jost christofer (82 risultati)

Taschenbuch. Condizione: Sehr gut. Gebraucht - Sehr gut Leichte Lagerspuren -From their inception, music videos have served as an important instrument for depicting collective emotional states, cultural affiliations and processes of social change. At the beginning of the 21st century, the utilization of the music video genre changed, with more and more artists using it to address social and political grievances as well as questions of identity. Both the decline of music television as a gatekeeper limiting access and participation as well as the rise of social media have contributed significantly to the growth of the critical and subversive but also utopian potential of music videos. As a result, music videos today offer counter-proposals to heteronormativity, ableism, patriarchalism, racism and other forms of oppression that not only reach a wider audience but also reflect a broader diversity of lifestyles, interests and motivations than was possible during the MTV era. This volume explores transcultural imaginaries in music videos from a variety of angles, providing a broad overview of approaches to negotiating the 'cultural' in the music video genre, both past and present. 316 pp. Englisch.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Sehr gut. 267 S.; Ill. Very good condition. Sprache: Englisch Gewicht in Gramm: 585.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condizione: new. Paperback. Ausgehend vom Musikvideo als Paradigma audiovisueller Kompositionalitaet, widmet sich der Band grundsaetzlich relevanten Dimensionen der Transkription von Videodaten sowie insbesondere der Spezifik von Medienproduktanalysen. Im Fokus steht das neuentwickelte Analyseinstrument trAVis. Hierbei handelt es sich um ein musikzentriertes Transkriptionsprogramm fuer audiovisuelle Medienprodukte, das als frei zugaengliche Web-Applikation konzipiert ist. Anhand einer umfassenden Fallanalyse wird aufgezeigt, dass trAVis eine gegenstandsangemessene Analyse musikbasierter Audiovisionsformate ermoeglicht. Forschungsstrategisch betrachtet, ist das Programm darauf angelegt, bildbezogene und texthermeneutische Ansaetze mit musikwissenschaftlichen Zugaengen zu verbinden. Ausgehend vom Musikvideo als Paradigma audiovisueller Kompositionalitaet, widmet sich der Band grundsaetzlich relevanten Dimensionen der Transkription von Videodaten sowie insbesondere der Spezifik von Medienproduktanalysen. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 268 pages. 9.17x6.42x0.83 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Neuware -Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the Audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of Production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems. 267 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the Audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of Production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems. 267 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the Audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of Production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems.

Paperback. Condizione: Brand New. 316 pages. 6.38x0.98x8.94 inches. In Stock.

Softcover/Paperback. Condizione: Gut. 248 S. : Ill. Guter Zustand. Einband mit leichten Gebrauchsspuren. Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 440.

Taschenbuch. Condizione: Neu. Neuware -From their inception, music videos have served as an important instrument for depicting collective emotional states, cultural affiliations and processes of social change. At the beginning of the 21st century, the utilization of the music video genre changed, with more and more artists using it to address social and political grievances as well as questions of identity. Both the decline of music television as a gatekeeper limiting access and participation as well as the rise of social media have contributed significantly to the growth of the critical and subversive but also utopian potential of music videos. As a result, music videos today offer counter-proposals to heteronormativity, ableism, patriarchalism, racism and other forms of oppression that not only reach a wider audience but also reflect a broader diversity of lifestyles, interests and motivations than was possible during the MTV era. This volume explores transcultural imaginaries in music videos from a variety of angles, providing a broad overview of approaches to negotiating the 'cultural' in the music video genre, both past and present. 316 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -From their inception, music videos have served as an important instrument for depicting collective emotional states, cultural affiliations and processes of social change. At the beginning of the 21st century, the utilization of the music video genre changed, with more and more artists using it to address social and political grievances as well as questions of identity. Both the decline of music television as a gatekeeper limiting access and participation as well as the rise of social media have contributed significantly to the growth of the critical and subversive but also utopian potential of music videos. As a result, music videos today offer counter-proposals to heteronormativity, ableism, patriarchalism, racism and other forms of oppression that not only reach a wider audience but also reflect a broader diversity of lifestyles, interests and motivations than was possible during the MTV era. This volume explores transcultural imaginaries in music videos from a variety of angles, providing a broad overview of approaches to negotiating the 'cultural' in the music video genre, both past and present. 316 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -From their inception, music videos have served as an important instrument for depicting collective emotional states, cultural affiliations and processes of social change. At the beginning of the 21st century, the utilization of the music video genre changed, with more and more artists using it to address social and political grievances as well as questions of identity. Both the decline of music television as a gatekeeper limiting access and participation as well as the rise of social media have contributed significantly to the growth of the critical and subversive but also utopian potential of music videos. As a result, music videos today offer counter-proposals to heteronormativity, ableism, patriarchalism, racism and other forms of oppression that not only reach a wider audience but also reflect a broader diversity of lifestyles, interests and motivations than was possible during the MTV era. This volume explores transcultural imaginaries in music videos from a variety of angles, providing a broad overview of approaches to negotiating the 'cultural' in the music video genre, both past and present.

Condizione: New. In.

Condizione: New. pp. 138.

Paperback. Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 2013 edition. 138 pages. German language. 8.03x5.83x0.31 inches. In Stock.

Paperback. Condizione: Sehr gut. Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden -From their inception, music videos have served as an important instrument for depicting collective emotional states, cultural affiliations and processes of social change. At the beginning of the 21st century, the utilization of the music video genre changed, with more and more artists using it to address social and political grievances as well as questions of identity. Both the decline of music television as a gatekeeper limiting access and participation as well as the rise of social media have contributed significantly to the growth of the critical and subversive but also utopian potential of music videos. As a result, music videos today offer counter-proposals to heteronormativity, ableism, patriarchalism, racism and other forms of oppression that not only reach a wider audience but also reflect a broader diversity of lifestyles, interests and motivations than was possible during the MTV era. This volume explores transcultural imaginaries in music videos from a variety of angles, providing a broad overview of approaches to negotiating the 'cultural' in the music video genre, both past and present.Waxmann Verlag, Steinfurter Str. 555, 48159 Münster 316 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the Audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of Production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems.Waxmann Verlag, Steinfurter Str. 555, 48159 Münster 268 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware - Der kurze, eingängige Song ist das Herzstück - der Diamant - populärer Musikkulturen. Daneben haben exzentrische Spielarten allerdings auch große Formen hervorgebracht, die - auf unterschiedlichen Ebenen - einen Willen zur Expansion bezeugen. Die vorliegende Sammelpublikation von international forschenden Expertinnen und Experten auf dem Gebiet der Popmusik-Studien fragt nach den verschiedenen Erscheinungen von Großformen auf diesem Gebiet, beschreibt und analysiert die Phänomene und klärt dabei ihre soziokulturellen Kontexte, die ökonomischen, technologischen Entstehungshintergründe, die leitenden Motivationen musikalischen Handelns im 'großen Stil' und seine möglichen ästhetischen Konsequenzen auf. Aufgeteilt in die vier Themenfelder 'Concepts - Cycle - Narrations', 'Cultural (Trans-) Formations', 'Personal Artistry' und 'Audio-Vision and Performance' werden Geschichte und Gestaltung von Konzeptalben, tanz- bzw. clubbasierte Musikumgebungen, individuelle kompositorische Verfahren sowie auf Bühne oder Bildschirm ausgerichtete Erweiterungen des Songformats untersucht.Die Herausgeber:PD Dr. Christofer Jost ist wissenschaftlicher Mitarbeiter am Zentrum für Populäre Kultur und Musik der Albert-Ludwigs-Universität Freiburg sowie Privatdozent am hiesigen Institut für Medienkulturwissenschaft.PD Dr. Gregor Herzfeld ist Universitätsassistent (Tenure Track) am Institut für Musikwissenschaft der Universität Wien sowie Privatdozent der Universität Basel.

Taschenbuch. Condizione: Neu. Neuware - Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems.