Lingua: Inglese
Editore: Milwaukee: University of Wisconsin, 1998
ISBN 10: 0966402006 ISBN 13: 9780966402001
Da: ANARTIST, New York, NY, U.S.A.
Softcover exhibition catalog, very good condition, no internal marks, clean and crisp, with essays and 25 pages of color reproductions.
Paperback. Condizione: Good.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Cover boards have a little smudging and sticker residue but otherwise no noticeable shelf wear. Binding is tight and square. Color is vibrant. Nice copy.
Editore: Mary Boone 2012, 2012
Da: DR Fine Arts, New York, NY, U.S.A.
No Binding. Condizione: As New. This is an art exhibition announcement/poster for Jim Isermann's show at Mary Boone, 2012; paper size:16 x 16in; it is folded; edition size is unknown, it is not signed; it is in EXCELLENT COND.
Lingua: Inglese
Editore: Hatje Cantz Publishers February 2003, 2003
ISBN 10: 3775712615 ISBN 13: 9783775712613
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condizione: Used - Very Good. From Jessica Stockholder's subversive meditation on the suburban home, to Chris Burden's quasi-legal 'small skyscraper,' to Barbara Bloom's dislocating architecture (unfeasible, save through future technologies), to Kevin Appel's ambivalent homage to modernism, 'Trespassing: Houses x Artists' breaks through the conceptual boundaries that have historically divided art and architecture to describe new strategies of conceiving private space. In their individual collaborations with architects Alan Koch and Linda Taalman of OpenOffice, nine contemporary artists radically reinvent how domestic space is created and inhabited. The resulting works are open-ended, representing a rigorous new approach to visualizing form rather than a final product or conceptual destination. Artwork by Kevin Appel, Barbara Bloom, Jim Isermann, T. Kelly Mason, Renee Petropoulos, Chris Burden, Julian Opie, David Reed, Jessica Stockholder. Edited by Peter Noever, Peter Noever. Text by Cara Mullio, L. D. Riehle, Kathleen Harleman. Very nice clean, tight copy free of any marks.
Editore: Miles McEnery Gallery, New York, 2023
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First ediiton and first printing. Oblong hardcover. 47 pages. Exhibition catalog for a show that ran June 8 through July 22, 2023. Features an essay by Tausif Noor. Includes numeorus color illustrations, list of previous exhibitions, list of awards and a list of select collections. A fine copy in illustrated boards and with laid in reception card.
Editore: Feature, 1991
Da: ANARTIST, New York, NY, U.S.A.
Exhibition invite, 4 x 4 inches; very good condition; an unmailed copy.
Lingua: Inglese
Editore: Milwaukee: University of Wisconsin, USA, 1998
ISBN 10: 0966402006 ISBN 13: 9780966402001
Da: Marcus Campbell Art Books, London, Regno Unito
Prima edizione
EUR 29,57
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good in wraps. First Edition. 21 x 23cm 30pp good paperback exhibition catalogue featuring an essay by David Pagel: 'Home Improvements' together with colour reproductions. One or two small marks on the front wrapper.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
Editore: Miles McEnery Gallery., New York., 2023
Da: BookMine, Fair Oaks, CA, U.S.A.
Prima edizione
Decorated hard cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy. As new in shrinkwrap.
Hardback. Condizione: New. From functional installations to discrete objects, Jim Isermann has chronicled the conflation of postwar industrial design and fine art through popular cultureA comprehensive monograph spanning the 40-year career of Palm Springs-based artist Jim Isermann (born 1955), this title shows the artist's first 20 years of extensive, chronological research of postwar art and design filtered through popular culture and consumerism, followed by 20 years of site-specific public projects and a studio practice of labor-intensive painting, sculpture and the occasional product design project.In 1980, there were no guidebooks to California design or what we now call Midcentury Modern. Isermann constructed his own timeline, object by object, from thrift stores, flea markets and swap meets, making bodies of work that included latch hook rugs paired with painting, stained glass window panels and handsewn fabric wall hangings. By 1999, Isermann had his first computer, and so began the second 20 years of his career, with complex digitally designed patterns that found their form in commercially manufactured modules. Isermann continues to be inspired by the unpredictable, serendipitous moments that breathe life into his work.
Editore: Institute of Visual Arts, University of Wisconsin - Milwaukee, Milwaukee, WI, 1998
ISBN 10: 0966402006 ISBN 13: 9780966402001
Da: Arcana: Books on the Arts, Culver City, CA, U.S.A.
Membro dell'associazione: ESA
Prima edizione
Printed Self-Wrappers. Condizione: Fine. First Edition. np, profusely illustrated in color. With a bibliography and exhibition history. This is the catalogue published in conjunction with a 1998 touring Museum retrospective - the most comprehensive to date - of the day-glo bright, geometric work of Los Angeles retro-futurist Jim Isermann. A handsome example showing just a bit of light wear and handling to the covers. Artist Monograph.
EUR 62,58
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. From functional installations to discrete objects, Jim Isermann has chronicled the conflation of postwar industrial design and fine art through popular cultureA comprehensive monograph spanning the 40-year career of Palm Springs-based artist Jim Isermann (born 1955), this title shows the artist's first 20 years of extensive, chronological research of postwar art and design filtered through popular culture and consumerism, followed by 20 years of site-specific public projects and a studio practice of labor-intensive painting, sculpture and the occasional product design project.In 1980, there were no guidebooks to California design or what we now call Midcentury Modern. Isermann constructed his own timeline, object by object, from thrift stores, flea markets and swap meets, making bodies of work that included latch hook rugs paired with painting, stained glass window panels and handsewn fabric wall hangings. By 1999, Isermann had his first computer, and so began the second 20 years of his career, with complex digitally designed patterns that found their form in commercially manufactured modules. Isermann continues to be inspired by the unpredictable, serendipitous moments that breathe life into his work.
EUR 45,08
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: New.
EUR 47,32
Quantità: 10 disponibili
Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Hardcover. Condizione: new. Hardcover. From functional installations to discrete objects, Jim Isermann has chronicled the conflation of postwar industrial design and fine art through popular cultureA comprehensive monograph spanning the 40-year career of Palm Springsbased artist Jim Isermann (born 1955), this title shows the artists first 20 years of extensive, chronological research of postwar art and design filtered through popular culture and consumerism, followed by 20 years of site-specific public projects and a studio practice of labor-intensive painting, sculpture and the occasional product design project.In 1980, there were no guidebooks to California design or what we now call Midcentury Modern. Isermann constructed his own timeline, object by object, from thrift stores, flea markets and swap meets, making bodies of work that included latch hook rugs paired with painting, stained glass window panels and handsewn fabric wall hangings. By 1999, Isermann had his first computer, and so began the second 20 years of his career, with complex digitally designed patterns that found their form in commercially manufactured modules. Isermann continues to be inspired by the unpredictable, serendipitous moments that breathe life into his work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
EUR 48,87
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Condizione: NEW.
Lingua: Inglese
Editore: Hatje Cantz Publishers, Los Angeles, 2003
ISBN 10: 3775712615 ISBN 13: 9783775712613
Da: Rare Book Cellar, Pomona, NY, U.S.A.
Prima edizione
Hardcover. First Edition; First Printing. Very Good in boards. ; 0.81 x 9.76 x 7.16 Inches; 156 pages.
EUR 56,42
Quantità: 3 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
EUR 63,32
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: new.
EUR 67,73
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. 2021. Hardcover. . . . . .
EUR 57,05
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 319 pages. 11.75x8.50x1.50 inches. In Stock.
Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!
Editore: Feature, 1994
Da: ANARTIST, New York, NY, U.S.A.
Exhibition invite with printed fabric affixed to center, 4 x 6 inches; very good condition; an unmailed copy.
Editore: Los Angeles, CA: UCLA Hammer Museum, [2002]., 2002
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 8vo. 6 pp. Single sheet, folded twice. Near Fine. Color plates. Features works by Jim Isermann. Published on occasion of exhibition.
Condizione: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.