illustrated johns jasper (13 risultati)

Paperback. Condizione: Very Good. Well-illustrated (illustratore). 83 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Contains 51 illustrations with 20 in color.

Well-illustrated (illustratore). Softcover, 84 pages, very good condition, light rubbing to covers, no internal marks. Foreign shipping may be extra. .

Well-illustrated (illustratore). First Edition. First edition. Softcover. 148 pages. Published in conjunction with a show that ran May 20 through August 19, 1986. Text by Castleman. Includes 106 illustrations with 43 in color. An about very good copy in wrappers with some creasing to the top corner of the rear panel and last few pages as well. Otherwise, a clean and tight copy.

Well-illustrated (illustratore). Softcover, 84 pages, good condition; light rubbing to covers; 1-inch crease to lower right corner of all pages no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. Well-illustrated (illustratore). 148 page softcover, with illustrations in color and b/w (106, 43 in color). Exterior and interior are in very good condition. No flaws.

Soft Cover. Condizione: Fine. Well-illustrated (illustratore). First Edition; First Printing. 106 plates in color and black and white. With an essay by Riva Castleman. Published on the occasion of the exhibition at the Museum of Modern Art, New York, May 20 through August 19, 1986. ; Tight, clean and crisp. In excellent condition. No inscriptions. Not ex-library. ; 4to; 148 pages.

Well-illustrated (illustratore). Softcover, 148 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Well-illustrated (illustratore). 11 x 9.5 inches. 148 pages. Wrappers. Spine faded, otherwise fine.

Soft cover. Condizione: Near Fine. Well-illustrated (illustratore). FIRST SOFTCOVER EDITION. Exhibition catalogue. Near Fine. Quarto; laminated stiff wraps; 148 pp.; profusely illustrated in color; a touch of curling to cover, else a crisp and clean copy.

Encuadernación de tapa blanda. Condizione: Buen estado. Well-illustrated (illustratore). 1986. Catálogo de la exposición celebrada en el MoMA (New York, U.S.A.)) en Mayo - Agosto de 1986. 148 pp. Numerosas reproducciones en color de las obras expuestas. Idioma: Inglés. LIB 10J.

Condizione: Fine. Number of books: 1 book.

Softcover. Condizione: Good. Illustrated by Antoni Tapies, Jasper Johns (illustratore). First Edition. White stiff covers with illustrated front cover. The covers are a bit soiled and worn. The upper right page and cover corners are bent. There's some soiling to the contents, particularly the end pages. The binding is tight and there are no markings in the text. A decent copy. ; Unpaginated art show catalog - about fifty pages in length. Written in three languages -Croatian, English, and German. The contributors include: Werner Hofman, "Tapies"; Irina Subotic, "The Matter Art of Antoni Tapies" and "The Image-object in Jasper Johns' Work". The introduction was written by Miodrag B. Protic. The book isorganized into two sections, one for each artist, including essays, art samples and biographies. The catalog was published in conjunction with the exhibition of Tapies' and Johns' works at the Museum of Modern Art of Belgrade. ; Small 4to 9 1/2" x 8 5/8"; Unpaginated pages.

First edition. Signed by the author and the artist. Limited edition. "This cerebral volume that provokes more questions than it answers is considered one of the greatest artists' books of the second half of the twentieth century" (Johnson and Stein: Artists' Books in the Modern Era 1870-2000). Complete. Five texts by Samuel Beckett in both French and English. Illustrated with 33 etchings by Johns (including 26 lift-ground aquatints, five etchings with mixed media, one soft-ground etching, and one aquatint), together with two colour lithographs used as endpapers. Tissue guards present. The plates were drawn by Johns and proofed and printed by hand at the Atelier Crommelynck in Paris between 1975 and 1976. The paper, watermarked with Beckett's initials and Johns' signature, was handmade by Richard de Bas in the Auvergne. The type, set in Caslon Old Face 16-point, was hand-printed by Fequet and Baudier in Paris. Housed in the original grey linen portfolio case with purple silk tassel, the interior lined with a colour lithograph. A fine copy. The binding square, clean and bright. The contents, with some offsetting from a couple of the darker plates to the opposite page (as in all copies seen), are bright and fresh throughout. Issued in a limited edition of 250 copies, this example is numbered 105 and signed by Samuel Beckett and Jasper Johns on the limitation page. The five prose texts that comprise Foirades were written by Samuel Beckett in French in 1972 and translated into English by the author in 1974 specifically for this collaborative publication. In response, Jasper Johns produced a suite of 33 etchings derived from his four-panel painting Untitled (1972), now held in the collection of Museum Ludwig in Cologne. As the critic Christian Geelhaar noted, Johns had already developed "a set of images unsurpassed in their intuitive realisation of Beckett's texts", despite not yet having read them. The four panels introduced imagery new to Johns' practice. The left panel features a field of stripes or cross-hatching, recalling markings he once observed on a car passing along the Long Island Expressway. The two central panels derive from a wall he had seen on a building in Harlem, painted with rock-like forms in red, white and black. The final panel incorporates wax casts of fragmented body parts affixed to wooden boards. These motifs are developed across the prints through combinations of etching, aquatint and drypoint, rendered predominantly in black and grey. Johns' characteristic stencilled numerals precede each of Beckett's texts, while the endpapers, depicting cross-hatching and rock or flagstone imagery, are printed in colour. The project also marked a technical shift in the artist's printmaking practice. Having previously worked largely in lithography, he was encouraged by Paul Cornwall-Jones, founder of Petersburg Press, to experiment with etching. Cornwall-Jones introduced Johns to the master printer Aldo Crommelynck, who had collaborated almost exclusively with Pablo Picasso during the previous decade. Following Picasso's death in 1973, Crommelynck's Paris studio became a centre for artists associated with Petersburg Press, including Richard Hamilton, David Hockney, Howard Hodgkin and Jim Dine. Johns first visited the studio in 1974, and their collaboration over the next two years resulted in the extraordinary etchings encountered here. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Signed by Author(s).