ismail nadia (49 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. Firs Thus. In stapled wraps, 8vo, 22pp. Illustrated. Size: 8vo - over 7¾" - 9¾". Book.

Condizione: New. In.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Near Fine. Very nice condition. Clean pages. No markings.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Ever since her student years at Kunstakademie Duesseldorf, Louisa Clement (b. 1987) has investigated the transformation of human communication, especially in digital space and social media. One of her primary interests is the increasingly widespread display of idealised self-portraits. For her most recent work, entitled Repraesentantinnen, Clement has created copies of herself that are as fascinating as they are unsettling. In collaboration with a Chinese company specialising in the manufacture of sex dolls, she commissioned life-sized manikins to be made based on parameters of her body that were calculated with the help of body scans, microphotographs, and video recordings of movements. With movable parts and sexually functional, these dolls not only have the same face as their creator, but are programmed to imitate the artist's facial expressions and to communicate and interact with spectators and the surrounding world. This publication documents Clement's work and explores various technical, psychological, economic, and ethical questions raised by it. The book also features a sound box that allows it to interact with its readers. Text in English and German. SELLING POINTS: . Blurring the distinction between original and copy, doll and clone, human and robot . An artist book that comes with a sound box . Publishing to accompany an exhibition at Kunsthalle Giessen between 7 May and 11 June 2021 This publication documents Clements work and explores various technical, psychological, economic, and ethical questions raised by it. The book also features a sound box. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Paperback. Condizione: New. Ever since her student years at Kunstakademie Düsseldorf, Louisa Clement (b. 1987) has investigated the transformation of human communication, especially in digital space and social media. One of her primary interests is the increasingly widespread display of idealised self-portraits. For her most recent work, entitled Repräsentantinnen/ Representative, Clement has created copies of herself that are as fascinating as they are unsettling. In collaboration with a Chinese company specialising in the manufacture of sex dolls, she commissioned life-sized manikins to be made based on parameters of her body that were calculated with the help of body scans, microphotographs, and video recordings of movements. With movable parts and sexually functional, these dolls not only have the same face as their creator, but are programmed to imitate the artist's facial expressions and to communicate and interact with spectators and the surrounding worldThis publication documents Clement's work and explores various technical, psychological, economic, and ethical questions raised by it. The book also features a sound box that allows it to interact with its readers.Text in English and German.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: new. Paperback. Nadia Ismail's debut title Sunshine After the Rain explores the realms of sex, drugs, drink, family, depression and rape. This autobiography is a must-read for anyone wishing to come to grips with various issues surrounding their identity, feelings and past experiences. These never-to-be released secret memoirs of Nadia's were originally written as self-therapy to help her combat a number of issues and post-traumatic stress. After years of being filed away, Nadia finally plucked up the courage and decided it was time for the secret material to make its way into the public domain with the aim of helping those who have had similar experiences. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Neuware -Safety First Seit den 1980er-Jahren geht Julia Scher (geb. 1954 in Hollywood, lebt und arbeitet in Koln) der Entstehung einer 'Hochsicherheitsgesellschaft' nach. Inspiriert unter anderem von dem franzosischen Philosophen Michel Foucault und dem Soziologen Gary T. Marx konzentriert sich ihr uvre auf die Themen Uberwachung und Cyberspace. Scher bedient sich dabei seit den frühen Jahren ihrer künstlerischen Laufbahn einer visionaren Vielfalt an Medien, um aufzuzeigen, in welchem Umfang Technologien wie Videoüberwachung, Bilderkennung und automatisierte Datenbankanfragen inzwischen alltaglich geworden sind und unsere Realitat strukturieren. Indem sie gebrauchliche Uberwachungsszenarien nachahmen, beschworen Schers Arbeiten Versprechungen von mehr Sicherheit und Bequemlichkeit mit dem Ziel, die Gefahren und Ideologien von Uberwachungssystemen aufzudecken. Eindrucksvoll schat Scher temporare und transitorische Web-/Installations-/Performance-Arbeiten, die die Betrachter\*innen vor drangende Fragen nach Macht, Gender, Kontrolle und medialer Verführung stellen.Der umfangreiche Uberblicksband übertragt das Lacansche Diktum RSI (das Reale, das Symbolische und das Imaginare) auf Schers Arbeit und untersucht diese in Hinblick auf die Themen Real & Fake, Sicherheit & Uberwachung & SM, Infrastrukturen. Die Publikation ist eine Kollaboration zwischen der Kunsthalle Gießen, der Kunsthalle Zürich, dem Museum Abteiberg und dem MAMCO Geneva (Muse e d'art moderne et contemporain) und DISTANZ und begleitet - sowie erweitert - Schers jüngste Ausstellungen (2022/23) an den beteiligten Institutionen durch eine extensive Rückschau und Einordnung des Werkes seit den frühen 2000er-Jahren. Mit Textbeitragen und Essays u. a. von Paul Bernard, Gesine Borcherdt, Nadia Ismail, Lilian Haberer und Katrin Kaempf, Magnus Schafer und Mark von Schlegell sowie einem Vorwort von Daniel Baumann, Lionel Bouvier, Nadia Ismail, Matthias Kliefoth und Susanne Titz.Safety First Since the 1980s, Julia Scher (b. Hollywood, 1954; lives and works in Cologne) has been investigating the emergence of a 'maximum security society.' Inspired by French philosopher Michel Foucault and sociologist Gary T. Marx, among others, her oeuvre focuses on issues of surveillance and the cyberspace. Since the beginning of her career, Scher has employed a visionary variety of media to demonstrate how much technologies like video surveillance, image recognition, and automated database queries have become ubiquitous and effectively structure our reality. By mimicking common surveillance scenarios, Scher's works invoke promises of increased security and convenience in order to expose the dangers and ideologies of surveillance systems. Scher creates striking and transient web, installation, and performance works that present viewers with urgent questions about power, gender, control, and medial seduction.This comprehensive overview volume applies Lacan's dictum RSI (the Real, the Symbolic, the Imaginary) to Scher's work, examining it regarding the topics Real & Fake, Surveillance & Security & SM, Infrastructures. The publication is a collaboration between Kunsthalle Gießen, Kunsthalle Zürich, Museum Abteiberg, MAMCO Geneva (Muse e d'art moderne et contemporain), and DISTANZ. It accompanies and expands on Scher's most recent exhibitions (2022/23) at the participating institutions with an extensive retrospective and classification of the work since the early 2000s. With text contributions and essays by Paul Bernard, Gesine Borcherdt, Nadia Ismail, Lilian Haberer and Katrin Kaempf, Magnus Schafer, Mark von Schlegell, as well as a foreword by Daniel Baumann, Lionel Bouvier, Nadia Ismail, Matthias Kliefoth, and Susanne Titz. 256 pp. Englisch, Deutsch.

Taschenbuch. Condizione: Neu. Neuware -Safety First Seit den 1980er-Jahren geht Julia Scher (geb. 1954 in Hollywood, lebt und arbeitet in Koln) der Entstehung einer 'Hochsicherheitsgesellschaft' nach. Inspiriert unter anderem von dem franzosischen Philosophen Michel Foucault und dem Soziologen Gary T. Marx konzentriert sich ihr uvre auf die Themen Uberwachung und Cyberspace. Scher bedient sich dabei seit den frühen Jahren ihrer künstlerischen Laufbahn einer visionaren Vielfalt an Medien, um aufzuzeigen, in welchem Umfang Technologien wie Videoüberwachung, Bilderkennung und automatisierte Datenbankanfragen inzwischen alltaglich geworden sind und unsere Realitat strukturieren. Indem sie gebrauchliche Uberwachungsszenarien nachahmen, beschworen Schers Arbeiten Versprechungen von mehr Sicherheit und Bequemlichkeit mit dem Ziel, die Gefahren und Ideologien von Uberwachungssystemen aufzudecken. Eindrucksvoll schat Scher temporare und transitorische Web-/Installations-/Performance-Arbeiten, die die Betrachter\*innen vor drangende Fragen nach Macht, Gender, Kontrolle und medialer Verführung stellen.Der umfangreiche Uberblicksband übertragt das Lacansche Diktum RSI (das Reale, das Symbolische und das Imaginare) auf Schers Arbeit und untersucht diese in Hinblick auf die Themen Real & Fake, Sicherheit & Uberwachung & SM, Infrastrukturen. Die Publikation ist eine Kollaboration zwischen der Kunsthalle Gießen, der Kunsthalle Zürich, dem Museum Abteiberg und dem MAMCO Geneva (Muse e d'art moderne et contemporain) und DISTANZ und begleitet - sowie erweitert - Schers jüngste Ausstellungen (2022/23) an den beteiligten Institutionen durch eine extensive Rückschau und Einordnung des Werkes seit den frühen 2000er-Jahren. Mit Textbeitragen und Essays u. a. von Paul Bernard, Gesine Borcherdt, Nadia Ismail, Lilian Haberer und Katrin Kaempf, Magnus Schafer und Mark von Schlegell sowie einem Vorwort von Daniel Baumann, Lionel Bouvier, Nadia Ismail, Matthias Kliefoth und Susanne Titz.Safety First Since the 1980s, Julia Scher (b. Hollywood, 1954; lives and works in Cologne) has been investigating the emergence of a 'maximum security society.' Inspired by French philosopher Michel Foucault and sociologist Gary T. Marx, among others, her oeuvre focuses on issues of surveillance and the cyberspace. Since the beginning of her career, Scher has employed a visionary variety of media to demonstrate how much technologies like video surveillance, image recognition, and automated database queries have become ubiquitous and effectively structure our reality. By mimicking common surveillance scenarios, Scher's works invoke promises of increased security and convenience in order to expose the dangers and ideologies of surveillance systems. Scher creates striking and transient web, installation, and performance works that present viewers with urgent questions about power, gender, control, and medial seduction.This comprehensive overview volume applies Lacan's dictum RSI (the Real, the Symbolic, the Imaginary) to Scher's work, examining it regarding the topics Real & Fake, Surveillance & Security & SM, Infrastructures. The publication is a collaboration between Kunsthalle Gießen, Kunsthalle Zürich, Museum Abteiberg, MAMCO Geneva (Muse e d'art moderne et contemporain), and DISTANZ. It accompanies and expands on Scher's most recent exhibitions (2022/23) at the participating institutions with an extensive retrospective and classification of the work since the early 2000s. With text contributions and essays by Paul Bernard, Gesine Borcherdt, Nadia Ismail, Lilian Haberer and Katrin Kaempf, Magnus Schafer, Mark von Schlegell, as well as a foreword by Daniel Baumann, Lionel Bouvier, Nadia Ismail, Matthias Kliefoth, and Susanne Titz. 256 pp. Englisch, Deutsch.

Hardcover. Condizione: Brand New. 130 pages. German language. 9.50x6.75x0.87 inches. In Stock.

Softcover. Condizione: Wie neu. 1. Auflage. Kunsthalle Gießen, Kunsthalle Zürich, MAMCO Geneva. Seit den 1980er-Jahren geht Julia Scher (geb. 1954 in Hollywood, lebt und arbeitet in Köln) der Entstehung einer Hochsicherheitsgesellschaft" nach. Inspiriert unter anderem von dem französischen Philosophen Michel Foucault und dem Soziologen Gary T. Marx konzentriert sich ihr uvre auf die Themen Überwachung und Cyberspace. 56 Seiten, 180 Farbabbildungen, Softcover mit Klappe, 24 × 28 cm.