kämpf robert (62 risultati)

171 S., kt.

Softcover. Condizione: Gut. 136 S., kt. - Bibl.-Ex.

178 S. m. 32 Abb. u. 19 Tab., kt.

Condizione: New.

Condizione: New.

French-fold / Sans Cout. Plier. Condizione: Near Fine+/Excellente Cond.+. Giuseppe Foglia; Oscar Luthy; Ignaz Epper; Sigismund Righini; Max Gubler; Walter Kurt Wiemken; Frederic Schmied; Max Bill; Max Von Moos; Jean Clerc; Varlin; Waltraud Lamers; Max Kampf; etc. (illustratore). Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo / In-8o, 367+pp. Book.

French-fold / Sans Cout. Plier. Condizione: Near Fine+/Excellente Cond.+. Giuseppe Foglia; Oscar Luthy; Ignaz Epper; Sigismund Righini; Max Gubler; Walter Kurt Wiemken; Frederic Schmied; Max Bill; Max Von Moos; Jean Clerc; Varlin; Waltraud Lamers; Max Kampf; etc. (illustratore). Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo / In-8o, 367+pp. Book.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: New.

Soft cover. Condizione: As New. Jeff Scovil; Harold And Erica Van Pelt; Michael Bainbridge; Terry Szenics; Brian Kosnar; Frank De Wit; Daniel Beams; John A. Jaszczak; Jesse La Plante; Saul Krotki; Dan Behnke; David K. Joyce; Tino Hammid; Bendegúz Nagy; Mark Garcia; Jordi Fabre; Mark Pirlo (illustratore). 1st Edition. As new, great condition. From its mineralogy to its landscape to its personalities, Bolivia is an enigmatic place where anything can happen. For centuries, Bolivia's mines and minerals have influenced its history, attracting conquerors, inciting wars and unrest, and making a few men obscenely rich. Bolivia is an impoverished country, which hosts a wealth of resources.

185 S., brosch., m. zahlreichen s/w-Fotos, graf. Darst. u. Tab.; untere Ecken teilweise leicht angeknickt, sonst sehr guter Zustand und ohne Anstreichungen oder weitere Gebrauchsspuren. ISBN 3 7690 0368 3.

Condizione: New.

Condizione: New.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Münster (Englisches Seminar), language: English, abstract: One ambition of this assignment is to focus on the theory of comparing poetry and painting in terms of practices and synthesis in order to extend this theory to visual culture and its influence on artists and practices in their specific cultural context. The ambition is to show in how far an analysis of visual elements in late Renaissance culture contributes to our understanding of the cultural products of that era. To introduce the field of work I'd like to present a selection of theories connecting poetry and visual arts. Considering the enormous spectrum of visual art I'd like to focus on painting and draw a comparison to poetry. The idea is to oppose poetry and painting to find common practices and effects in order to substantiate the theory that both forms of art share common ground. The mutual influence, the shared vocabulary and language, and the similar working methods are of special interest here. In transition to late Renaissance visual culture and the work and life of John Donne, a short excursus will be necessary to have a closer look at the meaning of visuality for a culture. It is essential to our understanding of John Donne's poetry that it is a product of society and culture as well as it is of art. Social and cultural currents in Renaissance are equally important for the process of creation as are the experiences of the individual. Based on this theoretical background I'd like to establish a connection between the self-portraits John Donne commissioned during his lifetime and the influence of contemporary painters and art collectors. The chapter will allow us a deeper insight into Donne's affection for visual arts and image. Above that it allows us to go even further and explore the meaning of performance, staging and courtly festivals as part of the visual culture surrounding the poet. In conclusion of the preceding chapters I'd like to apply the results on the textual-level of Donne's work. I'm going to concentrate my attention especially on elements in his poetry referring to visuality, image, picture and painting but also references to eyes, sight, seeing and imagining.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2004 in the subject Communications - Movies and Television, grade: keine, University of Münster (Englisches Seminar), language: English, abstract: This survey will show that stylistic theories, especially the analysis of dialogues in terms of speech acts, turn taking and politeness, can be applied to movies. The intention is to show that these theories, previously applied to literature, enable us to access a complete new level of movie analysis. Language and narrative features in movies are similar to the features in written fiction like novels and can be valued under same criteria. The analysis will focus on two interrogation scenes using the effect of speech acts combined with performance features in order to create a realistic picture of the Replicant itself. This fictional artificial lifeform has a decisive role in the plot of 'Bladerunner', for the difference between humans and Replicants can only be made out from deviations in language, gesture and reactions. These criteria will be looked at in reference to Mick Short's and Michael Toolan's basic stylistic theories. The primary objective is to reconstruct the way Scott uses language to outline the characteristics of Replicants from human behavior. Another ambition is to reconstruct the development of realism in sci-fi, in respect of the given criteria, and to show that it has increased over the last decades.

Demi-cuir. Condizione: Très bon. Fort volume sous reliure demi-cuir fauve, dos à quatre faux nerfs; gardes et contreplats marbrés, contenat tous les numéros de l'Illustration théâtrale du premier semestre 1908 (n°s 77 à 90), 24+32+32+36+24+32+36+40+36+32+32+40+24+24, soit 444 pages. Les couvertures d'origine ont été conservées.Très bon état.

Taschenbuch. Condizione: Neu. Analysis of Speech Acts in Movie Dialogues on the Example of Ridley Scott's Bladerunner | Robert Kampf | Taschenbuch | 28 S. | Englisch | 2010 | GRIN Verlag | EAN 9783640601356 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Taschenbuch. Condizione: Neu. Reading the Visual - 17th century poetry and visual culture | Robert Kampf | Taschenbuch | 28 S. | Englisch | 2010 | GRIN Verlag | EAN 9783640600113 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

23 x 16. 433 Seiten. OLeinen. Ordnungsgemäß aus einer Universitäts-Bibliothek ausgesondert (Stempel, Rückenschild). Einbandecken etwas angestossen, sonst gut erhaltenes Exemplar. Sprache: Deutsch Gewicht in Gramm: 800.

128 S. mit vielen z.T. farb. Abb., Reinhardt, Basel 1992, 8°, Orig.Karton ** Erstausgabe --- Titel mit Widmung, wahrsch. von R. T. Stoll. Schönes Ex. >> Versand ab Deutschland möglich << 440 Gramm.

21 x 15. 185 Seiten. OKart. Ordnungsgemäß aus einer Universitäts-Bibliothek ausgesondert (Stempel, Rückenschild). Guter Zustand. Sprache: Deutsch Gewicht in Gramm: 450.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Master's Thesis from the year 2010 in the subject Didactics for the subject English - Pedagogy, Literature Studies, grade: 1.3, University of Münster (English Department), language: English, abstract: Digital games are products of contemporary popular culture and indicators of social and cultural processes in modern computerized information societies. In recent years digital games asserted their status not only as a popular form of entertainment but also as virtual spaces for social interaction, escapism from reality, electronic sports and digital art. The first scientific studies of digital games date back to the late 1970s but recent debates about violence and addiction revived the interest in game research. The field of academic game studies describes the social, cultural, political, ideological, philosophical and psychological dimensions of digital games and their effects and influence on players. This paper presents an outline of game studies as academic school of thought and their role in scientific, public and political debates. The ambition of this paper is to demonstrate that game studies are a resourceful field of work and can be beneficial to the humanities. More importantly this work states that it is necessary to form an institutionalized frame of academic game research in order to retain the ability to describe and analyze a growing cultural and social phenomenon of unprecedented proportions. Without game studies, whole sectors of youth culture and virtual social networks will barely be accessible to academic research. Above that, the ability of digital games to imitate, explain and even influence real-world social systems is only a small part of the potential that will remain unexplored.

Condizione: gut. 54 S., Abb., 35 cm, ohne Schutzumschlag, Leineneinband leicht fleckig. Nr. 182 von 600 Exemplaren. Sprache: Französisch.

Taschenbuch. Condizione: Neu. Humanities Remediated: Digital Games Criticism in Academic Discourse | Robert Kampf | Taschenbuch | 92 S. | Englisch | 2014 | GRIN Verlag | EAN 9783656638865 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Münster (Englisches Seminar), language: English, abstract: One ambition of this assignment is to focus on the theory of comparing poetry and painting in terms of practices and synthesis in order to extend this theory to visual culture and its influence on artists and practices in their specific cultural context. The ambition is to show in how far an analysis of visual elements in late Renaissance culture contributes to our understanding of the cultural products of that era. To introduce the field of work I¿d like to present a selection of theories connecting poetry and visual arts. Considering the enormous spectrum of visual art I¿d like to focus on painting and draw a comparison to poetry. The idea is to oppose poetry and painting to find common practices and effects in order to substantiate the theory that both forms of art share common ground. The mutual influence, the shared vocabulary and language, and the similar working methods are of special interest here. In transition to late Renaissance visual culture and the work and life of John Donne, a short excursus will be necessary to have a closer look at the meaning of visuality for a culture. It is essential to our understanding of John Donne¿s poetry that it is a product of society and culture as well as it is of art. Social and cultural currents in Renaissance are equally important for the process of creation as are the experiences of the individual. Based on this theoretical background I¿d like to establish a connection between the self-portraits John Donne commissioned during his lifetime and the influence of contemporary painters and art collectors. The chapter will allow us a deeper insight into Donne¿s affection for visual arts and image. Above that it allows us to go even further and explore the meaning of performance, staging and courtly festivals as part of the visual culture surrounding the poet. In conclusion of the preceding chapters I¿d like to apply the results on the textual-level of Donne¿s work. I¿m going to concentrate my attention especially on elements in his poetry referring to visuality, image, picture and painting but also references to eyes, sight, seeing and imagining.

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Jaquette en mauvais état. Ed. numérotée. 385x290mm. Exemplaire no 79/600. Manques à plusieurs endroits sur la jaquette.

paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

1.Ausgabe. 128 S. Mit 113 teilweise ganzseitigen Abb.(23 davon farbig). Rücken gebräunt. Sprache: Deutsch Gewicht in Gramm: 600 Quer 20,5 cm. x 21 cm. Original-Pappband mit farbiger Vorderdeckel-Illustr.und Rückenbeschriftung.

Erstausgabe, 1. Auflage. Insgesamt 137+ 5 Seiten mit einem doppelseitigen Frontispiz: Freie Hansestadt Bremen um 1850, sowie zahlreiche Abbildungen, Faksimile, Dokumente, Ahnen- und Zeit- Tafeln, teilweise in Rot- schwarz- Druck, lose beiliegend gelb- braun- marmoriertes Dedikations- Blatt, vom 14. Februar 1960. Zustand: Schutzfolie leicht berieben, Ecken und Kanten kaum bestoßen. Innen: Buchschnitt leicht angestaubt, sonst sehr sauber, wohl gepflegt und tadellos erhalten. Sprache: Deutsch Gewicht in Gramm: 1050 4°(Quart- Format bis 35 cm.) Rot- brauner Original- Ganzleinen- Einband mit schwarz- und gold- geprägter Rücken- und Vorderdeckel- Beschriftung, sowie eine gold- schwarz- geprägte Verlags- Vignette, als Deckel- Illustration, zum Schutz in eine dicke, durchsichtige Buchfolie locker eingelegt.