iturbi jose (26 risultati)

Paperback. Condizione: Very Good. pictorial wraps; Jeannette MacDonald, Jose Iturbi on cover (illustratore). 1st Edition. Printed wraps; 6 pages, clean, unmarked.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. No jacket. MIld tan to covers and contents but overall clear and unmarked.

No Binding. Condizione: VGF. A VG or better original release 8 x 10 English FOH lobby card. Photographic Image.

Soft Cover. Condizione: Very Good +. No Jacket. First Edition. Program from the All Star Concert Series at the Academy of Music in 1938. Signed by Jose Iturbi and Amparo Iturbi. Unusual to have both signatures together. 4 pp. 8" X 5.5". Size: 8vo - over 7¾" - 9¾" tall. Signed.

Condizione: Very Good. ~ Ex-collection Adolfo Allemanni, Buenos Aires ~ SIGNED IN BALL-POINT PEN BY JOSÉ ITURBI ON UPPER COVER ~ Eight-page leaflet ~ 8p ~ 23x16x1cm. ~ Signs of vertical & horizontal handling folds, else, Very good condition ~ LANGUAGE: Español / Additional images available/// We accept PayPal & EU bank transfer in EUROS //.

Publisher's original monochrome photographic card wrap covers. Folio 11'' x 8¼''. Contains 30 printed pages of text with musical scores throughout. A few tan age spots to the foot of the upper panel and in Very Good condition, no dust wrapper as published. Member of the P.B.F.A. SHEET MUSIC.

- A 3-3/4 inch high by 5-1/8 inch wide holiday greeting card embossed in red on creamy white stock with red ruled edges. The sentiments "Best Wishes for a Happy Holiday Season Jose Iturbi" are embossed in red at the center. The pianist has boldly penned "Besos / Pepin / 1975" in blue ink diagonally across the card. "Besos", being Spanish for "kisses" and "Pepin" being the nickname by which his close friend Jean Dalrymple would sometimes address him. Accompanying the card is Iturbi's 2 inch high by 2-7/8 inch wide embossed calling card with his name crossed out and the words "Besos" and "Pepin" typed above and below with the date "Oct. 20, 1967" al;ong the bottom right. Another card, this one 2-7/8 inches high by 3-7/8 inches wide, commemorates Iturbi's passing with a quote from "Psalm 27:1", "The Lord is my light and my Salvation" above Jose Iturbi's name and his birth and death dates "November 28, 1895" and "June 28, 1980".The cards are accompanied by retained carbon copies of 2 of Jean Dalrymple's letters to her friend. The first, addressed to "Darling Pepin." dives in with "What I was trying to tell you on the telephone the other night is that I am drinking Kefir, which is cultured milk, made from a culture I brought back from Russia, and which comes from the Balkans where they say people live to 150 because they drink Kefir." She goes on to later write "Speaking of piano playing, I went to a recital by an old friend of mine who hadn't appeared in public for thirty years. and while it was far from 'good' it was a programme that kept stirring memories! The etude in F Minor was the first one you had me study and the Waltz in C# Minor gave Madge (who was with me) a fit of giggles, since she remembered your version of how I played it!" In her second letter, dated November 21, 1977, Dalrymple addresses Iturbi as "Darling Jose". She worries about his health "I have been thinking about all the medicines. right ones and wrong ones . you are being given, and I wonder if your doctors might let you give them ALL up and give your own nature and strong body a chance to recover. on its own, helped only by by [sic] a cleansing nutritional diet of fruits and vegetables, plenty of pure water and herbal teas." Closing with "I love you". Both letters are creased and folded in half.A moving tribute to a close friendship. Now often overlooked, Jose Iturbi was one of the best known pianists of the 1930's and 40's. A virtuoso, he was as comfortable playing classical music as he was playing the boogie-woogie. A composer and conductor as well as a musician, he often conducted from the piano. A dashing figure, he became a film star in the 1940's playing music for and appearing in MGM musicals, including Anchors Aweigh. An amateur boxer, motorcyclist and pilot, Iturbi best summed up his philosophy of life with this statement: "Life is a meal, and music is the roast beef. But who can live on only roast beef? You must have your brandy and dessert and cigar. And so I must have my boxing and my airplane and my motorcycle."Iturbi's close friend for many years, and his occasional publicist, the recipient, Jean Dalrymple (1902-1998) was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville, appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing, the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski, Mary Martin, Jos Iturbi, Andr Kostalanetz, Nathan Milstein, and Lily Pons. She began her work at City Center with its founding in 1943, serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951, Jean Dalrymple married Major-General Philip deWitt Ginder, commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.

Condizione: Fine. New York, 1957 / Beverrly Hills, CA, 1977. 1957 & 1977., 1957 & 1977. Fine. - An octavo, 8-5/8 inch high by 5-1/4 inch wide soft cover program bound in self-wraps. Illustrated on the front cover, the 4-page program is for the "Premiere Performance of The Spanish Opera and Ballet Conducted by Jose Iturbi at City Center in New York on October 16, 1957. Fine. Together with Jose Iturbi's autograph, signed "Pepin", an affectionate diminutive, penned for Jean Dalrymple in 1977 on his personal 10-1/2 inch high by 7-1/4 inch wide cream stationery with his Beverly Hills, California address at the top. Folded for mailing, else fine. Also included are 2 retained copies of Jean Dalrymple's letters, the first, dated April 4, 1977 is to conductor Andre Previn, dated April 4, suggesting that Previn schedule concerts with Iturbi. The second, dated April 7 of that year is to Jose Iturbi, who she addresses as "Darling Pepin", informing him that she wrote to Previn and that she expects a "nice response from him". Jose Iturbi was one of the best known pianists of the 1930's and 40's. A virtuoso, he was as comfortable playing classical music as he was playing the boogie-woogie. A composer and conductor as well as a musician, he often conducted from the piano. A dashing figure, he became a film star in the 1940's playing music for and appearing in MGM musicals, including Anchors Aweigh. An amateur boxer, motorcyclist and pilot, Iturbi best summed up his philosophy of life with this statement: "Life is a meal, and music is the roast beef. But who can live on only roast beef? You must have your brandy and dessert and cigar. And so I must have my boxing and my airplane and my motorcycle." Jean Dalrymple (1902-1998) was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville, appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing, the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski, Mary Martin, Jos Iturbi, Andre Kostalanetz, Nathan Milstein, and Lily Pons. She began her work at City Center with its founding in 1943, serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951, Jean Dalrymple married Major-General Philip deWitt Ginder, commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.

Condizione: Good. - Two rare programs for concerts conducted from the piano by Jose Iturbi in Madrid and Mexico City under the auspices of Conciertos Daniel.The first, performed at the Teatro de la Comedia on October 9th: "Iturbi con la Orquesta Sinfonica de Madrid", is a 6-7/8 inch high by 9-3/4 inch wide broadsheet printed in red & black on the recto with a portrait of Iturbi at top left. On the verso, under the "Conciertos Daniel" heading & logo, is printed a brief biography of the pianist and conductor Jose Iturbi followed by a price list for various seat locations. The concert, a Beethoven Festival, includes performances of the Leonore Overture followed by the third piano concerto in C minor and Beethoven's 3rd Symphony. Folded both horizontally & vertically for mailing, the broadsheet is slightly soiled with creases to the edges and corners.The second program is for July 21 and July 25, 1933 concerts at Mexico City's Teatro Hildago, titled "El Adios a Mexico de Iturbi". The 4 page 9-1/8 inch high by 6-5/8 inch wide softcover program is printed in green on buff paper titled with a portrait of Iturbi on the cover page. Under a running title printed across the 2 center pages are the performances which include works by Mozart, Beethoven, Ravel, Liszt & Scarlatti on the 21st and the "Festival Beethoven Orquesta de 100 Profesores" under Iturbi's baton on the 25th,which includes Beethoven's 3rd Piano Concerto and his 3rd and 7th Symphonies. A price list according to seating is printed on the last page. Folded both vertically and horizontally with creases to the edges. There are short tears to the inner edge and bottom edge of the pages, a tiny chip to the bottom corner and some dark stains to the last page. "Conciertos Daniel" was founded in Berlin in 1908 by Cuban-born impressario Ernesto de Quesada. Originally called "Konzertdirektion H. Daniel", the agency moved to Madrid in 1914 and was renamed "Conciertos Daniel".Now often overlooked, Jose Iturbi (1895-1980) was one of the best known pianists of the 1930's and 40's. A virtuoso, he was as comfortable playing classical music as he was playing the boogie-woogie. A composer and conductor as well as a musician, he often conducted from the piano. A dashing figure, he became a film star in the 1940's playing music for and appearing in MGM musicals, including Anchors Aweigh. An amateur boxer, motorcyclist and pilot, Iturbi best summed up his philosophy of life with this statement: "Life is a meal, and music is the roast beef. But who can live on only roast beef? You must have your brandy and dessert and cigar. And so I must have my boxing and my airplane and my motorcycle.".

Three vintage gatherings of the periodical "Film Music Notes" (FMN), comprising all 26 issues published in 1942 through 1944, bound in three volumes, each with titled wrappers, "Film Music Notes / 1942," "Film Music Notes / 1943," and "Film Music Notes / 1944," with manuscript graphite, red, and blue pencil annotations on 39 pages of fourteen issues. The three gatherings found here comprise the first full three years of the periodical's publication, beginning with "Volume I / January, 1942 / Number IV" and ending with "Volume IV / December, 1944 / Number III." Detailed inventory available upon request. The three bound gatherings are: "Film Music Notes / 1942," comprised of all eight issues published in 1942, from Vol. 1 No. IV through Vol. II No. III, with each issue ranging from seven to nine pages. (In 1942 FMN published only eight issues, rather than the nine found in 1943 and 1944, combining the May and June issues into one "May-June 1942" issue, Vol. II No. III.) "Film Music Notes / 1943," comprised of all nine issues published in 1943, from Vol. II No. IV through Vol. III No. III, with each issue ranging from eight to twelve pages. "Film Music Notes / 1944," comprised of all nine issues published in 1944, from Vol. III No. IV through Vol. IV No. III, with each issue ranging from eleven to twenty three pages. The first issue of FMN, Vol. 1, No. 1 (not included in the bound volumes here), was published in October 1941, and was spearheaded largely by the efforts of a group of Hollywood women on behalf of the National Federation of Music Clubs (the Federation). On June 1, 1941, as part of the "Festival of Motion Pictures" at the Federation's biennial American Music Festival, the Federation, feeling the Academy Awards were not adequately recognizing musicians and composers, held their first film music awards night. The overwhelming success of the awards night, as well as growing requests from music educators for resources and advise on how to teach about film music, lead Federation members, headed by chairperson Grace Widney Mabee, to begin the publication of the groundbreaking periodical four months later, which, during its inception, was largely built upon the Federation's existing structures and resources. In 1943, FMN was integral to the formation of the National Film Music Council (NFMC), created largely by Federation members and FMN contributors and editors, Mabee, Sigmund Spaeth (FMN Advisory Chairman), Constance Purdy (FMN editor), and others, and was announced in the "Foreword" of FMN, Vol. 2, No.1, October, 1943, found in the volumes offered here. FMN continued publication for seventeen years, ending in 1958. Issues of FMN are generally comprised of a "Foreword," followed by "Comments and Open Forum" (which by the November 1942 issue, Vol. II, No. II, had transitioned to "News Items"), film reviews (which focus on the use of music in film, and range from five to 28 reviews per issue), as well as various articles, essays, and biographies. Regular contributing authors found in the three bound volumes here include: Gail Kubik (composer), Margery Morrison (FMN Associate Editor), Purdy (actress, musician, and FMN Editor), Naomi Reynolds (of The Musician's Congress), and Spaeth (musicologist, author, and FMN Advisory Chairman). Contributing authors found in the volumes on offer here, include: Composers: Scott Bradley, Rudy De Saxe, Adolph Deutsch, Nat W. Finston, Arthur Kleiner, William Lava, Vernon Leftwich, Alfred Newman, Miklós Rózsa, David Rudhyar, Jack Schaindlin, Max Steiner, Herbert Stothart, Franz Waxman, Roy Webb, and Charles Wolcott. As well as: Alice Evans Field (MPPDA studio liason), Chauncey Haines, Jr. (musician), Hal Hall ("The American Cinematographer" editor), John Huntley (British film historian), Isabel Morse Jones (LA Times critic and musician), Jay Leyda (experimental filmmaker), Louis Lipstone (head of Paramount Pictures music department), Harry Mines (LA Daily News critic), Ivan Narodny (Russian revolutionary and émigré), Mildred Norton (LA Daily News critic), Cecil Stokes (creator of the Auroratone), and Dr. Bruno David Ussher (musicologist and LA music critic). Articles found in the volumes on offer here, include: "Cartoon Music of the Future," "[George Pal's] Puppetoons," "The Auroratone," "Scoring the Jungle Book," "Russian Music," "The Importance of Motion Picture Music," "Music in Government Films," a "Special Article" on Constantin Bakaleinikoff (composer and Director of Music Department of RKO-Radio), "Music of the Americas," "Screen Music Assumes New Stature," "Procedure of Preparing a Musical Score for a Picture," "José Iturbi Comes to the Screen," "[Dmitri] Shostakovich - Film Composer," "A Visit to the Music Recording Stage at Warner Bros.," "What Music Arranging Does for the Pictures," "An Afternoon in the Home of Erich Wolfgang Korngold," "New Russian Music Born of War," "The Sixth Sense in Film Mechanics," "Notes on the Life and Works of Aaron Copland," "Rhapsody in Blue: A Day on the Gershwin Set," "British Film Music," "Mexican Films in Hollywood," and "An Institute of Music in Contemporary Life," among many others. All three volumes Very Good or better, pages supple, mimeograph duplication, each bound with two gold brads. "Film Music Notes / 1942:" Tan titled wrappers, eight issues, 61 pages total. Pages Near Fine, wrapper Very Good plus, with light soiling and edgewear, bound with two gold brads. "Film Music Notes / 1943:" Blue titled wrappers, nine issues, 85 pages total. Pages Near Fine, wrapper Very Good plus, with light soiling and edgewear, bound with two gold brads. "Film Music Notes / 1944:" Tan titled wrappers, nine issues. 132 pages total. Pages Near Fine, with five paperclips on five different articles, wrapper Very Good plus, with light soiling, edgewear, and light dampstaining to the bottom left corner, bound with two gold brads.

Pas de couverture. Condizione: Bon. Authentic album page signed in 1947. + Photo 20x15 cm (recent print) Size : 11x13 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Condizione: Very good. - A 10-1/4 inch high by 8 inch wide glossy black & white vintage photograph depicting the main cast of the film, Jose Iturbi, Roddy McDowall, Jane Powell, Walter Pidgeon, Ilona Massey, and Xavier Cugat with his violin lined up on a staircase. The number "S1360-25" is printed in white along the bottom left of the image. There are minor creases and three holes are punched along the left edge. Very good. This a vintage publicity photo, not a reproduction, sent out to newspapers and periodicals of the period. Text from a printed press release is tipped onto the verso. It reads: "SEXTETTE FROM MEXICO.Walter Pidgeon stars in Metro-Goldwyn-Mayer's exciting Technicolor extravaganza with Ilona Massey, Jane Powell, Roddy McDowall, Jose Iturbi and Xavier Cugat. The story, which deals with the adventures of the American Ambassador to Mexico and his 'teen-aged daughter, is filled with color, music and romance. It was directed by George Sidney, and produced by Joe Pasternak.".

4°, 2 Bl., 2-fach gefalzt., Papier min. gebräunt, tadell. Mit Widmung des Musikers a. Inserat.- José Iturbi (* 28. November 1895 in Valencia, Spanien; ? 28. Juni 1980 in Los Angeles, Kalifornien) war ein spanischer Dirigent, Pianist und Cembalist. Auch als Musikpädagoge und Schauspieler war er bekannt. 600 gr. Schlagworte: Musik - Klassik.

8vo. 1 p. Namenszug auf Albumblattt mit angeheftetem Namen und Nummerierung. - Aus der Autographensammlung des spanischen Pianisten Antonio Baciero (geb. 1936).

Condizione: Very good. - An 8 inch high by 10 inch wide softly hued black & white original photograph by Arthur C. Macaulay. The photograph portrays the Spanish pianist Amparo Iturbi standing on stage next to a grand piano accepting the applause of the servicemen looking back from their seats at a table. American Theatre Wing's City Center Producer Jean Dalrymple is seated next to a sailor at bottom right. An array of flags serves as background to the stage and the pictorial banner above reads "American Theatre Wing War Service, Inc. : Stage Door Canteen". The Jersey City, N.J. photographer's credits are stamped on the verso and the photograph is additionally identified in pencil as "#758 Courtesy c-9-4 Amparo Iturbi" and "Amparo Iterbi / Jean Dalrymple" on the verso. There is a crease to the bottom right corner of the photograph with minor creasing to the top left corner and left edge. Very good. A New York City venue run by the American Theatre Wing, "The Stage Door Canteen" offered meals and entertainment free of charge to American service men during WWII. The original venue first opened in the basement of a theater on 44th Street in New York City on March 2, 1942. Stage Door Canteens were eventually set up in cities throughout the country as well as in London and Paris.The younger sister of Jose Iturbi, the Spanish pianist Amparo Iturbi (1898-1969) was herself a well-known performer. She gave her debut concert in Barcelona when only 15 years old and played in Paris in 1925. She and her brother Jose played dual piano recitals through Italy, Switzerland, Belgium, the Netherlands, and England and she also accompanied the Catalan Soprano Maria Barrientos. Her first American performance came in 1937 and she was a pioneer of the Spanish piano repertoire prior to Alicia de Larrocha's arrival in 1965. Amparo appeared on screen with her brother Jose Iturbi in MGM's 1944 musical "Two Girls and a Sailor".Jean Dalrymple (1902-1998) was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville, appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing, the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski, Mary Martin, Jos Iturbi, Andre Kostalanetz, Nathan Milstein, and Lily Pons. She began her work at City Center with its founding in 1943, serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951, Jean Dalrymple married Major-General Philip deWitt Ginder, commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.

No Binding. Condizione: Very Good. Signed-Autograph Very Good ITURBI, Jose. Signature and date (1940), boldly penned on album leaf. 4to, 1p. Signed by Author(s).

A sheet of wove paper (10 x 12 cm) inscribed and SIGNED on one side by actor Jacques Morel, and on the other side by pianist Jose Iturbi (with a sketch of a chef). From the exemplary collection of maître d'hôtel Maurice Guérin, who worked from the 1930s to the 1960s at top restaurants in the South of France and aboard the S.S. Normandie. Some adhesive remains, else in good condition. A UNIQUE AND FASCINATING ITEM.

4to. 1 p. Gedr. Briefkopf American Aid for France, Inc." Iturbi wird von Charles Boyer um Unterstützung der American Aid for France gebeten. Auf dem an ihn adressierten Brief sagt Iturbi durch seine Unterschrift die Unterstützung zu.

Vintage reference photograph of director Jean Negulesco and actors Joan Crawford, Peggy Knudsen, and Joan Chandler, along with practice pianist Jose Iturbi on the set of the 1946 film. With the stamp of photographer Jack Woods on the verso. Based on Fannie Hurst's 1919 short story, which was previously adapted in 1920 by Frank Borzage. A working class violinist begins an affair with an older, alcoholic socialite, who becomes his patron. Shot on location in New York and Malibu and Laguna Beach, California. 8 x 10 inches. Near Fine.

Vintage studio still photograph from the 1945 film, showing actors Gene Kelly and Frank Sinatra with then-child actor Dean Stockwell. A pair of sailors on shore leave in Hollywood help a would-be film star make it big. The first of three films to pair Sinatra and Kelly, followed by "Take Me Out To The Ball Game" and "On the Town" (1949). Set and shot on location in Hollywood. 10 x 8 inches. Very Good plus, evenly toned, with light creasing at the corners.

8vo. 1 1/2 pp. Auf beiden Seiten eines geöffneten Kuverts. Bleistift. Prachtvolles Mehrfachautograph an Weihnachten 1931 verfasst: Dearest Suzanne, How we miss you, poor Alfred [] sad Rolf too! Warmest greetings to you and the children affectionately Harriet + Fritz Kresler | José Iturbi | Samuel Barlow | Ernesta Beaux Barlow | Mildred Orliens | Florence H. Matthews | Marie Iturbi |Ernest Schelling". " Aus der Sammlung des Schweizer Musikers Alfred Pochon (1878-1959).

Vintage borderless reference photograph from the 1945 film, showing actors Gene Kelly and Frank Sinatra. Printed mimeo snipe affixed to the verso, along with the stamp of Cinema International Corporation. From the archive of film historian and author Joel Finler. A pair of sailors on shore leave in Hollywood help a would-be film star make it big. The first of three films to pair Sinatra and Kelly, followed by "Take Me Out To The Ball Game" and "On the Town" (1949). Set and shot on location in Hollywood. 8 x 10 inches. Very Good plus.

Pas de couverture. Condizione: Assez bon. Rare - Superb large photo signed in 1948. Size : 25.5x20.5 cm. Condition : wear, bent corner, stains, please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Albumblatt (8° quer) in Tinte mit schön Ort, Datum, Unterschrift signiert Montevideo 9.7.1927 - mit Repro-Porträtfoto unter bordeauxrotes Passepartout (4 to) gerahmt.

Signed album page, 4,5 x 2,75 inch (affixed on cardboard), 1936, signed and dated in blue ink "Jose Iturbi - 1936", attractively mounted (removable) for display with a photograph, shows Jose Iturbi at a piano (altogether 8,25 x 11,75 inch), with creasing and trimmed edges - in nearly fine condition.

IP signed vintage promotion picture (mounted), shows Jose Iturbi in a chest-up portrait, 7,75 x 9,5 inch, Zürich, 25.04.1954, signed and inscribed in blue ink (partly on a mount) "Sincerement - Jose Iturbi - 1954", obtained In-Person in Zurich (25.04.1954), with mild signs of wear - in fine to very fine condition.