kahn louis b (27 risultati)

Hardcover. Condizione: Good. No Jacket. 131 B/w Illustrations (illustratore). Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. Over 100 b/w Illustrations (chiefly photographs) (illustratore). First Edition. 4to - over 9¾" - 12" Tall (square). In pictorial wraps, 4to [8], 120 pages. Concise overview of the architect's life, works and spirituality; includes biographical notes and a bibliography.

hardcover. Condizione: Very Good. 131 B/w Illustrations (illustratore). Clean sturdy and unmarked with mild shelf wear, mylar bound EP.

Pamphlet. Condizione: Very Good. Vol 1, No 3, pp. 293-307, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, else VG.

Condizione: Very Good. Condizione sovraccoperta: None. 346 pages. Hardcover. Black & white photographs. Clean, tight copy. Record # 613839.

Condizione: Muy bueno. : Este volumen contiene seis ensayos que abordan diferentes dimensiones del trabajo del arquitecto y profesor Louis J. Kahn y su filosofía de la arquitectura. Se presentan sus renombrados edificios, como el Instituto Salk y el Museo de Arte Kimbell, acompañados de análisis y reflexiones sobre su impacto en el mundo de la arquitectura. EAN: 9780500280256 Tipo: Libros Categoría: Arte y Cultura Título: Kahn Autor: Louis I. Kahn| David B. Brownlee| David G.De Long Idioma: en Páginas: 272 Formato: tapa blanda.

Paperback. B/w Illustration (illustratore). Fifth printing, revised and updated. NEAR-FINE SOFTCOVER. SLIGHT CREASES IN REAR COVER. SMALL OWNER INSCRIPTION.

Softbound. Condizione: As New. B/w Illustration (illustratore). Fifth printing, revised and updated. Greyish illustrated wraps. 80 pp. Many bw plates.

Soft cover. Condizione: Near Fine. 1st Edition. 272pp., Pictorial full colour photographic covers with small faint crease to top corner of front panel- french flaps, preface by Julie Moore Converse, intro. by Vincent Scully, col. & b/w plts. & text illust., full & dbl. page col. photos, diags., drawings, plans, notes, buildings and projects, index. The buildings created by Louis Kahn have become the very signature of the modernist aesthetic and his unique vision has permanently changed the direction of American architecture. Size: Wide Octavo. Book.

Hardcover. Condizione: Very Good. Updike edition. Quarto. xii, 346pp. Boards bowed, cloth modestly stained, about very good. Contributions by Louis Auchincloss, Jack Beeson, Hortense Calisher, Ada Louise Huxtable, Wolf Kahn, R.W.B. Lewis, Richard Lippold, Norman Mailer, Cynthia Ozick, and Arthur Schlesinger.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 131 B/w Illustrations (illustratore). First Edition. Dust jacket in good condition. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. CLEAN COVER AND CONTENT PAGES. SEE PHOTOS FOR MORE INFORMATION. New protective Mylar applied to dust jacket before shipping. Secure packaging for safe delivery.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Kahn, Louis I. (illustratore). First Edition. First Printing. 448 pp. Folio. Light wear and scuffing to dust jacket, small chips at edges, now in mylar cover. Monumental catalog on the life and work of Louis I. Kahn (1901-1974) from the exhibition organized by The Museum of Contemporary Art and traveled from Philadelphia to Paris, New York, Japan, Los Angeles, Fort Worth, and Columbus, Ohio.

272 S. Mit 217 zahlr. tls. farb. Abb. u. Skizzen. Original-Kartonband Rücken mit Lesefalte. Gewicht (Gramm): 750.

144 + (3) p. in-8.

Condizione: New. 131 B/w Illustrations (illustratore). Satisfaction Guaranteed or your money back.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 134 Pp. First Edition Indicated. Fine In Fine Jacket With No Wear Except Book Has Personal Bookplate And Written Note "Fine Arts Gallery 25 April 73", And Dust Jacket, Priced $7.50, Has A Few Tiny Round Pressure-Dents Impressed At Top Of Spine.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. First printing. 8vo. 134 pp. Black cloth. Near Fine in Near Fine dust jacket. Two small faint spots to top edge. Hint of rubbing to jacket. Jacket design by Mel Williamson.

8°; pp. 144 con 12 illustraz. f.testo su carta patinata. Brochure edit. con titoli al dorso e al piatto anteriore. Prima edizione italiana.Num. catalogo: 263.

Softcover. A softcover book with black and white text on a gray spine. ix, 134 pages; illustrated in black-and-white. "In today's world, the question of what the future will bring--if, indeed, we are to have a future at all--has become a matter of critical concern. Through developments in science and technology, we are rapidly approaching the point where we will be able to comprehend and even control the present in order to predict the future more accurately than ever before. But the influence of the creative individual is one aspect of the future that always eludes such predictions. In this collection of essays, based on a series of lectures given at the Guggenheim Museum in New York, seven prominent intellectuals and artists speculate on the future of art in light of their own ideas about what the world will be like. Although historian Arnold Toynbee, anthropologist Claude Lévi-Strauss (perceptively interpreted by critic Annette Michelson), psychologist B. F. Skinner, and philosopher Herbert Marcuse envision the future in very different ways, each chooses to consider the arts in terms of the artist's role in society. The artists themselves (architect Louis Kahn, sculptor James Seawright, artist-author J. W. Burnham) characteristically look ahead to the artistic possibilities offered by technological advances rather than to their relationship with a future public. Revised by the authors for book publication, edited and introduced by Edward Fry, Associate curator of the Guggenheim Museum, these essays make up a provocative symposium which sheds a great deal of light on present-day thinking as it anticipates the world of tomorrow." VG: Mark on the front cover. Clean body pages and solid binding.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. A USED BOOK STILL IN GOOD CONDITION. LITTLE WEARS AND TEARS ON DUST JACKET CORNER AND EDGE. FORMER LIBRARY BOOK WITH LIMITED LIBRARY MARK. PAGES ARE STILL CLEAN AND BINDING STILL TIGHT. LITTLE YELLOWING PAPER BECAUSE OF AGE. LITTLE STAIN DOT ON SOME PAGES BUT NOT AFFECT TEXT. ILLUSTRATED.TOTAL 134 PAGES.

Fine paperback with flaps, folio, 448 pp. A nice copy. Text by David B. Brownlee and David G. de Long; introduction by Vincent Scully; new photography by Grant Mudford. 448 pages; 537 color and b&w illustrations. Portfolios, buildings and projects from 1925 to 1974, chronology, bibliography and annotated bibliography, index. An important scholarly examination of Louis I. Kahn's work and his philosophy of architecture. An exhibition catalogue. Due to size and weight, international and expedited shipping will be more than quoted. VG. name previous owner on first.

Introduction by Vincent Scully. 448 pp. Illustrated throughout in color and black and white. New Photography by Grant Mudford. Folio, publisher's gray cloth in dust jacket. First edition. A fine copy in a jacket with slight use at edges. Additional postage applicable.

Hardcover. Condizione: Very Good Plus. Condizione sovraccoperta: Very Good Minus. First Edition. hardcover in dust jacket, illustrated boards have same image as dj., there are old, faint spots to dj verso, rear flap and faintly to part of boards. book and dj have been carefully cleaned. no mustiness. no other flaws. no markings. no bumps, chips. strong binding.; japanese text with 7 essays and many captions in english.; 327pp., illustrated throughout in color and b/w. while it shows no date or isbn, it seems to date from 1974-1975. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condizione: New.

First edition of this work celebrating the history of the American Academy of Arts & Letters on its centenary. Octavo, original cloth, pictorial endpapers. Boldly signed on the the title page by all eleven contributors. Preface and edited by John Updike. In near fine condition. Rare and desirable signed. This work features ten essays by celebrated American authors, each one focusing on a particular decade of the Academy's existence.

7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint.

Paris, 1992. 328 pp. Col. ills. Hardcover, d./j. - Spine of dustjacket discolored.