Kaltenbach stephen (40 risultati)
Lingua: Inglese
Editore: Palmer Museum of Art, Pennsylvania State University, University Park, PA, 2004
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Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.Jeff Hirsch Books, ABAA
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First Edition. First edition. Oblong softcover. 45 pages. Exhibition catalog for a show that ran February 10 through May 16, 2004 at Palmer Museum of Art and then traveled for additional dates at two other locations. Text by the curator Leo G. Mazow and with an interview of Stephen Kaltenbach and Sandra Shannonhouse. Includes nu…merous color illustrations, checklist and selected bibliography. A clean very near fine copy in wrappers.
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Condizione: As New. Unread book in perfect condition.
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Condizione: New.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. Kaltenbach's staggering, psychedelic portrait of his dying father is a transcendent meditation on life, afterlife and symbiosis with the universeArtist Stephen Kaltenbach was working at the bleeding edge of Conceptualism when he dropped out of newly named SoHo in 1969 to pursue a far strang…er dream. Trading his heady downtown atmosphere for the relative isolation of a Northern California barn, he spent the better part of the next decade painting a colossaland colossally cosmicportrait of his dying dad. At nearly 15 feet wide, its a sincerely wondrous and confounding artwork.Portrait of My Father is stunning on its face, where each beard whisker explodes a window onto eternity, and from across the room, as a photorealistic depiction of a man on deaths door. But equally staggering is that Portrait was painted by an artist who moved west as a Conceptual gesture in and of itself, under the terms of his self-defined Protocol of Oppositesa mode dedicated to what was least expected of him. While the painting was essentially (and intentionally) the most heretical artwork he could imagine, Kaltenbachs quest was simultaneously earnest, driven by spiritual and pharmacological awakening, love for his father, and commitment to seclusion and process. Since 2000, Portrait has been on permanent view at the Crocker Art Museum in Sacramento, where its a cornerstone of the permanent collection.The definitive history of the painting and the intentionally oppositional choices that led to its implausible creation, the book consists of an epic interview with the artist conducted and annotated with context and corrections by curator and writer Jordan Stein (Miyoko Ito: Heart of Hearts, 2023), who also offers an introduction, alongside a trove of archival material. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: New. Kaltenbach's staggering, psychedelic portrait of his dying father is a transcendent meditation on life, afterlife and symbiosis with the universeArtist Stephen Kaltenbach was working at the bleeding edge of Conceptualism when he dropped out of newly named SoHo in 1969 to pursue a far stranger dream. T…rading his heady downtown atmosphere for the relative isolation of a Northern California barn, he spent the better part of the next decade painting a colossal-and colossally cosmic-portrait of his dying dad. At nearly 15 feet wide, it's a sincerely wondrous and confounding artwork.Portrait of My Father is stunning on its face, where each beard whisker explodes a window onto eternity, and from across the room, as a photorealistic depiction of a man on death's door. But equally staggering is that Portrait was painted by an artist who moved west as a Conceptual gesture in and of itself, under the terms of his self-defined "Protocol of Opposites"-a mode dedicated to what was least expected of him. While the painting was essentially (and intentionally) the most heretical artwork he could imagine, Kaltenbach's quest was simultaneously earnest, driven by spiritual and pharmacological awakening, love for his father, and commitment to seclusion and process. Since 2000, Portrait has been on permanent view at the Crocker Art Museum in Sacramento, where it's a cornerstone of the permanent collection.The definitive history of the painting and the intentionally oppositional choices that led to its implausible creation, the book consists of an epic interview with the artist conducted and annotated with context and corrections by curator and writer Jordan Stein (Miyoko Ito: Heart of Hearts, 2023), who also offers an introduction, alongside a trove of archival material.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. Kaltenbach's staggering, psychedelic portrait of his dying father is a transcendent meditation on life, afterlife and symbiosis with the universeArtist Stephen Kaltenbach was working at the bleeding edge of Conceptualism when he dropped out of newly named SoHo in 1969 to pursue a far stranger dream. T…rading his heady downtown atmosphere for the relative isolation of a Northern California barn, he spent the better part of the next decade painting a colossal-and colossally cosmic-portrait of his dying dad. At nearly 15 feet wide, it's a sincerely wondrous and confounding artwork.Portrait of My Father is stunning on its face, where each beard whisker explodes a window onto eternity, and from across the room, as a photorealistic depiction of a man on death's door. But equally staggering is that Portrait was painted by an artist who moved west as a Conceptual gesture in and of itself, under the terms of his self-defined "Protocol of Opposites"-a mode dedicated to what was least expected of him. While the painting was essentially (and intentionally) the most heretical artwork he could imagine, Kaltenbach's quest was simultaneously earnest, driven by spiritual and pharmacological awakening, love for his father, and commitment to seclusion and process. Since 2000, Portrait has been on permanent view at the Crocker Art Museum in Sacramento, where it's a cornerstone of the permanent collection.The definitive history of the painting and the intentionally oppositional choices that led to its implausible creation, the book consists of an epic interview with the artist conducted and annotated with context and corrections by curator and writer Jordan Stein (Miyoko Ito: Heart of Hearts, 2023), who also offers an introduction, alongside a trove of archival material.
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Da: Moe's Books, Berkeley, CA, U.S.A.Moe's Books
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Hard cover. Condizione: Very good. No jacket. In shrink wrap.
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Da: Russell Books, Victoria, BC, CanadaRussell Books
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paperback. Condizione: New. Special order direct from the distributor.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 160 pages. 9.00x6.00x8.98 inches. In Stock.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 160 pages. 9.00x6.00x8.98 inches. In Stock.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.
Stephen Kaltenbach : The Beginning and the End
Kaltenbach, Stephen (ART); Lewallen, Constance M. (EDT); Mann, Ted (EDT)
Lingua: Inglese
Editore: Jan Shrem and Maria Manetti Shrem Museum of Art, 2020
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Condizione: New.
Stephen Kaltenbach : The Beginning and the End
Kaltenbach, Stephen (ART); Lewallen, Constance M. (EDT); Mann, Ted (EDT)
Lingua: Inglese
Editore: Jan Shrem and Maria Manetti Shrem Museum of Art, 2020
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Stephen Kaltenbach : The Beginning and the End
Kaltenbach, Stephen (ART); Lewallen, Constance M. (EDT); Mann, Ted (EDT)
Lingua: Inglese
Editore: Jan Shrem and Maria Manetti Shrem Museum of Art, 2020
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Condizione: New.
Stephen Kaltenbach : The Beginning and the End
Kaltenbach, Stephen (ART); Lewallen, Constance M. (EDT); Mann, Ted (EDT)
Lingua: Inglese
Editore: Jan Shrem and Maria Manetti Shrem Museum of Art, 2020
- Rilegato
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.
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Hardcover. Condizione: Brand New. 133 pages. 10.25x10.25x0.75 inches. In Stock.
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. Kaltenbach's staggering, psychedelic portrait of his dying father is a transcendent meditation on life, afterlife and symbiosis with the universeArtist Stephen Kaltenbach was working at the bleeding edge of Conceptualism when he dropped out of newly named SoHo in 1969 to pursue a far stranger dream. T…rading his heady downtown atmosphere for the relative isolation of a Northern California barn, he spent the better part of the next decade painting a colossal-and colossally cosmic-portrait of his dying dad. At nearly 15 feet wide, it's a sincerely wondrous and confounding artwork.Portrait of My Father is stunning on its face, where each beard whisker explodes a window onto eternity, and from across the room, as a photorealistic depiction of a man on death's door. But equally staggering is that Portrait was painted by an artist who moved west as a Conceptual gesture in and of itself, under the terms of his self-defined "Protocol of Opposites"-a mode dedicated to what was least expected of him. While the painting was essentially (and intentionally) the most heretical artwork he could imagine, Kaltenbach's quest was simultaneously earnest, driven by spiritual and pharmacological awakening, love for his father, and commitment to seclusion and process. Since 2000, Portrait has been on permanent view at the Crocker Art Museum in Sacramento, where it's a cornerstone of the permanent collection.The definitive history of the painting and the intentionally oppositional choices that led to its implausible creation, the book consists of an epic interview with the artist conducted and annotated with context and corrections by curator and writer Jordan Stein (Miyoko Ito: Heart of Hearts, 2023), who also offers an introduction, alongside a trove of archival material.
Altre immaginiEditore: Verge Gallery and Studio Project, 2009
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Da: Moe's Books, Berkeley, CA, U.S.A.Moe's Books
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Aggiungi al carrelloSoftcover. Condizione: Good. No jacket. Inscribed by author. Covers are shelf worn and top outside corner is bumped. Front cover is creased parallel to spine. Binding is tight. Last name of author is written in ink on spine. Inside is clean.
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condizione: new. Paperback. Kaltenbach's staggering, psychedelic portrait of his dying father is a transcendent meditation on life, afterlife and symbiosis with the universeArtist Stephen Kaltenbach was working at the bleeding edge of Conceptualism when he dropped out of newly named SoHo in 1969 to pursue a far strang…er dream. Trading his heady downtown atmosphere for the relative isolation of a Northern California barn, he spent the better part of the next decade painting a colossaland colossally cosmicportrait of his dying dad. At nearly 15 feet wide, its a sincerely wondrous and confounding artwork.Portrait of My Father is stunning on its face, where each beard whisker explodes a window onto eternity, and from across the room, as a photorealistic depiction of a man on deaths door. But equally staggering is that Portrait was painted by an artist who moved west as a Conceptual gesture in and of itself, under the terms of his self-defined Protocol of Oppositesa mode dedicated to what was least expected of him. While the painting was essentially (and intentionally) the most heretical artwork he could imagine, Kaltenbachs quest was simultaneously earnest, driven by spiritual and pharmacological awakening, love for his father, and commitment to seclusion and process. Since 2000, Portrait has been on permanent view at the Crocker Art Museum in Sacramento, where its a cornerstone of the permanent collection.The definitive history of the painting and the intentionally oppositional choices that led to its implausible creation, the book consists of an epic interview with the artist conducted and annotated with context and corrections by curator and writer Jordan Stein (Miyoko Ito: Heart of Hearts, 2023), who also offers an introduction, alongside a trove of archival material. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: moluna, Greven, Germaniamoluna
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Condizione: New. KlappentextThe first comprehensive monograph on a lost veteran of American conceptualismA pioneering figure in the history of conceptual art, Sacramento-based artist and author Stephen Kaltenbach (born 1940) is.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. Kaltenbach's staggering, psychedelic portrait of his dying father is a transcendent meditation on life, afterlife and symbiosis with the universeArtist Stephen Kaltenbach was working at the bleeding edge of Conceptualism when he dropped out of newly named SoHo in 1969 to pursue a far stranger dream. T…rading his heady downtown atmosphere for the relative isolation of a Northern California barn, he spent the better part of the next decade painting a colossal-and colossally cosmic-portrait of his dying dad. At nearly 15 feet wide, it's a sincerely wondrous and confounding artwork.Portrait of My Father is stunning on its face, where each beard whisker explodes a window onto eternity, and from across the room, as a photorealistic depiction of a man on death's door. But equally staggering is that Portrait was painted by an artist who moved west as a Conceptual gesture in and of itself, under the terms of his self-defined "Protocol of Opposites"-a mode dedicated to what was least expected of him. While the painting was essentially (and intentionally) the most heretical artwork he could imagine, Kaltenbach's quest was simultaneously earnest, driven by spiritual and pharmacological awakening, love for his father, and commitment to seclusion and process. Since 2000, Portrait has been on permanent view at the Crocker Art Museum in Sacramento, where it's a cornerstone of the permanent collection.The definitive history of the painting and the intentionally oppositional choices that led to its implausible creation, the book consists of an epic interview with the artist conducted and annotated with context and corrections by curator and writer Jordan Stein (Miyoko Ito: Heart of Hearts, 2023), who also offers an introduction, alongside a trove of archival material.
Editore: Verge Gallery and Studio Project, 2009
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Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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Aggiungi al carrelloSoftcover, 66 pages; as new condition; clean and crisp; no internal marks. (Blank gray spine). Foreign shipping may be extra.
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Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
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EUR 1113,00
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597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head…: When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.
Altre immaginiEditore: Konrad Fischer Galerie, 2005
- Prima edizione
Da: Studio Bruno Tonini / Tonini Editore, Gussago, BS, ItaliaStudio Bruno Tonini / Tonini Editore
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Aggiungi al carrellosenza rilegatura. Condizione: ottimo. prima edizione. KALTENBACH Stephen (Battle Creek, Michigan, Stati Uniti 1940) Düsseldorf, Konrad Fischer Galerie, 2005, 11,2x15,7 cm., illustrated announcement card, published in occasion of the exhibition (Düsseldorf, Konrad Fischer, June 4 - July 23, 2005).
STEPHEN KALTENBACH (Stephen J. Kaltenbach, 1940) US-amerikanische Künstler und Autor aus Sacramento, Kalifornien / American artist and author based in Sacramento, California - painting, sculpture, conceptual art, writing and public art
STEPHEN KALTENBACH (Stephen J. Kaltenbach, 1940) US-amerikanische Künstler und Autor aus Sacramento, Kalifornien / American artist and author based in Sacramento, California - painting, sculpture, conceptual art, writing and public art
- Firmato
Da: Herbst-Auktionen, Detmold, GermaniaHerbst-Auktionen
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Aggiungi al carrelloKunstpostkarte (knitterspurig, Vorderseitig Arbeit von ihm : Time Capsule : Open after WW III), rückseitig mit gedruckter Einladung zu einer Ausstellungseröffnung in Düsseldorf (Galerie Konrad Fischer) eigenhändig signiert STEVEN.
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Da: Marcus Campbell Art Books, London, Regno UnitoMarcus Campbell Art Books
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EUR 78,32
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Paperback. Condizione: Near fine in wraps. 18 x 24cm 160pp near fine paperback, white and grey wraps. Hauser & Wirth Library stamp, bottom right corner, front free end paper. German and English text describing each of the twelve artists included, together with black and white and some colour reproductions of the various works.
Editore: Richard L. Nelson Gallery, University of California, Davis Davis, CA, 1983
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Da: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
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EUR 222,60
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Aggiungi al carrello24 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 13 - February 13, 1983. Curated and with essay by Cynthia Charters and L. Price Amerson. Artists include Bruce Nauman, William Allan, Robert Arne…son, Jerrold Ballaine, Richard C., Michael Dunlavey, Jack Fulton, Edward Higgins, Ray Johnson, Stephen Kaltenbach, Rosa Esman, James Melchert, Jack Ogden, Paul Pechter, Ron Peetz, Lawrence Dean Phillips, Michael Stevens, Phil Weidman, Martial Westburg, Dorothy Wiley, Jeanette Wiley, William T. Wiley, William Witherup and William Yates. Includes exhibition checklist. Fair / Good. Rubbing and bumping of covers, corners, and spine. Bumping of corners of pages, contents otherwise clean and unmarked.
