Kugel alexis (54 risultati)

paperback. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Hardcover. Quarto. Hardcover. Maroon cloth boards w/ gilt spine printing. 423 pgs w/ color illustrations. glossy pictorial dustjacket. content as follows: Johann Christian Neuber (1736-1808) was a goldsmith and mineralogist at the Saxon Court. In 1769 he became director of the Grünes Gewölbe, the magnificent State Treasury, and was appointed court jeweler in 1775. He specialized in creating small gold boxes, chatelaines and watchcases decorated with semiprecious stones, such as agate, jasper and carnelian. This lavishly illustrated book will give readers their first comprehensive introduction to the master craftsman's oeuvre presenting boxes and other decorative objects from the Grünes Gewölbe, the Metropolitan Museum of Art and private collections in Germany, France and New York. It also features the so-called 'Breteuil Table', still owned by the family for which it was made as a diplomatic gift nearly 250 years ago. NF. Close to new. Pictures from a previous copy in our inventory.…

Hard Cover. Condizione: Near Fine Plus. Near Fine Plus. First English Language Edition. hard cover in dust jacket., very minor bump to top fore-corner of front board affecting two pages, negligible impact. else, clean, no markings of any sort. no tears, chips. strong binding.; english text.; 418pp., illustrated throughout in color. twenty essays and chapters by various contributors. complete catalogue of the works. 18th century dresden court jeweler. Size: 4to - over 9¾" - 12" tall. Catalogue Raisonne. …

Hardcover w/DJ. Condizione: Very Good/Good +. London, UK: Paul Holberton publishing. Very Good/Good +. 2012. . Hardcover w/DJ. 4to., 419 pp., dust jacket light shelf wear to edges and corners, dust jacket creased at bottom edge, otherwise very good; cover corners lightly bumped, otherwise very good; pages clean and unmarked. . Black & White/Color Illus. & Photos (illustratore). …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Book is used but in very good condition, dust jacket is in good condition. Dust jacket has minor wear and marking to both front and back covers, but overall in good condition. Small tear (1cm) on top side of dust jacket. Moderate shelf wear to dust jacket, with edges of jacket showing some wear. Dust jacket is still very bright and vivid - no fading at all. Spine of book is in very good condition, with no fading or cracking. Binding remains tight and strong. Minor bump to front board of book where the aforementioned tear was - nothing noticeable. All text within the book is legible and clear, no inscriptions. All photographs, pictures and illustrations within the book remain clear and vivid. This book is the first comprehensive introduction to Johann Christian Neuber, the master goldsmith and mineralogist. He was known for his beautiful gold boxes, watch cases, chatelaines, snuffboxes, etc., which were always decorated with semiprecious stones. The book contains over 500 exquisite photographs of Neuber's creations in stunning and vivid detail. As stated, it is the first time all of Neuber's works have been brought together collectively, photographed and extensively annotated. …

HARD BACK. Condizione: Very Good. Condizione sovraccoperta: Minor Shelfwear. 147pp. Colour plates. English/French/Russian text. Has the book plate of Partridge. The jacket has a closed tear.

Hardcover. Condizione: Near Fine. 367 pages: illustrations; 31 cm. Catalog for an exhibition held in Paris at Galerie Kugel, October 18-December 16, 2023. Small (size of a US quarter-dollar coin) scar from sticker removal to front pastedown, else near fine.

Paperback. Condizione: Good. The covers' have edge-wear. The pages are in great shape. The text is in French. Size: 4to - over 9¾" - 12" tall.

hardcover. Condizione: near fine. very good(+). Beautifully and extensively illustrated. 419pp., 4to, red cloth, d.w. London: Paul Holberton, (2012). A near fine copy in a very good (+) dust wrapper.

Hard Back. Condizione: As New. Condizione sovraccoperta: Very Good. Unpaginated. 151 items are illustrated incolour and fully catalogued.

Hardcover. Condizione: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Condizione: Buone. francese Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Rilegato. Condizione: nuovo. Ill. numerose a colori nel testo Immarcescible, the catalogue of the exhibition held from October 22 to December 20, 2025, explores Renaissance Limoges enamels and their collectors. The title alludes to the enduring brilliance and unalterable nature of these sumptuous pieces, painted in grisaille or polychrome, which have been collected for nearly five centuries. This new publication traces the history of passionate collectors. From the creation of enamels to the present day, the catalogue surveys periods of enthusiasm and neglect. In every generation, it takes only a few curious and discerning collectors to bring this timeless beauty back to light. Among these enamelling ?fanatics,? many names are familiar: various branches of the Rothschild family, J. P. Morgan, Henry Clay Frick, William Randolph Hearst, Hubert de Givenchy, Pierre Bergé, and Yves Saint Laurent. The publication then presents a corpus of more than seventy pieces illustrating the golden age of this production, from 1520 to 1630, by over a dozen eclectic artists: Pierre Reymond, Pierre Courteys, Pierre, Jean III, and Narde Pénicaud, Jean Miette, Jean and Susanne de Court, as well as Jean I and Joseph Limosin. It offers a synthesis on the eminent plaques of the Master of the Aeneid and sheds new light on Couly Nouailher?s series of the Nine Worthies. The enigmatic Master MP, whose oeuvre is reexamined for this publication, emerges as one of the most talented enamelers, alongside the virtuosic and celebrated Léonard Limosin. Benoit, Guillaume (illustratore).…

Condizione: Neuf.

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2018. 1 volume/1. -- as New -- hardback & Dust jacket ( 30 x 21,2 cm ). ------ 272 pages . 604 illustrations. ******************* "" The first volume dedicated to the most complete and outstanding collection of Piqué objects ever assembled, a number of which have never been published before. The volume is dedicated to the art of "Piqué," created in Naples during the first half of the eighteenth century, a technique that combines remarkable inventiveness, virtuoso skill, and astonishing opulence. These extraordinary objects are made of three precious materials: tortoiseshell, gold, and mother-of-pearl. These pieces were made between 1720 and 1760 for the public and the court, especially for Charles de Bourbon, King of Naples. The authors of these creations were known as tartarugari. Among the most famous tartarugari was Giuseppe Sarao, whose studio was next to the walls of the Royal Palace and who created some of the pieces presented in this book. Also included is an extraordinary table from the Hermitage Museum, considered to be the greatest masterpiece created using the Piqué technique, and still retaining its original legs. The catalogue will allow readers to discover both the incredible inventiveness of the artists and the extraordinarily keen interest this art sparked among nineteenth-century collectors, including several members of the Rothschild family. The volume presents more than fifty objects, representing the masterpieces of this technique. The objects are introduced by a study of the subject and a text explaining the historical context. "" ************************.…

Couverture rigide. Condizione: Très bon. Description : La collection d'orfèvrerie allemande du musée national de la Renaissance à Écouen, la plus importante en France avec celles du Louvre et des musées alsaciens, recèle de nombreux chefs-d'oeuvre inédits. Restées injustement méconnues, ces créations des grands orfèvres de l'Empire des Habsbourg et de leurs voisins germanophones traduisent avec une prodigieuse virtuosité les plus belles thématiques de la Renaissance : plasticité des formes et exotisme des matières, culture antique et répertoire grotesque s'y mêlent harmonieusement. Alors que l'orfèvrerie française de cette période a quasi disparu, ces objets évoquent tous les trésors des Kunstkammern européennes de la Renaissance. Avec la Daphné d'Écouen et le grand bassin du Louvre, chefs-d'oeuvre du célèbre Wenzel Jamnitzer, c'est une centaine de coupes en vermeil, de gobelets niellés, de chopes ciselées et de groupes équestres que cet ouvrage, collaboration fructueuse des deux spécialistes du sujet en France, propose de découvrir.…

Dijon, Faton, 2017. In-4, cartonnage de l'éd. ill. en coul., 302 pp., nombr. ill. en coul., certaines à pleine page, 80 objets d'art catalogués et commentés, bibliogr., index. /96C Etat de neuf.

Hardcover. Condizione: As New. Fine. In English, French and Russian. Dust jacket in protective mylar cover. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. [155] p. illustrated plates., 147 p. 32 cm. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.…

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2016. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée illustrée - ( 30 x 21,2 cm )(.1440 gr ). -------- 200 pages. 255 illustrations. ******************** Présentation éditeur : "" Les horloges à automates apparaissent à la Renaissance grâce aux progrès techniques de l horlogerie qui permettent de miniaturiser et de rendre portatives les grandes figures automates qui ornaient les théâtres et les jardins. Les automates de la Renaissance sont, avant tout, de petites sculptures en bronze doré. Les animaux en vermeil d Augsbourg ou de Nuremberg étaient toujours des coupes à boire dont la tête amovible servait de couvercle. Les yeux qui roulaient et la gueule qui s ouvrait achevaient de reléguer ces automates, quelle qu ait été leur qualité plastique, au rang de bel objet utilitaire et ludique. L imagination débordante des horlogers d Augsbourg ne s arrêtait qu à la limite technique de l automate. Dans leurs ateliers ont été conçus des animaux familiers, exotiques ou fantastiques. Le large spectre de leurs créations allait des personnages les plus grotesques et triviaux, animant les jeux à boire lors des banquets, aux plus édifiants et vertueux : crucifixions, Vierges en majesté, ou encore scènes de Flagellation, qui attestaient de la piété de leurs propriétaires. Les trente et une horloges à automates réunies dans le présent ouvrage constituent le plus grand ensemble jamais réuni. "" *********************.…

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2018. 1 volume/1. -- Neuf -- Reliure éditeur cartonnée sous jaquette illustrée. Format in-4°( 30 x 21,2 cm ). ------ 272 pages . 604 illustrations. ******************* Présentation éditeur : "" Trois matériaux, considérés comme précieux dans toutes les civilisations, furent combinés d'une manière unique à Naples dans la première moitié du XVIIIe siècle pour créer des objets extraordinaires dans une folle technique appelée "piqué". La lumière fait étinceler les points d'or, révèle l'iridescence de la nacre et pénètre la sombre translucidité de l'écaille. Ces objets luxueux furent réalisés entre 1720 et 1760 pour les amateurs et la cour, en particulier pour Charles de Bourbon, roi de Naples en 1734, qui transforma son royaume en l'une des cours d'Europe les plus resplendissantes et cosmopolites. Les artistes appelés "Tartarugari", dont le plus célèbre fut Giuseppe Sarao, possédaient leurs boutiques sur la place du palais royal. Ils perfectionnèrent le secret de la soudure et du moulage de l'écaille à l'aide d'eau bouillante et d'huile d'olive, ainsi que l'incrustation de l'or et de la nacre dans l'écaille encore amollie et créèrent des formes extravagantes sur lesquelles ils déployèrent des décors merveilleux d'inventivité et d'humour. Les objets en écaille piquée suscitèrent un fol engouement chez les collectionneurs du XIXe siècle, en particulier parmi les membres de la famille Rothschild et de nombreuses pièces de cet ouvrage s'enorgueillissent de cette provenance prestigieuse. "" ************************.…

Rilegato. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. Chefs-d'oeuvre d'Orfèvrerie Allemande.Renaissance et Baroque édité par Bimbenet-Privat Michele & Kugel Alexis Editore: Editions Faton, Paris (2017) ISBN 10: 2878442350ISBN 13: 9782878442359 Rilegato Nuovo Quantità: 1 EUR 95,00.- Descrizione: Editions Faton, Dijon, 2017. Pub. Pictorial Boards. Condizione: NEW. First. 303pp. Catalogue of an astonishing collection of 95 items of German silver from the Renaissance to the Baroque. Language : French text. codice articolo 012534 : FATON, 2017. Relié FRANÇAIS. Ouvrage Neuf Livre neuf. Chefs-d'oeuvre d'orfèvrerie allemande Renaissance et Baroque. Catalogue de la collection d'orfèvrerie allemande du musée national de la Renaissance à Écouen : outre la Daphné d Écouen et le grand bassin du Louvre, chefs-d oeuvre du célèbre Wenzel Jamnitzer, une centaine de coupes en vermeil, de gobelets niellés, de chopes ciselées et de groupes équestres.250 illustrations 293x222x30mm 1705g. Ouvrage Neuf.…

Rilegato. Condizione: come nuovo. Condizione sovraccoperta: come nuovo. Ill. a colori nel testo Catalogue publié à l'occasion de l'exposition « Sphères : l'art des mécaniques célestes » à la Galerie Kugel en septembre 2002. De l'époque romaine au début du XIXe siècle, l'exposition était surtout centrée sur les XVIe et XVIIe siècles. Chacune des pièces présentées représentait, pour son époque, la réalisation la plus élaborée dans la compréhension et la démonstration de l'univers. De nos jours, on ne saurait leur trouver d'autre équivalent que le plus puissant des ordinateurs. Au carrefour du luxe et de la science, ces objets précieux, réalisés pour des princes ou des mécènes, furent conçus par les plus grands mathématiciens, horlogers et fabricants d'instruments scientifiques de France, d'Italie, d'Allemagne ou de Flandres.…

OPp. mit OU. 4°. Mit zahlreichen farbigen Abbildungen. 423 S. Mit einem auf Vollständigkeit angelegten, 256 Nummern umfassenden Catalogue raisonné zum Werk von Johann Christian Neuber (Möbel, Tabatieren, Dosen etc.). Verzeichnet ferner 10 Werke von Christian Gottlieb Stiehl sowie 21 bekannte Ringstein-Kabinette - Nahezu neuwertiges Exemplar. Sprache: Französisch Gewicht in Gramm: 2500.…

Cartonato con sovracoperta. Con numerose immagini a colori n.t. e f.t.Testo in Lingua Inglese. Numero di tavole: 0 pp.254 altezza 0 larghezza 0 Esemplare in buone condizioni.Sovraccoperta con tracce di polvere.Leggero ingiallimento delle pagine.Testo in Lingua Inglese.

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2014. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée sous jaquette illustrée - ( 30 x 21,2 cm )(.2250 gr ). -------- 352 pages. environ 1500 illustrations. ******************** Présentation éditeur : "" En octobre 1964 était présentée à la galerie Jacques Kugel alors 7, rue de la Paix, une exposition mémorable intitulée : « Le siècle d or de l orfèvrerie de Strasbourg » en collaboration avec le charismatique directeur honoraire du Musée de Strasbourg Hans Haug. Cinquante ans plus tard, en hommage à leur père Jacques, Alexis et Nicolas Kugel ont choisi en septembre 2014, de remettre l argent doré appelé vermeil, à l honneur. Carrefour des arts et de l Europe, Strasbourg, ville « libre » fut réputée pour sa dorure sans pareille, et la qualité de ses orfèvres. Ainsi, en honorant plusieurs générations d orfèvres strasbourgeois, la Galerie Kugel célèbre trois siècles d excellence artistique. L exposition s articule autour de deux parties chronologiques : l influence germanique à la Renaissance et à l époque Baroque, puis le style français des XVIIIe et XIXe siècles, passant par le style rocaille et le néoclassicisme. Avec plus d une centaine de pièces, l exposition illustre la double influence de l orfèvrerie strasbourgeoise et couvre l essentiel des styles et des formes. Comme pour chaque exposition thématique, Alexis et Nicolas Kugel ont la double ambition d allier avec rigueur la recherche en histoire de l art et leur métier d antiquaire. Le catalogue accompagnant l exposition propose une étude scientifique pour chaque pièce ainsi qu un répertoire exhaustif de tous les orfèvres de Strasbourg de 1540 à la Révolution, constituant ainsi l ouvrage de référence sur le sujet. "" *********************.…

Rilegato. Condizione: nuovo. Ill. numerose a colori nel testo Immarcescible, the catalogue of the exhibition held from October 22 to December 20, 2025, explores Renaissance Limoges enamels and their collectors. The title alludes to the enduring brilliance and unalterable nature of these sumptuous pieces, painted in grisaille or polychrome, which have been collected for nearly five centuries. This new publication traces the history of passionate collectors. From the creation of enamels to the present day, the catalogue surveys periods of enthusiasm and neglect. In every generation, it takes only a few curious and discerning collectors to bring this timeless beauty back to light. Among these enamelling ?fanatics,? many names are familiar: various branches of the Rothschild family, J. P. Morgan, Henry Clay Frick, William Randolph Hearst, Hubert de Givenchy, Pierre Bergé, and Yves Saint Laurent. The publication then presents a corpus of more than seventy pieces illustrating the golden age of this production, from 1520 to 1630, by over a dozen eclectic artists: Pierre Reymond, Pierre Courteys, Pierre, Jean III, and Narde Pénicaud, Jean Miette, Jean and Susanne de Court, as well as Jean I and Joseph Limosin. It offers a synthesis on the eminent plaques of the Master of the Aeneid and sheds new light on Couly Nouailher?s series of the Nine Worthies. The enigmatic Master MP, whose oeuvre is reexamined for this publication, emerges as one of the most talented enamelers, alongside the virtuosic and celebrated Léonard Limosin. Benoit, Guillaume (illustratore).…

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2016. 1 Volume/1. -- as new -- Hardback - Quarto size ( 30 x 21,2 cm )(.1440 gr ). -------- 200 pages. 255 illustrations. ******************** Présentation éditeur : "" Three materials, considered precious in all civilisations, were combined in a unique way in Naples in the first half of the 18th century to create extraordinary objects using a crazy technique called piqué . The light makes the gold dots sparkle, reveals the iridescence of the mother-of-pearl and penetrates the dark translucency of the tortoiseshell. These luxurious objects were made between 1720 and 1760 for connoisseurs and the court, in particular for Charles of Bourbon, King of Naples in 1734, who transformed his kingdom into one of the most resplendent and cosmopolitan courts in Europe. The artists known as Tartarugari , the most famous of whom was Giuseppe Sarao, had their shops on the square in front of the royal palace. They perfected the secret of welding and moulding tortoiseshell using boiling water and olive oil, as well as inlaying gold and mother-of-pearl into the softened tortoiseshell, creating extravagant shapes on which they displayed marvellous decorations full of inventiveness and humour. Piqued tortoiseshell objects were wildly popular among 19th-century collectors, particularly among members of the Rothschild family, and many pieces in this book boast this prestigious provenance"" *********************.…

in-quarto (21 x 31 cm), 198 pp., illustrations en couleurs, cartonnage illustré de chez l éditeur La Renaissance des automates, les horloges à automates, les automates en Europe, les automates en Orient (Chine, Empire Ottoman), les collectionneurs d automatesTrès bon état.

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Très bon. Important and highly regarded reference work on French silver and goldsmithing, published by the prestigious Galerie J. Kugel, Paris. This complete two-volume set in original slipcase presents the exceptional Jourdan-Barry collection, featuring museum-quality examples of French silverwork from the 17th to the 19th century. Richly illustrated throughout with high-quality photographs, this publication is an essential reference for collectors, dealers, and specialists in decorative arts and antique silver. Condition: Very good condition overall. Both volumes are clean and well preserved, with solid bindings. The original slipcase is present and shows only light signs of handling. Important ouvrage de référence consacré à l'orfèvrerie française, publié par la galerie J. Kugel à Paris. Ce coffret complet en deux volumes présente la collection Jourdan-Barry, composée de pièces d'orfèvrerie de qualité muséale du XVIIe au XIXe siècle. État : Très bon état général. Intérieurs propres, reliures solides. Coffret d'origine présent avec légères traces d'usage.…

Condizione: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9791096561124.