Kreitler hans (46 risultati)

Hardcover. Condizione: Good. Dust Jacket Included. 1st Edition. dark grey full cloth hardcover 8vo. (octavo). dustwrapper in protective brodart book jacket cover. underlined copy in good cond. binding square & tight. covers clean. top edge has faint spots, other edge clean. previous owner's name inked on front flyleafapproximately 21 pages underlined in pencil (erasable, in chapters 3& 5). dustwrapper in good cond. smudgey, soiled, pull tear at spine top, not price clipped (no price listed). good used reading copy. no library markings, no remainder markings. first edition. first printing (same date on title & copyright page, no additional printings indicated). xiv+514p. 16 pages of glossy (mostly) full color plates. b&w illustrations. notes. references. name index. subject index. psychology. art history. art books. philosophy. pedagogy. ~ Psychology of the Arts combines an authoritative and clear coverage of basic theories and experimental findings with the presentation of an original theory about the experiencing of art. It is the most comprehensive textbook on art psychology published for many decades. It covers painting, sculpture, music, dance and literature, integrating an experimental approach in psychology with a professional examination of the specific arts and a discussion of major issues in art~both traditional and modern. The authors examine the psychological experience of the art spectator to answer the question: "What characteristics and qualities must a work of art possess so that it can elicit an art experience?", and they examine the qualities of works of art to answer the question: "What kind of experience can be elicited by stimuli of this type?" The first part of the book deals with the impact of the basic media of the arts. It centers on questions such as: What is the experiential impact of colors on the spectator? How does the interaction of space and surface, or of material and shape in sculpture affect the observer? What kind of experiences are evoked by harmony, melody, and rhythm in music, by movement in dance, or by phonetic sounds in poetry and different sentence structures in prose? In answering these and other questions, the authors analyze the basic art stimuli in terms of their effects on arousal, processes of tension and relief, and meaning elaboration of the input. The second part attempts to answer questions such as: How does a work of art emotionally involve the spectator? In what ways does this involvement differ from that in a story heard from a friend or a landscape viewed through a window? When does a work of art provide cathartic relief and when does it elicit imitation in the spectator? How is it that each one of innumerable spectators in various periods and cultures experiences the contents of a specific work of art as uniquely meaningful for him personally? And, what if any is the long~range cognitive impact of art? The answers to these and other questions entail discussion of processes such as empathy, feeling~into, identification, projection, sublimation, abstraction, multi~leveledness, symbolization, and the fourfold prism of realities ~ common, archaeological, normative and prophetic~which reflect art's contribution to the cognitive orientation of the audience. Teachers and students of psychology, of the special arts, of aesthetics, and art history will welcome a text like this, one that reviews the subject in a modern psychology framework. But Psychology of the Arts is much more than the title suggests. The questions that Psychology of the Arts examines are co~extensive with the fundamental issues of human psychology. Above all, the reader will find his own experience of the arts turning into something richer and broader because of this fine volume.…

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Fair. First Edition. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Used - Very Good. Open copy with mild age-based wear, clean pages with tight binding.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Cloth Over Board. Condizione: Good. Good (Protective cover). 1st Edition. tight binding; some discoloring due to age; signed by previous owner; underlining and notes Size: 8vo - over 7¾" - 9¾" tall. 1st Edition.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

loose_leaf. Condizione: Very Good. 1976. First Edition and first printing (by number line) pages all clean and bright. White cloth hardcover is clean and strong. Dust jacket is clean with wear and several small tears at top edge of jacket.

Brosch., leicht angestoßen, Deckel fleckig, sonst guter Zustand.

Hardcover. Condizione: Sehr gut. Gebunden. Orig.-Leinen mit Orig.-Schutzumschlag, 14x22, S 170. Sehr guter Zustand.

Leinen. Condizione: Gut. 443 S. : Ill., 24 cm. Guter Zustand. Bibliotheksexemplar mit Stempeln und Signatur auf Einband. Sonst Seiten sauber. / Good. Ex-library with usual markings. Clean pages. Sprache: Deutsch Gewicht in Gramm: 860.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Pages are clean and well bound, unmarked and undamaged. There is one marking underneath text and dust jacket has minor wear around edges.

Leinen. Condizione: Gut. 23,5cm 443 Seiten. Gewebe (Brauner Leinen). Zustand: Sehr Gut, eher ungelesen; Schutzumschlag (hat geringe bis leichte Gebrauchsspuren - auch einen kleinen Riß); * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

[0-8223-0269-1] 1972. (Hardcover) Very good in very good dust jacket. 514pp. Photographs, illustrations, notes, bibliography, indices. The dust jacket is lightly soiled and there is a small chip missing from the bottom back edge of the dust jacket spine. (Art, Dance, Music, Painting, Psychology, Sculpture, Writing). …

N.Y., Springer Publishing Company, 1976. XV447 pp. Figs & tables. Hardcover with dustjacket. Fine, #0826120504. [171241].

Hardcover. 443 S. Guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Mit SU. SU mit Randläsuren und Rissen. Einband leicht fleckig. Ansonsten ordentliches Exemplar. 9783170050204 Sprache: Deutsch Gewicht in Gramm: 786.

rilegato. Condizione: Very Good. Book.

Condizione: Good. 1990th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condizione: New. pp. 432.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. pp. 432 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: Very Good.

Leinen mit SU. 443 Seiten. Kaum Lagerspuren. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 800.

Gebunden. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New. In English.

Condizione: Gut. 443 S. : Ill. (z.T. farb.), graph. Darst. ; 24 cm. Gutes Ex. - INHALT : Theoretischer Hintergrund -- Die Psychologie der Kunst -- Zusammenfassung der vier Haupttheorien -- Das Modell der Homöostase -- Die Spannung und Entspannung des Kunsterlebnisses -- Die kognitive Orientierung -- Die kognitive Orientierung beim Kunsterlebnis -- Persönliches Beteiligtsein -- Vorschau -- Die Wahrnehmungswirkung der Farben -- Die Elemente der Malerei -- Experimente mit der Spannung und Entspannung von Farbkombinationen -- Spannungsgeladene Farbkombinationen -- Entspannende Farbkombinationen -- Farbkombinationen in Gemälden -- Die Bedeutung der Farben -- Die Bedeutsamkeit der Farbe -- Persönliche Assoziationen zu Farben -- Kulturell geteilte Bedeutungen -- Farbbevorzugungen -- Die symbolischen Bedeutungen der Farben Die Synästhesie und der organismische Zugang -- Farben und Archetypen -- Farben, Gemälde und Betrachter -- Formen als Gestalten -- Das Studium der Farben in der Malerei -- Die Gestaltgesetze -- Das Wesen des Strebens nach guten Gestalten -- Einfache und komplexe Gestalten -- Der Gebrauch der Unvollkommenheit in der Kunst -- Variation, Symmetrie und Gleichgewicht -- Vordergrund, Hintergrund und Tiefe -- Die Bedeutung der Linien und Formen -- Assoziationen und Bevorzugungen -- Die symbolische Bedeutung der Formen -- Archetypen, Synästhesie und Dynamisierung Formen und Farben in Wechselwirkung -- Musik: Harmonie und Melodie -- Theorien der Konsonanz und Dissonanz -- Die fortschreitende Eroberung der Töne -- Spannungserhöhung in und zwischen den Akkorden -- Intervalle und Richtung in der Melodie -- Die Melodie als Gestalt -- Bedeutung in der Musik -- Rhythmus -- Das Wesen des Rhythmus -- Das Rhythmuserlebnis -- Der Rhythmus in der Musik -- Abweichung vom Gewohnten Die balancierte Labilität und Linie -- Die dynamische Linie -- Die Bedeutung von Bewegungen Das Wesen des Tanzes -- Bildhauerei und Raum -- Das Medium der Bildhauerei -- Bildhauerei und Architektur -- Die Dynamik des Raums -- Wechselnde Betrachtungswinkel Die Befreiung der dritten Dimension -- Oberfläche, Material und Bewegung in der Bildhauerei -- Masse, Struktur und das "Berührungserlebnis" Material, Bewegung und Aktivierung -- Literatur und Dichtung -- Literatur und Sprache -- Laute und phonetischer Symbolismus -- Die Wirkung von Wörtern -- Sätze -- Meter, Rhythmus und Reim -- Jenseits des Spannungsprinzips -- Spannung und Entspannung im erzählerisch-darstellenden Inhalt Beschränkungen des Spannungsprinzips -- Emotionales Beteiligtsein -- Die Einstellung -- Empathie und die Theorie der Einfühlung Einfühlung und das Erleben der Kunst Ästhetische Distanz -- Sublimierung, Vielschichtigkeit, Abstraktion und Symbolisierung -- Die Verbindung des persönlichen Einzigartigen und des zwischenmenschlich -- Allgemeinen -- Sublimierung -- Vielschichtigkeit -- Abstraktion -- Theorie und Experimente über Symbolisierung -- Symbole in der Kunst -- Kognitive Orientierung und Kunst -- Das "Mehr" in der Kunst -- Die gemeine Wirklichkeit -- Die archäologische Wirklichkeit -- Die normative Wirklichkeit -- Die prophetische Wirklichkeit -- Die Wirkung der Kunstwirklichkeit -- Epilog -- Nachwort: Neueste Entwicklungen -- Anmerkungen -- Literaturhinweise. ISBN 3170050206 Sprache: Deutsch Gewicht in Gramm: 600 Originalleinen mit Schutzumschlag. …