Lingua: Inglese
Editore: University of South Carolina Press, Columbia , SC, 2013
ISBN 10: 161117158X ISBN 13: 9781611171587
Prima edizione
Soft cover. Condizione: New. James Karales (illustratore). 1st Edition. 1st. Edition, 1st. Printing 2013, Soft cover with illistrated wraps, 125 page book. Illustrated with black & white images by James Karales. Condition : NEW ( with small black mark at spine top corner ( remainder mark ) Size: 4to - over 9¾ - 12" tall. Book.
Lingua: Inglese
Editore: University of South Carolina Press, US, 2013
ISBN 10: 161117158X ISBN 13: 9781611171587
Da: Browsing Is Arousing, Middlebury, VT, U.S.A.
Condizione: Very Good. Softcover, 125 pages, illustrated throughout in b&w. Remainder mark to bottom edge. Clean, tight copy. Record # 350497.
Hardcover. Condizione: New. 1st Edition. New clean copies. Still in publisher's shrink wrap or otherwise new.
Condizione: Very Good. Hardcover in a bright, unclipped dust jacket. "James Karales (1930?2002) was big-time in the best time but is not as well-known as he should be," argues photographic historian Vicki Goldberg. This book will change that. Early in his career, Karales began a photo-essay documenting Rendville, Ohio, an important stop on the Underground Railroad during the Civil War and one of the few racially integrated communities in America in the late 1950s. These pictures demonstrate his striking ability to capture the essential qualities of a community, are reminiscent of images made for the Farm Security Administration in the 1930s, and reflect Karales' state of mind as he grappled with the racial issues that were to preoccupy him and America for many years to come. Karales worked for Look from 1960 until it ceased publication in 1971. Among many important assignments for the magazine, Karales documented Martin Luther King and the fifty-mile, five-day Selma (Alabama) march in 1965. Fifteen minutes before the end of the march, the sky darkened and Karales' wide-angle shot of the protesters silhouetted against the horizon has since become an emblem of the march and has insured the photographer's place in this tumultuous period of American history. In this new publication we discover that Karales' stature as a photojournalist and social documentary photographer par excellence is based on much more than one iconic image. Record # 374979.
Editore: University of South Carolina Press, Columbia, 2013
Da: Bibliodisia Books, Caxton Club, Chicago, IL, U.S.A.
Membro dell'associazione: MWABA
Prima edizione Copia autografata
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. James Karales (illustratore). First Edition. SIGNED BY THE PHOTOGRAPHER'S wife. Foreword by Andrew Young. With the '1' in a number line. An important Civil Rights historical archive. Fine in a fine, unclipped jacket. Signed.
Editore: University of South Carolina Press., Columbia., 2013
Da: BookMine, Fair Oaks, CA, U.S.A.
Gilt decorated hard cover. First edition. Full number line. Illustrated. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar). 125 pps.
Lingua: Inglese
Editore: Gottingen, Steidl,, Gottingen, 2014
ISBN 10: 3869304448 ISBN 13: 9783869304441
Da: Studio Bibliografico Marini, ROMA, RM, Italia
EUR 55,00
Quantità: 1 disponibili
Aggiungi al carrellohardcover. Condizione: New. Prima edizione (First Edition). Introduzione di Howard Greenberg. Testo di Vicki Goldberg (James Karales: The Dark and Ligh of Photojournalism). Fotografie in bianco e nero di James Karales . Cm 23x 28. pp. 176. . Nuovo (New). . Prima edizione (First Edition). . All'inizio della sua carriera, James Karales (1930-2002) realizzò un fotosaggio su Rendville, Ohio, una tappa importante sulla Underground Railroad durante la guerra civile e una delle poche comunità dell'America sul finire degli anni Cinquanta dove neri e bianchi erano integrati. Queste immagini mostrano la sua capacità impressionante di catturare le qualità essenziali di una comunità, ricordano le immagini realizzate per la Farm Security Administration negli anni Trenta e riflettono lo stato d'animo di Karales nel suo personale scontro con le questioni razziali che avrebbero interessato l'America per molti anni a venire. Karales lavorò per Look dal 1960 fino alla fine delle pubblicazioni nel 1971. Tra i tanti incarichi importanti per la rivista, Karales documentò Martin Luther King e le 50 mile, la marcia di cinque giorni a Selma (Alabama) nel 1965. Book.