kruml richard (16 risultati)

First Edition. First edition. Oblong softcover. Includes numerous black and white illustrations. An about very good copy in stapled wrappers with some minor wear and a couple of small pen notations.

First Edition. First edition. Oblong softcover. Includes over 100 black and white illustrations. An about very good copy in stapled wrappers with some minor wear and a couple of small pen notations.

Softcover. Condizione: Near Fine. First Edition. Near Fine blue paperback about 7¾x8½ inches. Unpaginated, 18 full page color reproductions. Unmarked; ECR OV20; 132 pages.

o. Paginierung quer 19,8x21,2cm, illustr. Broschur, zahlr. SW-Fotos, leichte Gebrauchsspuren.

o. Paginierung quer 19,8x21,2cm, illustr. Broschur, zahlr. SW-Fotos, leichte Gebrauchsspuren.

o. Paginierung quer 19,8x21,2cm, illustr. Broschur, zahlr. SW-Fotos, leichte Gebrauchsspuren.

Soft cover. Condizione: Good. Richard Kruml, London, Catalogue 22, 1979; 208 x 186mm, pp 28, pictorial card covers; sales catalogue of 105 Japanese woodblock prints, all briefly described, priced and illustrated; slight markings on the cover but a good or better copy. This is one of several catalogues from Kruml; please contact us if you're interested in buying several of those listed as we can offer a discount on the total in such cases. NOTE that as this items weighs less than 100g it can be sent letter post at a reduced charge on the default postage shown, the exact amount depending on the destination,

Soft cover. Condizione: Good. Richard Kruml, London, Catalogue 12, 1974; 208 x 186mm, pp 28, pictorial card covers, sales catalogue of 73 Japanese woodblock prints, all briefly described, priced and illustrated; slight markings on the cover but a good or better copy. This is one of several catalogues from Kruml; please contact us if you're interested in buying several of those listed as we can offer a discount on the total in such cases. NOTE that as this items weighs less than 100g it can be sent letter post at a reduced charge on the default postage shown, the exact amount depending on the destination,

Soft cover. Condizione: Very Good. 1st Edition. 1st ed. 36pp. VG copy, small name label to cover.

Softcover. White wraps with black lettering; 24 pp. with several bw illustrations. Catalogue No. 7 of 1971 from the Kruml Gallery with 40 works listed and described; prices in Pounds Sterling and US Dollars. Good; clean interior but with sunning and soiling to covers.

Soft cover. Condizione: Good. Richard Kruml, London, Catalogue 20, 1977; 208 x 186mm, pp [36], pictorial card covers; sales catalogue of 110 Japanese woodblock prints, all briefly described, priced and illustrated; slight markings on the cover but a good or better copy. This is one of several catalogues from Kruml; please contact us if you're interested in buying several of those listed as we can offer a discount on the total in such cases. NOTE that as this items weighs less than 100g it can be sent letter post at a reduced charge on the default postage shown, the exact amount depending on the destination,

Condizione: Good. Richard Kruml Catalogue 19. Oblong 8vo. [24] pp., illus. in black & white, bibliography. 61 prints described. Very good in wraps.

Abb., 20 Bl. Orig. karton Preisliste beiliegend.

pictures, ca. 50 pages, Orig. cased binding signs of using.

Hardcover. Condizione: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 27 x 37 cm.; 2 kg.; 256 pages with colour illustrations.; Used with signs of wear. The dust jacket show edge wear, scuffs and scratches on the front cover, spine and back cover, has a tear at the bottom of the front cover. The rear of the front cover show signs of have been bent at the bottom. Interior with a previous owner name and date written with a pen on title page. Remaining interior with minor signs of wear. Good condition overall.; Japanese prints today enjoy greater popularity in the West, as well as at home, than ever before. Images such as Hokusai's Great Wave or Hiroshige's Sudden Shower at Ohahi have assumed the same iconic status through wide- spread and instant recognizability as the Mona Lisa or the Laughing Cavalier. Yet these prints have been seen outside Japan for little more than a century, and they belong to a very different cultural tradition from these european paintings. Although the history of Japanese prints is usually traced from near the beginning of the Edo period (1600-1868), as early as the thirteenth century woodblock prints had been used to illustrate Buddhist texts. What differed about the prints of the seventeenth century was that they illustrated secular subjects or ukiyo, the floating world, which came to mean anything which gave pleasure in the transience of life, from the tea-house to the brothel, from sumo wrestlers to kabuki actors. Ukiyo-e, or pictures of the floating world' were the main- stay of Japanese printmaking for 250 years. By the mid-eighteenth century hand-colouring gave way to the sophisticated full-colour printing, using up to nine printed pigments, invented by Suzuki Harunobu (c. 1725-1760). Harunobu and his artistic heir, Isoda Koryusai, not only transformed the technical pro- duction of prints, they initiated the use of a much wider variety of sizes and subjects Such developments set the scene for the 'Golden Age of Japanese prints, the era of Kitagawa Utamaro (1753-1806). With his prints of bijin (beautiful women) he brought printmaking to new heights of technical virtuosity and artistic sensibility. The nineteenth century which produced the most famous of Japanese prints, the landscapes of Hokusai and Hiroshige, also saw the impact of westernization and photography, which resulted in the opposing but complementary early twentieth-century prints of sosaku hanga and shin hanga.

Couverture rigide. Condizione: Bon. Condizione sovraccoperta: Bon. PML éditions, 1991. Grand in-4, 256pp. Plein cartonnage de l'éditeur, jaquette illustrée (légèrement défraichie sur le haut du dos). Nombreuses illustrations en couleurs. Petits accrocs sur la cartonnage. Bon état.