Isabel mehl (23 risultati)

Condizione: New.

Paperback. Condizione: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.…

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2020. Paperback. . . . . .

Paperback. Condizione: Brand New. 256 pages. 7.50x4.75x1.00 inches. In Stock.

Condizione: New. pp. 375.

Paperback. Condizione: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. In English.

Condizione: New. pp. 375.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidiz.

Taschenbuch. Condizione: Neu. Neuware - Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to 'build on the structure through demolition' (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ['Darstellung']. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated which generate their critical statements less argumentatively than through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects and instruments, visibly enters the critical scene-whereas the theatrical scene as a stage of critique has been contested intensively during the 20th century. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.…

Taschenbuch. Condizione: Neu. Critique: The Stakes of Form | Critical Stances | Beate Söntgen | Taschenbuch | 352 S. | Englisch | 2020 | DIAPHANES AG | EAN 9783035802405 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu. …

Paperback. Condizione: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condizione: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.…

Buch. Condizione: Neu. Neuware - Madame Realism ist eine Figur, die von der US-amerikanischen Schriftstellerin und Kulturkritikerin Lynne Tillman (\*1947 in Woodmere, Long Island) erschaffen wurde. Seit dem ersten öffentlichen Auftritt dieser fiktiven Kunstkritikerin 1986 in der Zeitschrift Art in America, erschienen 17 Texte. Als Protagonistin der Geschichten driftet Madame Realism zwischen Fakt und Fiktion, zwischen New York und Umwelt, ihrer Wohnung im East Village und der sie umgebenden Großstadt, zwischen Kunstwerken und Kontexten, Gesellschaft und ihren Randgebieten, Repräsentation und dem Nicht-Repräsentierten. Sie ist eine Agentin des Zweifels, der stetigen Bewegung zwischen möglichen Standpunkten. An ihrem Beispiel wird nachvollzogen wie sich in diesem Drift zwischen kritischem und erzählerischem Anspruch ein besonderes Potenzial für die Annäherung an den Gegenstand der Kritik, Kunst, entwickeln lässt. Welche Funktion übernimmt diese Figur für das kritische Anliegen von Tillman Welche Rolle spielt die Kunst für Madame Realisms Unternehmung Ihre kritische Auseinandersetzung mit der Kunst und der Welt entfaltet sich im Leseakt in der Imagination der Rezipient\*in, die eine Fährte zu einer Sichtweise legt, dank der wir die Realität, die wir sehen und erfahren, als gestaltet und somit auch als veränderbar wahrnehmen können. In dieser Verquickung von Kritik und Imagination liegt Madame Realisms gegenwärtige Relevanz. Sie macht die Komplexität des Lebens und der Kunst erfahrbar, ohne uns etwas erklären zu wollen, weshalb ihre Erzählungen auch nie so wirken, als würde sie damit einen didaktischen Ansatz verfolgen. Eine Zweiflerin wie Madame Realism können wir immer, und auch gerade jetzt, gut gebrauchen.; Dissertationsschrift.…

Condizione: New. Madame Realism ist eine Figur, die von der US-amerikanischen Schriftstellerin und Kulturkritikerin Lynne Tillman (*1947 in Woodmere, Long Island) erschaffen wurde. Seit dem ersten oeffentlichen Auftritt dieser fiktiven Kunstkritikerin 1986 in der Zeitschrift.

Buch. Condizione: Neu. Im Zeichen des Zweifel(n)s. Madame Realism | Die Funktion der Fiktion in der Kunstkritik | Isabel Mehl | Buch | 360 S. | Deutsch | 2022 | Edition Metzel | EAN 9783889602282 | Verantwortliche Person für die EU: Edition Metzel, Agnesstr. 12, 80798 München, info[at]editionmetzel[dot]de | Anbieter: preigu. …