Jens rieckmann (36 risultati)
Editore: Akademischer Verlag H.-D. Heinz, 1977
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Paperback. Condizione: New. New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity.Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only anall-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerged from the poets and intellectuals he gathered around him in the George Circle are above all a scathing commentary on the political, social, and cultural situation in Germany at the turn of the century. George, who was imbued with the idea of the poet as a prophet and priest, saw himself as the Messiah of a New Hellenism and a New Reich led by an intellectual and aesthetic elite consisting of men who were bonded together through their allegiance to a charismatic leader. Some of the values that George proclaimed, among them a glorification of power, of heroism and self-sacrifice, were seized upon by the National Socialists, and subsequently his writings andthose of his circle were considered by some to be proto-fascist. It did not help his reputation that after the Second World War much of the criticism of his works was practiced by uncritical, hagiographic George worshippers. In recent years, however, there has been a renewed and unbiased interest among scholars and critics in George and his circle. The wide-ranging and original essays in this volume explore anew George's poetry and his contribution to Modernism, the relation between his vision of a New Reich and fascist ideology, and his importance as a cultural critic. Jens Rieckmann is Professor of German at the University of California, Irvine.…

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Paperback. Condizione: New. New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity.Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only anall-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerged from the poets and intellectuals he gathered around him in the George Circle are above all a scathing commentary on the political, social, and cultural situation in Germany at the turn of the century. George, who was imbued with the idea of the poet as a prophet and priest, saw himself as the Messiah of a New Hellenism and a New Reich led by an intellectual and aesthetic elite consisting of men who were bonded together through their allegiance to a charismatic leader. Some of the values that George proclaimed, among them a glorification of power, of heroism and self-sacrifice, were seized upon by the National Socialists, and subsequently his writings andthose of his circle were considered by some to be proto-fascist. It did not help his reputation that after the Second World War much of the criticism of his works was practiced by uncritical, hagiographic George worshippers. In recent years, however, there has been a renewed and unbiased interest among scholars and critics in George and his circle. The wide-ranging and original essays in this volume explore anew George's poetry and his contribution to Modernism, the relation between his vision of a New Reich and fascist ideology, and his importance as a cultural critic. Jens Rieckmann is Professor of German at the University of California, Irvine.…

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Condizione: New. 2010. Paperback. New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity. Editor(s): Rieckmann, Jens. Series: Studies in German Literature, Linguistics, and Culture. Num Pages: 278 pages, black & white illustrations. BIC Classification: 2ACG; DSBH; DSC. Category: (P) Professional & Vocational. Dimension: 230 x 155 x 18. Weight in Grams: 448. . . . . .…

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Condizione: New. 2010. Paperback. New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity. Editor(s): Rieckmann, Jens. Series: Studies in German Literature, Linguistics, and Culture. Num Pages: 278 pages, black & white illustrations. BIC Classification: 2ACG; DSBH; DSC. Category: (P) Professional & Vocational. Dimension: 230 x 155 x 18. Weight in Grams: 448. . . . . . Books ship from the US and Ireland.…

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A Companion to the Works of Stefan George (Studies in German Literature Linguistics and Culture, 66)
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Paperback. Condizione: Brand New. 257 pages. 8.75x6.00x0.75 inches. In Stock.
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150 x 225 mm. Condizione: Gut. 202 Seiten Einband: Original Broschur, Bibliotheksschild auf Vorderdeckel. Ecken und Kanten etwas berieben. Zustand: Bibliotheksexemplar mit den üblichen Bibliotheksstempeln und Einträgen. Innen tadellos. Literaturverzeichnis Seite 196 - 202 B09-01-05B Sprache: Deutsch Gewicht in Gramm: 285.…

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Paperback. Condizione: New. New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity.Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only anall-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerged from the poets and intellectuals he gathered around him in the George Circle are above all a scathing commentary on the political, social, and cultural situation in Germany at the turn of the century. George, who was imbued with the idea of the poet as a prophet and priest, saw himself as the Messiah of a New Hellenism and a New Reich led by an intellectual and aesthetic elite consisting of men who were bonded together through their allegiance to a charismatic leader. Some of the values that George proclaimed, among them a glorification of power, of heroism and self-sacrifice, were seized upon by the National Socialists, and subsequently his writings andthose of his circle were considered by some to be proto-fascist. It did not help his reputation that after the Second World War much of the criticism of his works was practiced by uncritical, hagiographic George worshippers. In recent years, however, there has been a renewed and unbiased interest among scholars and critics in George and his circle. The wide-ranging and original essays in this volume explore anew George's poetry and his contribution to Modernism, the relation between his vision of a New Reich and fascist ideology, and his importance as a cultural critic. Jens Rieckmann is Professor of German at the University of California, Irvine.…

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kart., Broschiert. Condizione: Sehr gut. 202 S., 23 cm. Namenseintrag auf Vorsatz. Einband leicht berieben, ansonsten sehr gut erhalten. ISBN: 9783772021695 Sprache: Deutsch Gewicht in Gramm: 320.

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Taschenbuch. Condizione: Sehr gut. 127 S. Im Vorsatz signierte Widmung des Autors (Mai 1978). Umschlag an den Rändern minimal berieben/bestossen, Ränder und Rücken ausgebleicht. Innenteil tadellos - u n g e l e s e n - keine Risse, Knicke, Anmerkungen. ! Altersbedingt leicht nachgedunkelt! KEIN Mängelexemplar! Versand aus München F04438 Sprache: Deutsch Gewicht in Gramm: 193.…

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Paperback. Condizione: New. New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity.Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only anall-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerged from the poets and intellectuals he gathered around him in the George Circle are above all a scathing commentary on the political, social, and cultural situation in Germany at the turn of the century. George, who was imbued with the idea of the poet as a prophet and priest, saw himself as the Messiah of a New Hellenism and a New Reich led by an intellectual and aesthetic elite consisting of men who were bonded together through their allegiance to a charismatic leader. Some of the values that George proclaimed, among them a glorification of power, of heroism and self-sacrifice, were seized upon by the National Socialists, and subsequently his writings andthose of his circle were considered by some to be proto-fascist. It did not help his reputation that after the Second World War much of the criticism of his works was practiced by uncritical, hagiographic George worshippers. In recent years, however, there has been a renewed and unbiased interest among scholars and critics in George and his circle. The wide-ranging and original essays in this volume explore anew George's poetry and his contribution to Modernism, the relation between his vision of a New Reich and fascist ideology, and his importance as a cultural critic. Jens Rieckmann is Professor of German at the University of California, Irvine.…

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23 cm 202 S. Oktn. Beim verlag vergriffen. Buch.

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Taschenbuch. Condizione: Neu. Hugo von Hofmannsthal und Stefan George | Signifikanz einer 'Episode' aus der Jahrhundertwende | Jens Rieckmann | Taschenbuch | Kartoniert | Deutsch | 1997 | Francke | EAN 9783772021695 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

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Condizione: gut. 1997. Hugo von Hofmannsthal und Stefan George : Signifikanz einer "Episode" aus der Jahrhundertwende. In deutscher Sprache. pages.

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Paperback. Condizione: new. Paperback. New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity.Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only anall-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerged from the poets and intellectuals he gathered around him in the George Circle are above all a scathing commentary on the political, social, and cultural situation in Germany at the turn of the century.George, who was imbued with the idea of the poet as a prophet and priest, saw himself as the Messiah of a New Hellenism and a New Reich led by an intellectual and aesthetic elite consisting of men who were bonded together through their allegiance to a charismatic leader. Some of the values that George proclaimed, among them a glorification of power, of heroism and self-sacrifice, were seized upon by the National Socialists, and subsequently his writings andthose of his circle were considered by some to be proto-fascist. It did not help his reputation that after the Second World War much of the criticism of his works was practiced by uncritical, hagiographic George worshippers. In recent years, however, there has been a renewed and unbiased interest among scholars and critics in George and his circle. The wide-ranging and original essays in this volume explore anew George's poetry and his contribution to Modernism, the relation between his vision of a New Reich and fascist ideology, and his importance as a cultural critic.Jens Rieckmann is Professor of German at the University of California, Irvine. New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Condizione: New. Print on Demand pp. 278.

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Paperback. Condizione: Brand New. 257 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.