kirwan patrick (22 risultati)

Soft cover. Condizione: Very Good. ORIGINAL PUBLICATION; includes the large folded map (complete for this publication); softcovers; ex-library; light foxing spot on title page; o/w in very good condition. Journal.

Softcover. Vintage original 8" x 10" black-and-white single weight glossy silver gelatin print still photo of theÊ Chiltern Hundreds [released in the U.S. as The Amazing Mr. Beecham] is a 1949 British politically-themed comedy film directed by John Paddy Carstairs, adapting William Douglas Home's 1947 play of the same name and starring Lana Morris, David Tomlinson and Cecil Parker. Very Good with some light handling wear and a few light creases along the edges.

Condizione: Good. SIGNED BY PATRICK KIRWAN - Octavo, black cloth titled & decorated in gilt. Unpaginated. There is very light staining to the endpapers & preliminaries. Good. Number 216 of 250 copies numbered and signed by the author.From the library of pressman Fridolf Johnson with his book label on the front pastedown.A title in the Grayson Books series edited by John Hackney and made and printed by The Garden City Press Ltd., Letchworth, Herts., U.K.

Condizione: Very Good. 1922. Hardcover. Very good copy in good dustwrappers. DW has light shelf wear. In Mylar, remains very good. . . . . Books ship from the US and Ireland.

Softcover. Condizione: Good with no dust jacket. Rebound in clear vinyl on front and black vinyl on back. Previous owner's stamp on front of wraps. Pages clean, tanned, with several book reviews cut from the magazine. ; Contents: Rutter, Sir William Rothenstein. Kirwan, The East London Group. Southern, The Permanent Set. Southall, In Memoriam - A. J. Gaskin. Bonney, Modern Cotton Fabrics. Guido Ravasi, Modern Luxury in Silks. Bier, Architecture of Sport. Salaman, A Chat to the Print Lover. Glassgold, Thomas Benton's Murals. Duve, The Modern Home in Sweden. The Swedish Exhibition in London. Wilenski, Severini and the Modern Collector. Events in the Art World. Book Reviews. ; 11.5" (29 cm) tall; 76 pages.

Condizione: Very Good. 1922. Hardcover. Very good copy in good dustwrappers. DW has light shelf wear. In Mylar, remains very good. . . . .

Soft cover. Condizione: Very Good. No Jacket. Foreward by Mark Patrick Hederman (illustratore). 1st Edition. Signed and dated by the author on the title page without any dedication. Clean bright and tight. No other pen marks. Not ex-lib. Minor edge wear. Please examine all seller photos. Signed by Author(s).

tapa dura. Condizione: Bien. Geografía de Oceanía y de las regiones polares (919.8/.9) Luis de Caralt. Barcelona. 1965. 22 cm. 401 p., 3 h. lám., map. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Colección 'Colección "Cultura Historica"'. Versión de Ramón Margalef Llambrich. Regiones polares. Historia . Sobrecubierta deslucida. (=3310137=) LD168.

Hardcover. Condizione: Near fine. Dust Jacket Included. First Edition. London, Grayson & Grayson, 1935 (first edition). Octavo, [64] pages (last 3 blank). Black cloth lettered and decorated in gilt; top edge dyed green, others uncut; boards slightly bowed; a near-fine copy with the very good unclipped dustwrapper (with slight loss to silverfish to the front panel). Number 155 of only 285 copies signed by the author. The sixth book in the Grayson Books series, edited by John Hackney.

Vintage studio still photograph from the 1937 film. With one provenance stamp on the verso. A group of British soldiers who just finished their tour in India are told they are going to be immediately redeployed. 10 x 8 inches. Near Fine.

Black Cloth. Condizione: Good. First Edition. Signed To Frank Digmond with best wishes and respects of Patrick Kirwan London 30/06 /34 on endpapers also signed on title page by the Translator with frontispiece by Edna Clake Hall Size: Octavo. without marks. Slight wear to spine. slight rubbing to corners. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Natural History & Resources; Britain/UK; 1930s; Inventory No: 42295. For further information on this title, click on the "Ask Bookseller a Question" button directly underneath this listing. We will try to reply within two working days. Buyers from OUTSIDE of the UK are strongly recommended to make contact, to ask for an accurate shipping cost, BEFORE buying.

PARTIALLY IN WELSH. 23X14.5 cm. 80 pages. Soft cover. Pen inscription on front cover - no damage to text. Cover yellowing and stained. Cover edges worn. Spine cracked. Few pages age stained. Else in good condition. The book is in : English.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 78. A perfect gift for your loved ones. Reprinted from 1920 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 78.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1921 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 38 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Good+. Boards in gray cloth with blue lettering and gilt ruling. Interior is clean and unmarked. Dust jacket chipped at spine ends and corners; spine toned and lightly soiled; price clipped; in an archival mylar sleeve. pp. ix, 245. Early novel by the German writer Heinrich Hauser (1901-1955), with preface by his friend Liam O'Flaherty. (Hauser also translated two of O'Flaherty's books into German.) Bitter Waters (original Brackwasser) won the Gerhart Hauptmann Prize in 1929. It tells the tale, full of realism, of a young sailor who sails along the Gulf coast of Mexico, marries hispanic girl in Tampico, and their life and troubles on a farm back in northern Germany.

1st US Edition. 277, [3 (blank)] pp. Crown 8vo. Square & tight, VG+ in a lightly worn, price-clipped VG jacket. Blue-green cloth binding with black & silver stamping. Patterned paper eps. Dust jacket [signed in the plate, "Sugar"].

Edited by John Hackney. Pp.[60]; gilt lettered and decorated black cloth; top edges green, others uncut; dust wrapper, edges a trifle worn; ownership label on upper free endpaper, a little light foxing; Grayson & Grayson, London, 1935. First edition, being one of 250 copies signed by the author. The Grayson Books series.

Shooting script for the 1958 British film. Annotation in manuscript ink of copy number "64" on front wrapper. Laid in are two loose pink revision pages and 36 bound pink revision pages. Based on the 1957 novel by Catherine Cookson. John Gregson, in a memorable performance, stars as Dublin trash collector James Ignatius Rooney, who competes as a Gaelic sportsman on the weekends. Set in and shot on location in Dublin, Ireland. Tall blue titled wrappers, noted as SHOOTING SCRIPT on the front wrapper. Title page present, dated 13th August, 1957, with credits for author Catherine Cookson and screenwriter Patrick Kirwan. 113 leaves, with last page of text numbered 112. Mimeograph duplication, rectos only, with pink revision pages laid in, one undated, one dated 21.11.57 and 36 dated 2.9.57. Pages Near Fine, wrapper Very Good with chipping, closed tears, and creasing at the extremities and spine, bound with prong binding. Loose revision pages Very Good plus, with toning and creasing at outer edge. Bound revision pages with some creasing to first leaf else Near Fine, bound with a single flat metal brad.

First edition, first printing. Signed by the author. Limited editions. Complete in twelve volumes. Publisher's original cloth, each with an unique design in gilt to the upper board and titles in gilt to the spine, in dustwrapper. Each volume with a frontispiece illustration. Volume 1, H. E. Bates: The Duet. Numbered 95 of 285 copies. Black cloth. Illustrated with line drawings within the text. A very good or better copy, just a couple of foxing spots to the prelims, in a very good dustwrapper that is toned to the spine and nicked and creased at the edges; Volume 2, A. L. Pavey: At Home. Numbered 68 of 285 copies. Brick red cloth. A very good copy, a few spots of foxing to the prelims and text block edge, the dustwrapper toned to the spine and nicked and creased at the edges; Volume 3, Rhys Davies: One of Noah's Early Days. Numbered 71 of 285 copies. Dark grey cloth. A very good copy with light spotting, the dustwrapper toned to the spine and nicked and creased at the edges; Volume 4, John Collier: Variation on a Theme. Numbered 34 of 285 copies. Green cloth. A very good copy, spotted to the prelims, the dustwrapper toned, nicked and chipped at the spine, the edges a little nicked and creased; Volume 5, John Hampson: Man About the House. Numbered 5 of 285 copies. Grey cloth. A near fine copy, faintly spotted to the prelims, the dustwrapper toned to the spine and a little nicked and creased to the edges; Volume 6, Patrick Kirwan: The Life and Death of St. Herbault. Numbered 39 of 285 copies. Black cloth. A near fine copy, the prelims with faint spotting, the dustwrapper toned to the spine and a little nicked and creased at the edges; Volume 7, H. A. Manhood: Maiden's Fury. Numbered 3 of 285 copies. Pink cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few closed tears and some creasing to the edges; Volume 8, James Hanley: At Bay. Numbered 38 of 285 copies. Blue cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few closed tears and some creasing to the edges; Volume 9, Arthur Calder-Marshall: A Pink Doll. Numbered 9 of 285 copies. Pink cloth. A very good copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few closed tears and some creasing to the edges; Volume 10, Seàn O'Fàolain: There's a Birdie in the Cage. Numbered 13 of 285 copies. Green cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper with a few nicked to the somewhat toned spine; Volume 11, Graham Greene: The Bear Fell Free. Numbered 7 of 285 copies. Greyish brown cloth. A very good copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few nicks and closed tears to the edges and fold corners; Volume 12, T. F. Powys: Make Thyself Many. Numbered 1 of 285 copies. Blue cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper toned and with some creasing to the head of the spine. Each volume is signed by the author on the limitation page. The 12 titles in the Grayson Books series were issued in a limited edition of 285 copies, of which 250 were for sale to the public. All books feature an original work of short fiction and were published in 1935. The series was edited by John Hackney. It is uncommon to encounter a complete set. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Limited Edition. The Complete Grayson Books Series. London: Grayson and Grayson, 1935. Edited by John Hackney. Limited numbered first editions, all signed by the respective author. Twelve Volumes. Octavo. Publisher's cloth stamped in gilt; original illustrated dust jackets. Minor edgewear, head and foot of spines pushed. Endpapers illustrated with publisher's device; some foxing. Internally generally clean and tight; scattered foxing and light soiling, text block edges toned and foxed with minor wear. Dust jackets with minor to moderate edgewear with some losses, chipping to head and foot of spines with some losses, spines sunned, scattered foxing. Very good to near fine books with very good dust jackets. John Hampson. Man About the House. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 122, signed by the author. Graham Greene. The Bear Fell Free. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 152, signed by the author. Seán O'Fáolain. There's a Birdie in the Cage. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 153, signed by the author. H.A. Manhood. Maiden's Fury. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 127, signed by the author. T. F. Powys. Make Thyself Many. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 151, signed by the author. L. A. Pavey. At Home. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 179, signed by the author. Patrick Kirwan. The Life and Death of St. Herbault. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 125, signed by the author. John Collier. Variation on a Theme. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 143, signed by the author. H. E. Bates. The Duet. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 193, signed by the author. Arthur Calder-Marshall. A Pink Doll. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 234, signed by the author. Rhys Davies. One of Norah's Early Days. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 155, signed by the author. James Hanley. At Bay. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 219, signed by the author. Signed by Author(s).

Paperback. Condizione: Good. Large tall 4to. Thin card folder with a typesscript held by string at the to punched holes of the spine. 14 inches by 8. 24 recto pages, headed 'Dialogue Sheets' i.e. the dialogue of the film without scenes or directions. The script pages are clean and sound, the buff covers is somewhat used and chipped with the title written in ink on the front. The 1940 movie directed by Walter Summers was based on the book Edgar Wallace - it tells the story of Scotland Yard inspector Larry Holt (Hugh Williams) who is asked to investigate the case of five bodies that have been found in The Thames apparently drowned, during the last eight months, The investigation takes him to the Greenwich Insurance Co with whom many of the dead held policies. This is run by Feodor Orloff (Bela Lugosi), a former doctor who was driven out of his profession and deemed insane by many of his colleagues. Clues lead Holt to Dearborn's Home for the Destitute Blind where each of the policy holders have made charitable donations upon Orloff's request. There Holt comes to believe that each policy holder is being murdered for their money.

Draft script for the 1959 film, seen here under the working title "The Big Birthday." Copy belonging to producer Alec Snowden, with his name in manuscript ink on several leaves, and his extensive annotations in manuscript pencil and ink on virtually every page (and many page versos as well). Bound in before and after the script are approximately 50 production documents, including crew contact sheets, shooting schedules, post-production notes, and documents regarding soundtrack. Laid in with the script is a promotional booklet for Ireland-based production studio Ardmore Studios. Based on Hugh Leonard's 1956 play "The Big Birthday," about a BBC producer's troubled attempts to make a documentary about an Irish supercentenarian's upcoming birthday. Actor Barry Fitzgerald's final film. Set in Ireland. Housed in a tall blue spring binder. Lacking title page, presumably as issued. 96 leaves, with last page of text numbered 82. Mimeograph duplication, rectos only, with green revision pages throughout, dated variously between July 12, 1958, and July 30, 1958. Pages Near Fine, binder Very Good plus.