Jenni lomax (31 risultati)

Soft cover. Condizione: As New. 111pp. colour and b&w illustrations.

Paperback. Condizione: new. Paperback. Between 1979 and 1989, Whitechapel Gallery established one of the most significant community education programmes in British art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New.

Condizione: new.

Hardback. Condizione: New. Henry Ward (b.1971) is an artist, educator and writer based in London. This monograph documents a major new body of work created during and following a residency at the Josef and Anni Albers Foundation in Bethany, Connecticut, in 2023, and a subsequent residency in the Morvan, Burgundy, in summer 2024. Ward is interested in line, shape, form and colour relationships. He works primarily as a painter, but also makes drawings and small sculptures. He explores the language of paint by investigating the threshold between abstraction and representation. During the two months he spent at the Albers Foundation, Ward took advantage of the vast studio space and began pinning together cut painted pieces to make assemblages. While there, he produced fifteen paintings on canvas and wood, forty paintings on paper, sixty drawings, twenty 'cut-outs' and a full sketchbook. Exclusively working with acrylic paints, he began experimenting, using masking tape and mixing in different mediums so that he could 'push the paint around'.The publication includes reproductions of many the works Ward made during his stay at the Albers Foundation, organised into 'Paintings', 'Works on Paper' and 'Drawings'. The final section, 'After Bethany', brings together twenty-two acrylic paintings on canvas that the artist created the following year, including during a two-week residency in France. In his foreword, Fritz Horstman, Education Director of the Albers Foundation, sets the scene in Bethany, detailing the studio buildings and the rural winter landscape, as well as Ward's 'exciting path of exploration and growth' during his time there. While in residence, Ward travelled to nearby New York to meet the artist Amy Sillman in her Brooklyn studio. An edited transcript of their conversation is included here, in which they discuss their individual approaches to painting, writing and language. In his essay, the curator and writer Jonathan Watkins charts Ward's thirty-year career as an artist and teacher, drawing out his belief that 'art is, by its very nature, educational'. In her contribution, Jenni Lomax interviewed Ward in his Woolwich studio about the works he created during both residencies, and the lasting impact they have had on his practice.Edited by Matt Price and designed by Joe Gilmore, the book is published by Anomie Publishing, London.Henry Ward (b.1971) is an artist, educator and writer based in London. Ward has exhibited nationally and internationally for over thirty years. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022 and was included in the Wells Art Contemporary in both 2020 and 2024. Ward has shown in numerous group exhibitions including with Flowers Gallery, London, Messums London and Sid Motion Gallery, London. In 2024 his solo exhibition Medusa and Other Stories, with Kittoe Contemporary, won the Artlogic best exhibition award at the London Art Fair.…

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 128 pages. 10.16x8.39x0.51 inches. In Stock.

Paperback. Condizione: Brand New. 112 pages. 9.00x7.00x0.50 inches. In Stock.

Softcover. black & white grid illustrated wrappers w/ white printing; reflective black square. 32 pgs w/ monochrome illustrations & plates. Wonderfully presented cataluge with many small, square reflective illustrations and 7 'Duration' and 'Variable' letter pieces of the same reflecitve quality. VG. Light scuffs & scratches to covers; edge-wear; small crease to upper edge. tight binding. museum sticker to interior cover, otherwise, clean. …

Hardcover. Condizione: Brand New. 144 pages. 10.25x7.75x10.24 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

4to. pp 96. Black and white illustrated wraps. Illustrated throughout in black and white and colour. Published on the occasion of the touring exhibition, which after Camden Arts Centre, travelled to De Le Warr Pavilion and Tate St Ives.ISBN: 9781900470674 Near fine. Two very small dints to front cover and an imperceptible slight yellowing at edge.…

SOFTCOVER. Condizione: As New. 1st Edition. Extra Large Quarto size (4to). in stiff glossy card covers, variously paginated, approx. 64pp, colour plates, etc . [CONDITION: NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

2020catalogue to accompany an exhibition in Naples; text in English and Italian; colour illustrations; stapled paperback (12pp) with looped staples for hanging book up; cover uncreased; a very clean, tidy copy. Used - Very Good. VG stapled paperback Used - Very Good. VG stapled paperback.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Near Fine book in Near Fine Dust Jacket. Heavy item may require additional postage outside of UK. Please see photos.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: new. Paperback. Between 1979 and 1989, Whitechapel Gallery established one of the most significant community education programmes in British art history. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: Very Good. No Jacket. In very good condition, some light wear to cover.

Condizione: New. 2026. paperback. . . . . .

Paperback. Condizione: new. Paperback. Between 1979 and 1989, Whitechapel Gallery established one of the most significant community education programmes in British art history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

SOFTCOVER. Condizione: As New. 1st Edition. Square Quarto size (4to) in colour printed stiff card covers, 95pp, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Condizione: New.

Hardback. Condizione: New. Henry Ward (b.1971) is an artist, educator and writer based in London. This monograph documents a major new body of work created during and following a residency at the Josef and Anni Albers Foundation in Bethany, Connecticut, in 2023, and a subsequent residency in the Morvan, Burgundy, in summer 2024. Ward is interested in line, shape, form and colour relationships. He works primarily as a painter, but also makes drawings and small sculptures. He explores the language of paint by investigating the threshold between abstraction and representation. During the two months he spent at the Albers Foundation, Ward took advantage of the vast studio space and began pinning together cut painted pieces to make assemblages. While there, he produced fifteen paintings on canvas and wood, forty paintings on paper, sixty drawings, twenty 'cut-outs' and a full sketchbook. Exclusively working with acrylic paints, he began experimenting, using masking tape and mixing in different mediums so that he could 'push the paint around'.The publication includes reproductions of many the works Ward made during his stay at the Albers Foundation, organised into 'Paintings', 'Works on Paper' and 'Drawings'. The final section, 'After Bethany', brings together twenty-two acrylic paintings on canvas that the artist created the following year, including during a two-week residency in France. In his foreword, Fritz Horstman, Education Director of the Albers Foundation, sets the scene in Bethany, detailing the studio buildings and the rural winter landscape, as well as Ward's 'exciting path of exploration and growth' during his time there. While in residence, Ward travelled to nearby New York to meet the artist Amy Sillman in her Brooklyn studio. An edited transcript of their conversation is included here, in which they discuss their individual approaches to painting, writing and language. In his essay, the curator and writer Jonathan Watkins charts Ward's thirty-year career as an artist and teacher, drawing out his belief that 'art is, by its very nature, educational'. In her contribution, Jenni Lomax interviewed Ward in his Woolwich studio about the works he created during both residencies, and the lasting impact they have had on his practice.Edited by Matt Price and designed by Joe Gilmore, the book is published by Anomie Publishing, London.Henry Ward (b.1971) is an artist, educator and writer based in London. Ward has exhibited nationally and internationally for over thirty years. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022 and was included in the Wells Art Contemporary in both 2020 and 2024. Ward has shown in numerous group exhibitions including with Flowers Gallery, London, Messums London and Sid Motion Gallery, London. In 2024 his solo exhibition Medusa and Other Stories, with Kittoe Contemporary, won the Artlogic best exhibition award at the London Art Fair.…

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:1900470020. …

hardcover. Condizione: Very Good. Condizione sovraccoperta: very good. A very good hardcover in a very good dust jacket. Very light edgewear to dust jacket. No markings.

Near Fine in publishers decorated wrappers. Illustrated throughout. 1st edition. ISBN 1900470071.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 228 Seiten/pages, 37 Farbabbildungen/illustrations in color, 81 bw, 13 duotone. - This volume presents Scheibitz's pictorial archive, compiled from a vast range of pictures found in newspapers, magazines, films and cartoons, as well as our collective memory. In making this material available, Scheibitz gives readers a tool to draw many conclusions about his artistic methods in painting and sculpture.…