Khannanov ildar (46 risultati)

VIII, 106 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Current Research in Systematic Musicology 247. Sprache: Englisch.…

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Condizione: New.

Hardcover. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2024. 1st Edition. hardcover. . . . . .

Condizione: New. In English.

Condizione: New. 1st edition NO-PA16APR2015-KAP.

Hardback. Condizione: New. The antinomy of musical work and musical form has been central for music theory for centuries. Musical work is complete and all-inclusive, which makes it an ideal object of study. However, the teaching of musical form, albeit selective, is self-sufficient and epistemologically sovereign. The book offers both the historical overview and the analytical discourse on this antinomy in both Western and Russian perspectives. It presents an insider's view of the latter and contains materials never previously published.…

Hardcover. Condizione: Brand New. 329 pages. 9.00x6.00x1.00 inches. In Stock.

Condizione: New.

Condizione: NEW.

Condizione: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New. Ildar D. Khannanov is associate professor of music theory at Peabody Institute, Johns Hopkins University. He is a student of Yuri Kholopov (Moscow Conservatory), Pieter C. Van den Toorn (University of California, Santa Barbara), and Jacques Derrid.

Hardcover. Condizione: Brand New. 329 pages. 9.00x6.00x1.00 inches. In Stock.

hardcover. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: New. A brand new book in pristine condition. Showing zero signs of shelf wear, creases, or damage.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. The antinomy of musical work and musical form has been central for music theory for centuries. Musical work is complete and all-inclusive, which makes it an ideal object of study. However, the teaching of musical form, albeit selective, is self-sufficient and epistemologically sovereign. The book offers both the historical overview and the analytical discourse on this antinomy in both Western and Russian perspectives. It presents an insider's view of the latter and contains materials never previously published.…

Hardback. Condizione: New. Tonal-harmonic function-the object of this study-remains an obscure concept. It has been insufficiently studied and poorly defined by both representatives of the time of function (European music and music theory of the eighteenth and nineteenth centuries) and its critics of the time outside function (since Schenker until present). Yet, considering the efficiency of function and the results of its practical application-pretty much, all good music of the common practice-one may reconsider the complete cancellation of this concept for research and pedagogy. It is time to return tonal-harmonic function into music theory pedagogy. Tonal work is a marvel of music. It is partially handmade and partially the product of nature (either a divine creation or a product of natural evolution). It is the result of continuous and arduous work of generations of talented musicians that only in European context spans over two and half millennia. Its formation and becoming went in parallel with human evolution. Regrettable attempts to abandon functionality in music for several decades after the two disastrous military conflicts of the twentieth century itself can be cancelled-with facility this time, with no harm for the masterpieces, and with the benefit for future generations of musicians. And then there is a pragmatic consideration: the way music theory offers its concepts to students today is notably problematic. By eliminating harmonic function from discussions of tonal music, teachers incur serious damage to the process of learning that is by itself rather difficult and dicey. Perhaps, the direct goal of this book is more pragmatic than theoretical. Its local and tangible goal is to return to a very effective method of acquisition of specifically musical knowledge, based upon proven tradition of teaching harmony and form.…

Buch. Condizione: Neu. Neuware - Tonal-harmonic function-the object of this study-remains an obscure concept. It has been insufficiently studied and poorly defined by both representatives of the time of function (European music and music theory of the eighteenth and nineteenth centuries) and its critics of the time outside function (since Schenker until present). Yet, considering the efficiency of function and the results of its practical application-pretty much, all good music of the common practice-one may reconsider the complete cancellation of this concept for research and pedagogy. It is time to return tonal-harmonic function into music theory pedagogy. Tonal work is a marvel of music. It is partially handmade and partially the product of nature (either a divine creation or a product of natural evolution). It is the result of continuous and arduous work of generations of talented musicians that only in European context spans over two and half millennia. Its formation and becoming went in parallel with human evolution. Regrettable attempts to abandon functionality in music for several decades after the two disastrous military conflicts of the twentieth century itself can be cancelled-with facility this time, with no harm for the masterpieces, and with the benefit for future generations of musicians. And then there is a pragmatic consideration: the way music theory offers its concepts to students today is notably problematic. By eliminating harmonic function from discussions of tonal music, teachers incur serious damage to the process of learning that is by itself rather difficult and dicey. Perhaps, the direct goal of this book is more pragmatic than theoretical. Its local and tangible goal is to return to a very effective method of acquisition of specifically musical knowledge, based upon proven tradition of teaching harmony and form.…

Condizione: New. A brand new book in pristine condition. Showing zero signs of shelf wear, creases, or damage.

Gebunden. Condizione: New.

Condizione: New. In English.