kirby green (29 risultati)

Soft cover. Condizione: As New. Gary Ruddell (illustratore). 1st Edition. Brotherhood of the Stars by Kirby Green, Bantam 29635, 1994, paperback original. Cover art by Gary Ruddell. Glossy, bright, square and tight; appears almost new.

Softcover. Condizione: Near Fine. Will Eisner, Joe Simon, Jack Kirby, Joe Kubert, John Buscema, George Tuska, John Severin, Bob Fujitani, Al Williamson, Mort Meskin, Mike Sekowsky, Dick Briefer, Paul Gustavson et al (illustratore). 1st Edition. More than 240 pages of black & white comic book reprints and illustrated articles on Golden Age heroes, including Spy Smasher, Bulletman, the Green Lama, Ibis, Mr. Scarlet, Blue Bolt and the Black Owl. KU4.

dvd. Condizione: Used - Like New. Wrapped in plastic, still sealed.

Paperback: 7½" x 5½". Condizione: Good: Moderate signs of wear. Cover Art: Kirby / Illustrations: P R Green & Adash (illustratore). 1957 Edition. © 1957:- #82 of 85 issues published between 1951 & 1957. An anthology of science fiction short stories & articles:- Contents: Novelettes - What Triumphs? by Brian W Aldiss / No Greater Love by Nicholas Canadine / It's Such A Beautiful Day by Isaac Asimov. Short Stories - Patient Of Promise by Nigel Lloyd / Songs Of Summer by Robert Silverberg / Copy Cat by Robert Presslie / The Cage by Bertram Chandler:- (original cost 2').

Mass Market Paperback. Condizione: Very Good +. JoSH KIRBY (COVER) (illustratore). First Edition Paperback / First Printing. DAW Books NO. 2 , no writing, no marks, no chips, no creases, no evidence that it has ever been read.

Condizione: As New. Unread book in perfect condition.

Mass Market Paperback. Condizione: Good. Blandford, E.L.; Green, P.R.; Adash (Kirby, Josh); (illustratore). First Edition. Cover by Blandford. Contains 'Assassin in Hiding' by High, 'The Honest Philosopher' by Lloyd (Tubb, E.C.), 'Prophet Without Honour' by Bentley, 'They Blow Up' by Chandler, 'Salute Your Superiors!' by Kippax, Dead Weight (Part two of three) by West (also Tubb), Part 7 of The Evolution of Man' by Johns (John Newman and Kenneth Bulmer), an editorial by Tubb and reviews by Harby. One inch price label stuck to the front cover. One inch closed tear at the top of the spine and there is a three inch long tape mark at the bottom of the spine and over onto the edges of the front and rear covers. The spine has some surface and edge wear and there is a little discolouration to the rear cover. The pages are browned with small chips to some of the corners but are otherwise clean and unmarked. Postage charge will be reduced by £1.50 when the order is processed.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Excellent condition. xiii, 264 pp. LCC: 10551.

Condizione: New.

paperback. Condizione: New. 1st.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. The papers in this volume are from the 2014 biennial ATSR symposium held in AmsterdamThe papers in this volume are from the 2014 biennial ATSR symposium held in Amsterdam which focused on art technological sources and their aid to research. The papers focus on using source material to research works of art such as artist's notebooks, workshop inventories and documents on the trade in artists' material from the middle ages until today. They show the importance of source material for art historical as well as material-technical or conservation research to highlight the coherence between the style of a work of art and the materials and techniques used in its production. Ultimately, concluding that the disclosure of such source material is of paramount importance for both art-historical as well as material-technical and conservation research. Contents: The Painter's Workshop as Seen by Stradanus - Jan Piet Filedt Kok Back to Basics: Finding the Sources then What? What Do We Do with Art Technological Sources once We Have Found Them?- William Whitney Artists' Recipe Books as Sources for Historical Research in Art Technology: Diversity, Function and Reliability - Sylvie Neven Artists' Treatises and Recipe Books: On Authors, Readers and Users - Cristiana Pasqualetti Between Painting, Printing and X: Re-Reading Early Sources for Photochemical Imaging Processes - Albrecht Pohlmann Archival Sources on Swiss Easel Painting in the Late Nineteenth and Early Twentieth Century - Karoline Beltinger Eilido colours: Sources on the introduction of tar colours and the contradictionary reception in the early 20th century - Heide Skowranek, Christoph Krekel and Heike Stege The Talens Archive - Klaas Jan van den Berg Recipes for Deceit: The Forgery of Paintings 1300-1900 as Expressed in Written Sources - Jilleen Nadolny Reception in the Ateliergebouw, guided tours through the conservation studios - Ateliergebouw Transformation, Transmutation and Transmission: Some Thoughts Regarding the Origins of the 'Compositiones ad tingenda' and 'Mappae clavicula' Art Technology Treatises - Stefanos Kroustallis A Seventeenth-Century Textile Dyers Manuscript on the Production of Painters' Pigments - Arie Wallert What's Wrong with Thompson's Cennino?- Lara Broecke An autonomous compendium of recipes in the Palatine Manuscript 981 of the Biblioteca Nazionale di Firenze - Sandro Baroni 'Pictoria, sculptoria et quae subaltenarum artium': the De Mayerne Manuscript between Unity and Heterogenity - Cecile Parmentier Breaking the Mould: A History of Sand Casting in Western Europe Based on Early Written Sources - Tonny Beentjes Lac Dye in Medieval Written Sources and in Medieval Portuguese Scriptoria - Rita Castro .to Keep the Colours Fresh, Alive and Bright: Discussions about the Influence of Preparatory Layers on the Durability of Oil Paintings in North West European Recipe Books, 1550-1900 - Maartje Stols-Witlox The Jesuit's Contribution to Written Art Technological Sources during the Seventeenth and Eighteenth Century - Corinna Gramatke Colourful archives: Liotard, Stoupan and Pastel Colours Available for Artists in Europe during the Eighteenth century - Leila Sauvage and Cecile Gombaud" A collection of papers from the 2014 ATSR symposium in Amsterdam, exploring how art technological source materialssuch as artists notebooks, workshop records, and trade documentsinform the study of artworks from the Middle Ages to today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 156 pages. 11.50x8.25x0.75 inches. In Stock.

Hardcover. Condizione: As New. Racemaker Press; Boston, 2023. Hardcover. A Fine, illustrated boards, binding firm, interior and extremities tidy, book unread, faint scuff mark top fore-edge, in a Fine Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 10.25 x 10.25 inches]., 288pp., color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Kartoniert / Broschiert. Condizione: New.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condizione: New. 2016. paperback. . . . . .

Paperback. Condizione: New.

Condizione: New. 2016. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: new. Paperback. The papers in this volume are from the 2014 biennial ATSR symposium held in AmsterdamThe papers in this volume are from the 2014 biennial ATSR symposium held in Amsterdam which focused on art technological sources and their aid to research. The papers focus on using source material to research works of art such as artist's notebooks, workshop inventories and documents on the trade in artists' material from the middle ages until today. They show the importance of source material for art historical as well as material-technical or conservation research to highlight the coherence between the style of a work of art and the materials and techniques used in its production. Ultimately, concluding that the disclosure of such source material is of paramount importance for both art-historical as well as material-technical and conservation research. Contents: The Painter's Workshop as Seen by Stradanus - Jan Piet Filedt Kok Back to Basics: Finding the Sources then What? What Do We Do with Art Technological Sources once We Have Found Them?- William Whitney Artists' Recipe Books as Sources for Historical Research in Art Technology: Diversity, Function and Reliability - Sylvie Neven Artists' Treatises and Recipe Books: On Authors, Readers and Users - Cristiana Pasqualetti Between Painting, Printing and X: Re-Reading Early Sources for Photochemical Imaging Processes - Albrecht Pohlmann Archival Sources on Swiss Easel Painting in the Late Nineteenth and Early Twentieth Century - Karoline Beltinger Eilido colours: Sources on the introduction of tar colours and the contradictionary reception in the early 20th century - Heide Skowranek, Christoph Krekel and Heike Stege The Talens Archive - Klaas Jan van den Berg Recipes for Deceit: The Forgery of Paintings 1300-1900 as Expressed in Written Sources - Jilleen Nadolny Reception in the Ateliergebouw, guided tours through the conservation studios - Ateliergebouw Transformation, Transmutation and Transmission: Some Thoughts Regarding the Origins of the 'Compositiones ad tingenda' and 'Mappae clavicula' Art Technology Treatises - Stefanos Kroustallis A Seventeenth-Century Textile Dyers Manuscript on the Production of Painters' Pigments - Arie Wallert What's Wrong with Thompson's Cennino?- Lara Broecke An autonomous compendium of recipes in the Palatine Manuscript 981 of the Biblioteca Nazionale di Firenze - Sandro Baroni 'Pictoria, sculptoria et quae subaltenarum artium': the De Mayerne Manuscript between Unity and Heterogenity - Cecile Parmentier Breaking the Mould: A History of Sand Casting in Western Europe Based on Early Written Sources - Tonny Beentjes Lac Dye in Medieval Written Sources and in Medieval Portuguese Scriptoria - Rita Castro .to Keep the Colours Fresh, Alive and Bright: Discussions about the Influence of Preparatory Layers on the Durability of Oil Paintings in North West European Recipe Books, 1550-1900 - Maartje Stols-Witlox The Jesuit's Contribution to Written Art Technological Sources during the Seventeenth and Eighteenth Century - Corinna Gramatke Colourful archives: Liotard, Stoupan and Pastel Colours Available for Artists in Europe during the Eighteenth century - Leila Sauvage and Cecile Gombaud" A collection of papers from the 2014 ATSR symposium in Amsterdam, exploring how art technological source materialssuch as artists notebooks, workshop records, and trade documentsinform the study of artworks from the Middle Ages to today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New.

Mass Market Paperback. Condizione: Fair. Josh Kirby (illustratore). First Thus 2nd Printing. Repaired; Light Creasing on Front, Rear Covers, Spine; Front, Rear Covers, Spine Moderately Chipped (Portions of Backstrip Missing); Spine Moderately Cocked; Edges Lightly Soiled; Slight Yellowing Due to Age. BOOK NUMBER: No. 2. ALSO KNOWN AS: A hardbound edition of this novel has been published in Great Britain under the title of Gold the Man, by Victor Gollancz, Ltd. REVIEWS: "A real way-outer!" - Bradford Telegraph. "A tour de force of the imagination. Not to be missed." - London Sunday Times. "Excellent.the style is lucid and intelligent, the theme audaciously original. In the fairly near future, genetic engineering has produced two super-intelligent men: Gold in the U.S.A. and Petrovna in the U.S.S.R. Meanwhile the solar system has been visited by aliens who seem to want to eliminate homo sapiens. An alien ship comes to grief, but its occupant survives with extensive brain damage. He is - wait for it - a 300 foot humanoid giant. Petrovna has a good idea: scoop the damaged brain section out, install computer control of muscles plus a chamber to contain a human being, then return said giant to his own planet so that the spy in his head can find out what's cooking. Petrovna is killed, but Gold and Petrovna's female assistant carry out the mission." - London Sunday Times Size: 12mo - over 6¾" - 7¾" tall.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. GLAMOUR WOUNDS Rhonda Lieberman on The Way We Were DEMOCRACY, INC. Diedrich Diedrichsen and Jutta Koether on Springtime for Hitler PRESS Tina Lyons on Martha Stewart SPECIAL EFFECTS Carol Squiers on the New Penile Code BOOKS Beth Coleman on bell hooks' Black Looks BOOKS Maurice Berger on Richard Bolton's Culture Wars TOP TEN Greil Marcus COLUMNS FEATURES REVIEWS HI-YO SILVER: CADY NOLAND S AMERICA Lane Relyea SOUL CITY: AN INTERVIEW WITH ALAN RUDOLPH Rosetta Brooks PHILIP-LORCA diCORCIA: FIVE NIGHTS OF A DREAMER Gary Indiana A RIDDLE WRAPPED IN A MYSTERY INSIDE AN ENIGMA: THE ART OF S. Y. KOCHELEV Andrew Solomon Josif Bakshteyn THE FUTURE OF THE NATIONAL ENDOWMENT FOR THE ARTS Maurice Berger in cooperation with Ronald Feldman CINDY SHERMAN: BURNING DOWN THE HOUSE Jan Avgikos OPENINGS: RACHEL LACHOWICZ Maria Porges COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Frank Stella Donald Kuspit on Richard Diebenkorn Lisa Liebmann on Richard Tuttle Kirby Gookin on Jan Groover Jan Avgikos on Christopher Wool Linda Yablonsky on David Bowes Keith Seward on Lawrence Gipe Keith Seward on Camera As Weapon Joshua Decter on Candida Höfer Barry Schwabsky on Ellsworth Kelly Justin Spring on Andrew Young Ronny Cohen on Abraham Walkowitz Andrew Perchuk on Jessica Diamond Lois Nesbitt on Hirsch Perlman Lois Nesbitt on Leonardo Drew Jenifer P. Borum on Jaune Quick-to-See Smith BOSTON Francine Koslow Miller on Elizabeth Rosenblum CHICAGO James Yood on Robert Lostutter MINNEAPOLIS Vince Leo on Stuart Mead HOUSTON Tom Moody on Ange Leccia LOS ANGELES David Pagel on Daniel Wiener Amelia Jones on Adam Fuss Amelia Jones on Daniel Wheeler TORONTO Laura U. Marks on Deborah Samuel BARCELONA Menene Gras Balaguer on Pep Duran TURIN Francesca Pasini on Alfredo Pirri MILAN Anthony Iannaci on Jane Hammond PARIS Jean-Pierre Criqui on Emmanuel Saulnier Miriam Rosen on Agustín Victor Casasola SAINT SAVIN Michael Tarantino on Hamish Fulton ZURICH Hans Rudolf Reust on Anselm Stalder BERN Jean-Pierre Criqui on Robert Grosvenor VIENNA Christian Kravagna on Jessica Stockholder MUNICH Justin Hoffmann on Joachim Brohm COLOGNE Norbert Messler on Rosemarie Trockel, Andreas Schulze BONN Noemi Smolik on Alighiero e Boetti HAMBURG Wolf Jahn on Günther Förg BERLIN Bojana Pejic on Heimo Zobernig BRUSSELS Sabine B. Vogel on Michael Asher LONDON Michael Archer on Catherine Yass SYDNEY Charles Green on Lyndal Jones.

Leather Bound. Condizione: New. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1814. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 32, Pages:- 44, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 32 44.