered copies of which this is no. 437.

1st edition. Fine in softcover, one of only 250 copies printed. Illustrated by Rigby Graham with six wood blocks, including a triple-page spread. With two copies of a loose colour print of the frontispiece signed by the artist.

Paperback. Condizione: Very Good. First Edition. Wraps. 4to. Brewhouse Broadsheet number eight. One of an edition limited to 240 copies printed by Caspar Standing at the Daedalus Press of Stoke Ferry. Signed handwritten presentation from the author on rear cover: "For Roderick Cave this 'French fold' being a format the French have never heard of- Potocki of Montalk." Illustrated brown paper portfolio with a french folded broadsheet consisting of eight printed pages with five illustrations. Illustration on cover and title page by Rigby Graham. 270 x 195 mm. A broadsheet and folder /portfolio. Very Good condition with light rubbing and very small split at spine, small faded oval stamp of a School of Librarianship on cover. Signedes.…

Paperback. Condizione: Fine. First Edition. 8vo. pp 4. Original publisher's thin card, about 8 inches by 5. Limited edition of 100 copies, this being no. 69. Signed by the printer, Toni Savage on the limitation page. ISBN: 0901870366 Fine. Signedes.

12mo. pp 39. Blue dust jacket with silver lettering at front and spine. Cream card softback covers with purple lettering. Illustrated throughout with colour lithographs by Rigby Graham. Fine.

Paperback. Condizione: Fine. First Edition. Wraps. 8vo. pp . Original publisher's green strung covers, lettered black with a small illustration or printers device. Limited edition of 110 copies, this being number five. Signed by the printer, Toni Savage and the author Paul Ward on the limitation page. ISBN: 0901870706 Fine.…

Grey hardback cloth cover. Condizione: Very Good. Limited Edition [131/200]. VG : in very good condition without dust jacket. Cover marked and partially faded. Illustrated endpapers. 260mm x 190mm (10" x 7"). 46pp. Colour and b/w illustrations (some folding). Signed with dedication by author on half-title page.…

Hardcover. Condizione: Fine. First Edition. Hardback. No Dust Jacket. 8vo. pp 16. Original publisher's illustrated olive green boards, lettered black. Signed by both Andrew Motion and Rigby Graham on the limitation page. Limited edition of 499 copies, this being no. 56. Including a signed Rigby Graham plate of the frontispiece, loosely inserted (only present in the first 69 copies). Printed on Zerkall mould-made paper, frontispiece and three large panel woodcut Illustrations. Fine. Signedes.…

Hardcover. Condizione: Fine. First Edition. Hardback. No Dust Jacket. 8vo. pp 29. Original publisher's mauve leather spine over illustrated boards, lettered gilt at the spine. Limited edition of 70 copies, with hand-written note stating 'out of series'. Faint sunning at spine, otherwise fine.

Soft cover. Condizione: Near Fine. 1st Edition. A set of 3 Booklets : All 3 booklets were published by the Orpheus Press in 1959. All 3 BOOKLETS are in near Fine condition. Comprising : Vol. 1) First edition - One of the twenty copies printed on paper hand-made at the Holt Mill, Leicester. Vol. 2) First edition - One of the fifty copies printed on Basingwerk Parchment. Vol.3) Second Edition (Issued the same year) - One of one hundred copies issued. The Orpheus Press Logo design to the limitation page changed between the first and second printings. Some occasional lights spots to the first volume with some very mild creasing to the card cover edges. Two full page and a title page B/W illustration by Rigby Graham. Scarce. More images available on request. Ashton Rare Books welcomes direct contact. …

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. The Sole UK printing published by The Pandora Press in 1961. Number 116 of only 150 numbered copies issued. The BOOK is in near Fine condition with just very slight splaying of the front board and a hint of toning to the text-block. Original navy cloth with the spine lettered in gilt. Free from inscriptions and erasures. 11 illustrations (3 full-page) printed from lino, rubber cuts and line-blocks in various striking colours by Rigby Graham. No Wrapper as issued. The edition was originally intended to consist of 250 copies, but disaster struck after the seventy-sixth printing; the sheets had been spread out to dry over the floor of an attic, when a sudden spell of sunshine hatched out woodworm in the floor, and overnight more than one hundred of the sheets were peppered with holes. As the sheet had a five-colour linocut on it, reprinting was impossible, and the edition was, in consequence, reduced by nearly half. (See: Cave The Private Press, p.260). Scarce. More images available on request. Ashton Rare Books welcomes direct contact.…

Hardcover. Condizione: Fine. 1st Edition, Limited Edition. The sole UK printing published by Gwasg Gregynog, Newtown, Wales in 2006. The BOOK is in Fine unread condition No. '104' of 150 copies. Set in Monotype Baskerville and printed on Velin arches pure cotton mould-made paper. Folio, original citron morocco backed orange cloth sides with gilt designs by Rigby Graham blocked on both sides, gilt lettering on spine, housed in the original purple cloth covered slipcase with design by Rigby Graham blocked in gilt on one side. No darkening to the spine (this copy has been stored away since publication until very recently). The text is taken from Thomas Pennant's famous eighteenth century work 'A Tour in Wales' and is here edited with an introduction by Gwyn Walters who perfectly captures the spirit and writings of the great naturalist and antiquarian who originally came from Flintshire. 20 spectacular colour woodcuts by Rigby Graham, several being double page and dramatic colour woodcut endpapers. Graham's illustrations, which dramatically blend the eighteenth and twenty-first century landscapes are exciting and vibrant and stand as a monument to his remarkable achievements as an important British illustrator and printmaker. An extremely handsome copy. With the publisher's prospectus loosely inserted. With two prints loosely inserted, both signed and numbered by Rigby Graham. The prints are in Fine condition. They were issued simultaneously with the book and were available direct from the publishers on request. The limitation size was '80' for each signed print, although it is unclear whether 80 copies of each print were actually issued. More images available on request. Ashton Rare Books welcomes direct contact. Graham, Rigby (illustratore).…

Hardcover. Condizione: Fine in Near Fine Archival Box. Limited Edition/Design Binding. Limited Edition/Design Binding. Hardcover. "A traditional American ballad on the joys of the bedroom with its companion poem "In Disapproval of Bundling". The publisher writes "Old bed sheets of several colours gave raw material for the paper, but the source of the supply cannot be disclosed." I call it 'Life in the Old Goat Yet." [artist statement] Hollands final comment plays at the fact that she consciously chose to bind this bawdy tale in the skin of an old goat, all flaws embraced. Tight, bright, and unmarred; archival box shows minimal shelf/edge wear, else tight and clean. Full native Morroccan goat complete with flea bites and scratches (some highlighted in in 23c gold leaf), blind tooling, gold leaf highlights, teg (rough), hand sewn headbands. 4to. Illus. (b/w plates). Numbered limited edition, this being 183 of 200.…

Hardcover. Condizione: Fine. 1st Edition. The sole printing published by The Bonnefant Press , Banholt in 1999. Number '39' of only sixty copies ('which was the number of prints available for pages 19 and 27'). The BOOK is in Fine condition and appears unread. Free from inscription and erasures. Housed in the original publisher's plain grey slipcase which is in Fine condition. Signed by Rigby Graham to the limitation page , who has additionally signed and numbered two tipped-in prints as issued. Profusely illustrated in B/W and colour throughout. Loosely inserted is the publisher's 4 page prospectus with a loose sample of the decorated end-paper design. A very handsome production and increasingly elusive. More images available on request. Ashton Rare Books welcomes direct contact. Signed by Illustrator(s). …

Hardcover. Condizione: Fine in Fine Archival Case. Limited Edition/Unique Binding. Limited Edition/Unique Binding. Hardcover. Art binding by Julie H.B. Stackpole, a fine hand bookbinder based in mid-coast Maine. After getting a BA at Kirkland College, Julie Beinecke Stackpole studied bookbinding with Kathryn Gerlach in Vermont, in Ascona Switzerland, at the Camberwell School of Arts & Crafts in London, and with Roger Powell in England. She established her studio, the Merlicorn Bindery, on Nantucket in 1975, which she moved to Maine in 1985. She specializes in one-of-a-kind creative ne binding, all aspects of rare book restoration, and general hand bookbinding. Tight, bright and unmarred. Full leather binding in grey and dark sea-green goatskins; onlays of various leathers, all embossed with lino-cuts (representing various elements of water-sea, clouds, rain, streams, waves, currents); in blind lettering at spine; sewn on raised bands, endpages marbled by the binder, leather hinges, colored topstain, hand-sewn headbands; matching archival box, hand-marbled title page (wave-form). 8vo. np. Illus. (color and b/w plates). Errata tipped in.…

Hardcover. Condizione: Fine. Limited Edition. The First UK printing published by Goldmark, Uppingham in 1987. The Limited Edition with this copy being number '73' of only 100 copies issued, bound in grey cloth and printed on mould made Magnani paper (There was also a Trade unsigned edition without the etching). The book has been Signed by the author and illustrator to the limitation page. An original etching numbered (73) and signed by Rigby Graham is loosely inserted into the rear pocket. Both the BOOK and ETCHING are in Fine condition. The etching is a reproduction of the B/W frontispiece. The book has been additionally inscribed (in pencil) by the publisher to the upper front blank endpaper : 'For Will Davies, with thanks for all your help and kindness, Mike Goldmark.Dec 94'. The book is protected in a loose acetate cover and housed in the publisher's black slipcase which is in near Fine condition. The author's first novel. Loosely inserted is the publisher's 8 page Prospectus which includes the frontis reproduction. The scarce prospectus is in Fine condition. Collectible. More images available on request. Ashton Rare Books welcomes direct contact. Signed by Author(s).…

No Binding. Condizione: Near Fine. 1st Edition. Published by Trevor Hickman at The Brewhouse Press in 1974, a complete set of the 13 Brewhouse Broadsheets. The Broadsheets include : 1) The Execution of a Bookbinder : James Cook, number 'O/S' of 75 copies, with a large coloured linocut by Rigby Graham, 1966. 2) Cave (Roderick) : The Dance of Death, number 149 of 150 copies, large linocut by Trevor Hickman, 1967. Nos. 3 &4) Hoy (Peter): Silence at Midnight [&] Silence a Minuit, each one of 200 copies, 1967. 5) Graham (R.) & T.Hickman. One Hour Less: A Bookbinder Dies from Gaol Fever, one of 200 copies, large colour lithograph by Graham, 1968. 6) Holt (Penelope) & Roger Payne: Bookbinder, one of 200 copies, 1969. 7) Graham (Rigby) :Paul Gauguin: Woodcutter and Private Printer, one of 200 copies, 1969 . 8) Potocki (Count, of Montalk) Myself as a Printer, one of 240 copies, 1970. 9) Graham (Rigby) : Monotypes, 1970. 10) Lord (John) William Blake: Private Printer, one of 300 copies, 1972. 11) Tucker (Alan) : Reading Games, one of 300 copies, 1973. 12) Stevens Cox (Gregory): The Earliest Books Printed in Germany, one of 300 copies, 1973. 13) Graham (Patricia) The Brewhouse at Wymondham, one of 90 copies, 1974. The Brewhouse Press Broadsheets numbered 1-13 are in near Fine condition. Mostly large single sheets folding to 4to, all with illustrations, many by Rigby Graham, the earlier nos. with a large illustration filling verso of folding sheet, all loose in original printed/pictorial folders, with the index of broadsheets loosely laid in which was given to those few subscribers who were in receipt of the complete sets. All housed together in the publisher's original morocco-backed board drop-back box by Trevor Hickman with pictorial sides by Rigby Graham, the spine titled in gilt, is a little bumped at the corners with a little spotting to the edges. Only 25 such boxes were issued ( Rigby Graham in Print : Van Eijk). Two Brewhouse Press flyers for 'Publications in print' are also loosely inserted. Very scarce with such attributes. A handsome production. More images available on request. Ashton Rare Books welcomes direct contact.…