Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Aggiungi al carrelloPaperback. Condizione: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Aggiungi al carrelloCondizione: New. 2020. Paperback. . . . . .
Lingua: Inglese
Editore: LAP LAMBERT Academic Publishing, 2019
ISBN 10: 6200306923 ISBN 13: 9786200306920
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 27,51
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Aggiungi al carrelloCondizione: New. In.
EUR 34,90
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Aggiungi al carrelloCondizione: New. pp. 375.
Lingua: Inglese
Editore: LAP LAMBERT Academic Publishing 2019-09-04, 2019
ISBN 10: 6200306923 ISBN 13: 9786200306920
Da: Chiron Media, Wallingford, Regno Unito
EUR 24,62
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Aggiungi al carrelloPaperback. Condizione: New.
Paperback. Condizione: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 35,38
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Aggiungi al carrelloCondizione: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
EUR 32,95
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Aggiungi al carrelloPaperback. Condizione: Brand New. 256 pages. 7.50x4.75x1.00 inches. In Stock.
Condizione: New. pp. 375.
EUR 31,95
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Aggiungi al carrelloCondizione: New.
Da: Versandbuchhandlung Kisch & Co., Fürstenberg OT Blumenow, Germania
EUR 13,88
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Aggiungi al carrelloTaschenbuch. Condizione: Wie neu. Gebraucht - Wie neu Ungelesen, vollständig, sehr guter Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Die Wahrnehmung von Räumen ist stark durch die architektonischen Gegebenheiten geprägt. Oft bleiben ganze Bereiche ausgeblendet. Mit diesen räumlichen Leerstellen beschäftigt sich Anne Gathmann (geb.1973) anhand ihres Eingriffs in der Elisabethkirche Kassel, eine Ausstellung der Katholischen Kirche anlässlich der Documenta 14. Die Künstlerin schafft hierfür ein Band aus mehreren Tausend Aluminiumelementen, das den Kirchenraum durchmisst und den Blick auf die räumlichen Strukturen der Kirche lenkt. Durch diese Intervention von minimalistischer Materialität, entsteht eine Erweiterung der sichtbaren Räumlichkeit.Die Publikation dokumentiert Gathmanns raumgreifende Installation und eröffnet einen Einblick in ihre künstlerische Arbeitsweise. 104 pp. Englisch, Deutsch.
Condizione: New.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: As New. Unread book in perfect condition.
EUR 35,60
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 27,41
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: Che & Chandler Versandbuchhandlung, Fürstenberg OT Blumenow, Germania
EUR 18,50
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Aggiungi al carrelloTaschenbuch. Condizione: Wie neu. Gebraucht - Wie neu Ungelesen, vollständig, sehr guter Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Die Wahrnehmung von Räumen ist stark durch die architektonischen Gegebenheiten geprägt. Oft bleiben ganze Bereiche ausgeblendet. Mit diesen räumlichen Leerstellen beschäftigt sich Anne Gathmann (geb.1973) anhand ihres Eingriffs in der Elisabethkirche Kassel, eine Ausstellung der Katholischen Kirche anlässlich der Documenta 14. Die Künstlerin schafft hierfür ein Band aus mehreren Tausend Aluminiumelementen, das den Kirchenraum durchmisst und den Blick auf die räumlichen Strukturen der Kirche lenkt. Durch diese Intervention von minimalistischer Materialität, entsteht eine Erweiterung der sichtbaren Räumlichkeit.Die Publikation dokumentiert Gathmanns raumgreifende Installation und eröffnet einen Einblick in ihre künstlerische Arbeitsweise. 104 pp. Englisch, Deutsch.
EUR 25,00
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Aggiungi al carrelloCondizione: New. Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidiz.
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Aggiungi al carrellopaperback. Condizione: New.
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Aggiungi al carrelloCondizione: New.
EUR 34,23
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Aggiungi al carrelloPaperback. Condizione: Brand New. 240 pages. German language. 6.30x0.71x9.49 inches. In Stock.
EUR 25,00
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to 'build on the structure through demolition' (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ['Darstellung']. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated which generate their critical statements less argumentatively than through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects and instruments, visibly enters the critical scene-whereas the theatrical scene as a stage of critique has been contested intensively during the 20th century. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.
Lingua: Spagnolo
Editore: Ediciones Nuestro Conocimiento, 2022
ISBN 10: 6204920189 ISBN 13: 9786204920184
Da: moluna, Greven, Germania
EUR 23,56
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Aggiungi al carrelloCondizione: New.
EUR 30,57
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.