Kendall mr richard (22 risultati)

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: Very Good. Condizione sovraccoperta: Good. 324 pages. Hardcover. Extensive color illustrations by Degas throughout. Gilt titles on spine. Includes extensive notes and bibliography. Clean, unmarked copy with only minor wear to dust jacket. Record # 468902. Edgar Degas (illustratore).

Condizione: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Paperback. Condizione: Brand New. 178 pages. 9.00x6.00x0.41 inches. In Stock.

Soft cover. Condizione: New. No Jacket. 1st Edition. First edition 2002, fist printing, numbers line starts with 1. Published in conjunction with the exhibition by American Federation of Arts / Abrams. Large softcover without DJ as issued. Condition new , square tight and clean book, no edgewear, spine not creased, corners not bumped, no names, no underlinings, no highlights no bent page corners, not a reminder. Folio, 304 pages, illustrated throughout with 321 illustrations mostly in color. Large and heavy book will require additional postage for international orders. …

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Fine. Hardcover edition, as pictured. ISBN #0300074972. In like new condition, except slight cover wear. Will ship quickly.

Condizione: New.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. The first to focus on Degas' late work, this beautiful book presents a new and definitive view of his last decades. Kendall explores some of the myths about Degas' life, such as his reclusiveness and his alleged blindness. he also discusses the major issues of the artist's later career. Includes 170 color plates and 120 b&w illustrations. 10 x 11 Inches.…

Condizione: New. Satisfaction Guaranteed or your money back.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: New.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: New.

Condizione: New. pp. lxxix + 244 Illus. (Col.).

Condizione: New. pp. lxxix + 244.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: New.

Paperback. Condizione: New. Many celebrated pictures by Edgar Degas (1834â"1917)â"showing ballet dancers, popular performers, and bathers, for exampleâ"were indebted to Japanese images of similar contemporary subjects. Degas and his generation were captivated by Japanese culture: he assembled his own collection of Ukiyo-e prints and several of his friends were leading authorities on artists such as Hokusai, Utamaro, and Hiroshige. Degas and the Art of Japan explores the French Impressionistâs lifelong fascination with the work of his Japanese counterparts. Adding substantially to previous studies, the authors propose new links between some of Degasâs characteristic themes, such as laundresses and horse racing, and the woodblock designs of Ukiyo-e masters. Fresh light is also shed on another signature trait of the artistâ"his fascination with women in their public and private livesâ"which is echoed in the prevalence of female subjects in Japanese woodblock imagery. Equally significant are revelations about Degasâs access to specific Japanese prints belonging to collectors and dealers in Paris. Works by Degas in all media are consideredâ"paintings, pastels, drawings, lithographs, etchings, monotypes, and sculptureâ"and juxtaposed with Japanese prints, illustrated books, and decorated fans. Comparable human predicaments and parallels in visual language are all part of this wide-ranging analysis, which deepens our understanding of one of the worldâs greatest artists.…

Rilegato. Condizione: ottimo. THE MANIFESTO OF FREE LOVE. A SOCIALIST WEDDING: THE WEDDING THAT SHOCKED AMERICA. A FINE AND UNIQUE MANUSCRIPT, CRAFTED IN THE FASHION OF THE ARTS AND CRAFTS MOVEMENT AND SPECIALLY BOUND BY ONE OF THE GREATEST AMERICAN FEMALE BOOKBINDERS OF THE 20TH CENTURY FOR HER FRIENDS: THE CHRISTIAN SOCIALIST ACTIVIST GEORGE HERRON, A MINISTER, AND HIS YOUNG SPOUSE CARRIE RAND, THE HEIRESS OF A BANKING FAMILY, WHO EMBRACED THE SOCIALIST CAUSE. 8vo (233 x 154 mm); bound in full burgundy morocco decorated with gilt flames embossed to boards in a double gilt frame; signed «H. G. H.», short for Helen Gowen Haskell; within the double gilt frame are the gilt letters «H» and «R», the initial of the spouses surnames, Herron and Rand, both embossed in gilt circles; five raised bands to spine; gilt flames and gilt letters «H» and «R» in gilt circles embossed to spine; double gilt frame with gilt flames to the head and the foot of both front and rear pastedown; all edges gilt; endpapers blank; leaves measuring 228 x 148 mm, pages: [156]; manuscript in black ink with initials for each section in red ink; page-frames in red ink; two drawings in the text. Original autograph document. Signed by most contributors (also referred to as "Social Democratic comrades") in red-ink boxes in the text. Original manuscript by the well-known Liverpudlian socialist Leonard Abbott, a follower of William Morris; published in pamphlet form in the prestigious «International Socialist Review» in July 1901 (pp. 14-20), it was met with public outcry and caused a scandal, as illustrated by Rose L. Martin in her detailed account of the circumstances in which the wedding came about in «Fabian Freeway. High Road to Socialism in the U.S.A. 1884-1966». At the turn of the 19th century, an event shook American society like a powerful earthquake. In the aftermath of the scandalous event, outburst of rage and indignation stirred the country, especially in the most conservative and traditionalist circles. The clergyman, educator, author, and Social Gospel advocate George D. Herron, a married father-of-four, left his lawfully wedded wife Mary out of love for another woman, Carrie A. Rand. The following unconventional union between Herron and Rand took place on May 25, 1901, in a New York apartment under the appellation of socialist wedding. Carrie Rand was the daughter of a lumber baron and banker and Caroline Rand, who donated profusely to Socialists and those who believed in their cause, whose inheritance would later fund and found the Rand School of Social Science in 1906. George D. Herron (1862-1925) was at one time a Christian Socialist minister, a founder of the Rand School of Social Science, a member of the Socialist Party, and the author of books and pamphlets on social and religious issues. Pastor William Franklin Lemmons greatly disapproved of the wedding, as he later wrote in his book «The Evils of Socialism». The binder Helen "Nellie" Gowen Haskell Noyes (1864-1940) was an esteemed American binder, whose lifelong work earned her the Guild of Bookworkers «Lifetime Achievement Award» in 1937. A manuscript book, bound by a great American woman binder, which deals with socialism, universal social and civil rights, as well as the feminist cause. This book symbolises the American fight against the establishment, traditional social and legal norms, and the rule of capitalism. It was the wedding gift that the inner circle of socialist, progressive and anarchist friends ("comrades") of George D. Herron and Carrie Rand Herron crafted on the occasion of their scandalous so-called "socialist wedding," which had to set the standard for the bright future of international socialism that they hoped was nigh. The couple fled the US and took refuge in Italy after their performance of a socialist wedding provoked a storm of criticism and violent personal attacks directed at them.…