Julie nelson davis (94 risultati)

Paperback. Condizione: Good. Today we think of ukiyo-e - the pictures of the floating world - as masterpieces of Japanese art. Yet it is often said that ukiyo-e were little appreciated in their own time. Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship by contemporaries.…

Paperback. Condizione: Good. Today we think of ukiyo-e - the pictures of the floating world - as masterpieces of Japanese art. Yet it is often said that ukiyo-e were little appreciated in their own time. Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship by contemporaries.…

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condizione: As New. Illustrated paper covers; mild edge wear; 4to - over 9 3/4" to 12" tall; illustrated throughout; interior clean and unmarked; 56 pages.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition.

Condizione: New.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Very Good in Wrappers. No Jacket. First Edition. Honolulu. 2021. August 2021. University of Hawaii Press. 1st American Edition. Very Good in Wrappers. 9780824889210. 6 x 8.25. 80 color illlustrations. 224 pages. paperback. keywords: Japan Art History. DESCRIPTION - Today we think of ukiyo-e - the pictures of the floating world - as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers - both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e's history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production. inventory #46981.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. VG/EXC overall. Dust jacket shows minor shelf scuffing. Small mark on bottom of cloth cover. See photos, feel free to ask questions. Utamaro and the Spectacle of Beauty reinterprets the famous Japanese artist Kitagawa Utamaro (1753-1806) in the context of his times. Utamaro became one of the most influential artists working in the genre of ukiyo-e, "the pictures of the floating world," in late eighteenth-century Japan, and was widely appreciated for his prints of beautiful women. By drawing on a wide range of period sources, making a close study of selected print sets, and employing newer approaches in literature, art history, area, and gender studies, Davis reconstructs the place of the ukiyo-e artist within the commercial print market and demonstrates how Utamaro's images participated in a larger spectacle of gender and identity in the city of Edo (present-day Tokyo). Utamaro's authorial persona was defined through the print medium as an "artist" and an expert on women, marketing connoisseurial values for both art and the female body within Edo's entertainment culture. The notorious censorship of Utamaro and his colleagues in 1804 evidences how much this appropriation of cultural authorship also posed a challenge to the political establishment. The book thus offers a new approach to issues of the status of the artist and the construction of gender, identity, sexuality, and celebrity in the Edo period. A significant contribution to the field, this book will be appreciated by readers interested in Japanese arts and cultures, gender and women's studies, and in the broader issues of art history and cultural studies.…

Condizione: New.

Paperback. Condizione: New. Today we think of ukiyo-e-"the pictures of the floating world"-as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers-both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e's history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy.Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.…

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Dust jacket and book are clean, has a very good binding, no marks or notations.

Hardcover. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

soft cover. 8.5 x 8.5 inches. soft cover. 162 pages. Created in conjunction with the exhibition of the same name, this book showcases Arthur Tress's modern photographs and selections from his gift of Japanese illustrated books. About the exhibition: "Displaying a selection of Japanese books from the Arthur Tress collection along with Tress's own photography, this exhibition engages Tress's practices as both artist and collector, juxtaposing the two media to present moments of unexpected visual poetry that resonate across place and time. In June 2018 renowned contemporary photographer Arthur Tress generously donated his collection of Japanese illustrated books and prints to the University of Pennsylvania Libraries. Totaling over one thousand titles and representing nearly four hundred years of publishing history, Tress's collection spans the historical range of the Japanese illustrated book. This exhibition presents highlights from the collection, including seventeenth century manuscripts, evocative landscape studies and painting manuals, poetry coterie books and comic novels, as well as modern design and textile studies. Imagined as a study collection, Tress's gift formed the backbone of three curatorial seminars where undergraduate and graduate students alike engaged with the rich cultural and intellectual history of the Japanese book. Displaying a selection of Japanese books along with Tress's own photography, this exhibition places the Japanese illustrated book into conversation with Tress's photographs. The exhibition engages Tress's practices as both artist and collector, juxtaposing the two media to present moments of unexpected visual poetry that resonate across geographic place and time.".…

Condizione: New.

Paperback. Condizione: Brand New. 204 pages. 8.00x6.00x0.50 inches. In Stock.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2021. Paperback. . . . . .

Soft cover. Condizione: Fine. 135 pages : colour illustrations ; 26 cm. Exhibition held at Ikon Gallery, Birmingham, 22 Sept.-14 Nov. 2010.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st U.S. Edition. Honolulu: University of Hawai'i Press, (2007). First U.S. Edition. 10" x 8". 296pp, Index. Black cloth, spine letters gilt. Fine condition in fine dj. With 114 illustrations - 66 in color. Close study of selected print sets. ISBN 9780824831998 ; 10 x 8 inches; 296 pages.…

Condizione: New. In English.