Lingua: Inglese
Editore: Eight Five Zero, London, 1988
Da: Antiquariaat Digitalis, Amsterdam, Paesi Bassi
EUR 75,00
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. Original stiff wrappers and printed transparant dust jacket (bit browned), [16]p, illustrations, 30 cm. Very good. Extremely scarce issue of this iconic journal. Issue 6 features: Signs of Revolution (Martin Pawley), Printed Time (Barry Kitts) and Highway Codes (Neil Parker). This issue was the first to be printed using a four-color process.
Lingua: Inglese
Editore: London: Eight Five Zero, 1986
Da: Antiquariat im Kloster, Weilheim, BY, Germania
EUR 95,00
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Wie neu. Auflage: 3000 copies printed. Mit zahl. farb. u. s/w. Abb. 16 S. unpag. - sehr gut erhalten. -- Inhalt: Semantic Composition; Peter Mayer examines the use of internal vertical justification. Fortunato Depero; Futurism and advertising. Theory in Practice; Colin Maughan discusses the wortk of Geoff White. Image as Typography; recent visual research from Hans-Rudolf Lutz. Par Avion; an international design requirement. Zahlungen mit PayPal möglich. Sprache: Englisch Gewicht in Gramm: 350 OKart. m. durchsichtigem Schutzumschlag. 30x21 cm.
Editore: Eight Five Zero, UK, 1986
Da: Marcus Campbell Art Books, London, Regno Unito
Prima edizione
EUR 95,39
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Near fine in wraps. First Edition. 21 x 30cm near fine paperback magazine with transparent cover. Octavo was an independent self-financed journal limited to a production run of just 3000 units for each of the 8 issues - 1986-1992 -(with the first 7 being print based and the last as a CD Rom). "The editors took a modernist stance - each issue was at the cutting edge of what was possible with typesetting, reprographics and print, produced at a time when the industry was transitioning from analogue to digital. The first 6 issues and aspects of the 7th issue were analogue based. Each of the printed issues was 16pp A4 format with 4pp cover and 8pp semi-transparent jacket. The typeface used throughout was Scangraphic Unica." Mark Holt, Editior.
Editore: Eight Five Zero, London, 1986
Da: David Bunnett Books, London, Regno Unito
Prima edizione
EUR 95,39
Quantità: 1 disponibili
Aggiungi al carrelloSOFTCOVER. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Large 4to. in stiff card covers with semi-opaque printed dust jacket, 16pp on stiff art paper . [CONDITION: A well preserved FINE clean and tight unmarked copy in a slightly crinkled near FINE complete Dust Jacket (some slight offsetting to rear panel) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.
Editore: Eight Five Zero, UK, 1988
Da: Marcus Campbell Art Books, London, Regno Unito
Prima edizione
EUR 119,24
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very good. First Edition. 22 x 30cm very good magazine. How can one make Swiss Typography? Wolfgang Weingart. An issue devoted to Wolfgang Weingart's seminal 1972 lecture manuscript, previously only available in photocopied format. Over 100 examples of work from Weingart's teaching at the Basel School of Design. Octavo was an independent self-financed journal limited to a production run of just 3000 units for each of the 8 issues (with the first 7 being print based and the last as a CD Rom). "The editors took a modernist stance - each issue was at the cutting edge of what was possible with typesetting, reprographics and print, produced at a time when the industry was transitioning from analogue to digital. The first 6 issues and aspects of the 7th issue were analogue based. Each of the printed issues was 16pp A4 format with 4pp cover and 8pp semi-transparent jacket. The typeface used throughout was Scangraphic Unica." Mark Holt, Editior.