kumpf lawrence (139 risultati)

Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Blank Forms Editions Pub Date: 3/17/2020 Binding: Paperback Pages: 242 First edition.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Paperback or Softback. Condizione: New. Transmissions from the Pleroma: Blank Forms 8. Book.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback or Softback. Condizione: New. Alien Roots: �liane Radigue: Blank Forms 10. Book.

Paperback. Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Paperback. Condizione: new. Paperback. Archival documents and new writings on Jerry Hunt, video-art pioneer and electronic magusJerry Hunt (1943-93) is sometimes described as a shamanic figure with the look of a "Central Texas meat inspector." One of the most compelling composers in the word of late 20th-century new music, he made work that combined video synthesis, installation art and early computers with rough-hewn sculptures, scores drawn from celestial alphabets and homemade electronics activated by his signature wands and impassioned gestures. Hunt lived his entire life in Texas, between Dallas, Waco, Houston and Austin, eventually settling in a house he built himself ("an interactive environment") on a ranch in Canton, but his pataphysical, abrasive and humorous performances took him all over North America and Europe, where he amassed a small but dedicated following.This volume represents the first ever book-length collection devoted to the underknown composer's work, and includes an introductory essay by Tyler Maxin and Lawrence Kumpf, interviews with Hunt, detailed analyses of his music and video practices, and remembrances and reflections on his work from his friends and collaborators. Given the diversity of Hunt's practice, this book will be of great interest to scholars, practitioners and enthusiasts in the fields of contemporary art, music and sound art, video and media, and performance. The publication is occasioned by a 2021 exhibition of Hunt's work at Blank Forms. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. The Cowboy's Dreams of Home, the seventh Blank Forms anthology, takes its name from a psychedelic Wild West reverie of Texan singer-songwriter and visual artist Terry Allen. This volume privileges new texts including a retrospective interview with Allen conducted by ICA Philadelphia chief curator Anthony Elms; a conversation between multidisciplinary writers-and longtime friends-Thulani Davis and Jessica Hagedorn on the occasion of Davis's latest poetry collection, Nothing But The Music, recently published by Blank Forms Editions; a recent discussion between composer Sarah Hennies and cellist Judith Hamann about their recent collaboration, which is included on Hamann's Music for Cello and Humming, released by Blank Forms Editions last fall; and a conversation with composer-performers Tashi Wada and Charles Curtis on the heels of a recent compilation of Curtis's work, Performances and Recordings 1998-2018, produced by Wada. Each of these interviews sheds light on the particularities of the artists' careers and methods in terms both formal and casual, practical and theoretical.In addition to these dialogues, this book features new critical reflections on three artists whose work Blank Forms has presented: the legendary jazz percussionist and healer Milford Graves, by Ciarán Finlayson; English multimedia artist Graham Lambkin and his beguiling 2011 album Amateur Doubles, by Alan Licht; and the UK-based experimental music trio Still House Plants, by Joe Bucciero. These articles mine historical, social, and theoretical contexts, filling gaps in the existing literature on the given artist-subjects. New and archival poems and writing about poetry complement these interviews and essays, including rare texts by Davis, Hagedorn, and René Daumal-the latter translated by Louise Landes Levi-and a suite of Auto-Mythological writings commissioned from Chicago-based composer and musician Angel Bat Dawid.Edited by Lawrence Kumpf and Joe Bucciero with contributions from Angel Bat Dawid, Joe Bucciero, Charles Curtis, René Daumal, Thulani Davis, Anthony Elms, Ciarán Finlayson, Jessica Hagedorn, Judith Hamann, Sarah Hennies, Louise Landes Levi, Alan Licht, and Tashi Wada.

Paperback. Condizione: new. Paperback. The Cowboys Dreams of Home, the seventh Blank Forms anthology, takes its name from a psychedelic Wild West reverie of Texan singer-songwriter and visual artist Terry Allen. This volume privileges new texts including a retrospective interview with Allen conducted by ICA Philadelphia chief curator Anthony Elms; a conversation between multidisciplinary writersand longtime friendsThulani Davis and Jessica Hagedorn on the occasion of Daviss latest poetry collection, Nothing But The Music, recently published by Blank Forms Editions; a recent discussion between composer Sarah Hennies and cellist Judith Hamann about their recent collaboration, which is included on Hamanns Music for Cello and Humming, released by Blank Forms Editions last fall; and a conversation with composer-performers Tashi Wada and Charles Curtis on the heels of a recent compilation of Curtiss work, Performances & Recordings 19982018, produced by Wada. Each of these interviews sheds light on the particularities of the artists careers and methods in terms both formal and casual, practical and theoretical.In addition to these dialogues, this book features new critical reflections on three artists whose work Blank Forms has presented: the legendary jazz percussionist and healer Milford Graves, by Ciaran Finlayson; English multimedia artist Graham Lambkin and his beguiling 2011 album Amateur Doubles, by Alan Licht; and the UK-based experimental music trio Still House Plants, by Joe Bucciero. These articles mine historical, social, and theoretical contexts, filling gaps in the existing literature on the given artist-subjects. New and archival poems and writing about poetry complement these interviews and essays, including rare texts by Davis, Hagedorn, and Rene Daumalthe latter translated by Louise Landes Leviand a suite of Auto-Mythological writings commissioned from Chicago-based composer and musician Angel Bat Dawid.Edited by Lawrence Kumpf and Joe Bucciero with contributions from Angel Bat Dawid, Joe Bucciero, Charles Curtis, Rene Daumal, Thulani Davis, Anthony Elms, Ciaran Finlayson, Jessica Hagedorn, Judith Hamann, Sarah Hennies, Louise Landes Levi, Alan Licht, and Tashi Wada. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Paperback. Condizione: new. Paperback. Edited by Lawrence Kumpf with Joe Bucciero. Contributors and featured artists include Masayuki Takayanagi, Louise Landes Levi, Joseph Jarman, Catherine Christer Hennix, Charles Stein, Henry Orlov, Maryanne Amacher, Alan Cummings, Bill Dietz, Peter Kastakis, Art Lange, Leo Svirsky, Satoru Obara, and Tomoyuki Chida.Aspirations of Madness, Blank Forms fifth collection of archival, unpublished, or newly translated texts, takes its title from a series of interviews with Japanese free jazz pioneer Masayuki Takayangi that were published in Japanese in 197576 and are published here in English for the first time. The interviews provide a rare look at Takayanagis eccentric practice and personality, both long under-recognized by audiences outside (and often, inside) of Japan. In this respect, the interviews speak to the goals of Blank Forms publication enterprise, that is, to expand upon our work in performance programming, record production, and archival preservation, and to foster new dialogues on vanguard art and music from the past 50-plus years.The postwar Japanese history that Takayanagi describes also surfaces in this publications opening piece, a poetictribute by the writer and artist Louise Landes Levi to one of Takayanagis contemporaries, the poet Kazuko Shiraishi. Aspirations of Madness includes a second Levi poem as well, A Deep River, written while at La Monte Young and Marian Zazeelas Dream House in 2003, while Charles Curtis was rehearsing Just Charles and Cello in the Romantic Chord, a composition by Young that Blank Forms plans to present in Spring 2020. Complementing this tradition of Japanese free improvisation and poetry is the republication of a 1977 interview with Joseph Jarman, the great composer, poet, and multi-instrumentalist. The interview took place a few months after the publication of Jarmans book Black Case Volume I & II: Return from Exile, a collection of writings from 1960 to 1977 that Blank Forms had the honor of publishing in a new edition in Fall 2019.We also feature Charles Steins introduction to Being = Space x Action, a crucial supplement to another recent Blank Forms publication, Poesy Matters and Other Matters by Catherine Christer Hennix. In its specificity and rarity of focus, Steins text offers valuable information on a vibrant artistic network of the recent past, as well as an extended look at the evolution of Hennixs complex practice. Further along, Aspirations of Madness features an excerpt from The Tree of Music, a cross-cultural treatise by the Russian musicologist Genrich Henry Orlov, the English translation of which has never been published before. The Tree of Music is a sweeping philosophical study of global music and cultures with universalist and spiritualist ambitions, excerpts of which are here selected and introduced by the composer and pianist Leo Svirsky. Aspirations of Madness closes with one of Maryanne Amachers final pieces of writing, The Agreement, from 2009. The text takes the form of a letter between Amacher and the Open Ended Group, with whom she had planned to collaborate on her final, unfinished project, Lagrange: A Four Part Mini Series.Aspirations of Madness considers the work of Masayuki Takayanagi, the poet Louise Landes Levi, musician and writer Joseph Jarman, polymath Catherine Christer Hennix and her one-time student the poet Charles Stein, Russian musicologist Henry Orlov, and Maryanne Amacherbrilliant and overlooked artists whose work Blank Forms will continue to champion in a variety of contexts. Aspirations of Madness features additional contributions by Alan Cummings, Bill Dietz, Peter Kastakis, Art Lange, Leo Svirsky, Satoru Obara, and Tomoyuki Chida, and is edited by Lawrence Kumpf with Joe Bucciero. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. The Cowboy's Dreams of Home, the seventh Blank Forms anthology, takes its name from a psychedelic Wild West reverie of Texan singer-songwriter and visual artist Terry Allen. This volume privileges new texts including a retrospective interview with Allen conducted by ICA Philadelphia chief curator Anthony Elms; a conversation between multidisciplinary writers-and longtime friends-Thulani Davis and Jessica Hagedorn on the occasion of Davis's latest poetry collection, Nothing But The Music, recently published by Blank Forms Editions; a recent discussion between composer Sarah Hennies and cellist Judith Hamann about their recent collaboration, which is included on Hamann's Music for Cello and Humming, released by Blank Forms Editions last fall; and a conversation with composer-performers Tashi Wada and Charles Curtis on the heels of a recent compilation of Curtis's work, Performances and Recordings 1998-2018, produced by Wada. Each of these interviews sheds light on the particularities of the artists' careers and methods in terms both formal and casual, practical and theoretical.In addition to these dialogues, this book features new critical reflections on three artists whose work Blank Forms has presented: the legendary jazz percussionist and healer Milford Graves, by Ciarán Finlayson; English multimedia artist Graham Lambkin and his beguiling 2011 album Amateur Doubles, by Alan Licht; and the UK-based experimental music trio Still House Plants, by Joe Bucciero. These articles mine historical, social, and theoretical contexts, filling gaps in the existing literature on the given artist-subjects. New and archival poems and writing about poetry complement these interviews and essays, including rare texts by Davis, Hagedorn, and René Daumal-the latter translated by Louise Landes Levi-and a suite of Auto-Mythological writings commissioned from Chicago-based composer and musician Angel Bat Dawid.Edited by Lawrence Kumpf and Joe Bucciero with contributions from Angel Bat Dawid, Joe Bucciero, Charles Curtis, René Daumal, Thulani Davis, Anthony Elms, Ciarán Finlayson, Jessica Hagedorn, Judith Hamann, Sarah Hennies, Louise Landes Levi, Alan Licht, and Tashi Wada.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. A detailed look at the elusive work of a French pioneer of musique concrete and electroacoustic compositionThis volume is an exploration of the early electronic work of French composer Eliane Radigue (born 1932), whose radical approach to feedback, analog synthesis and composition on tape has long evaded straightforward interpretation. Combining key texts, newly translated primary documents, in-depth interviews and commissioned essays, this compendium probes her idiosyncratic compositional practice, which both embraces and confounds the iterative nature of magnetic tape, the subtleties of amplification and the very experience of listenership.Chief among these entries is an in-depth overview by cellist Charles Curtis examining the composer's earliest experiments in feedback techniques and analog synthesis, her eventual turn to works for unamplified instruments and live performers, and her unique aesthetic of time and presence. Detailed conversations provide crucial windows into her working methods at different points in her career. Sketches for unrealized work, contemporary reviews, programs and ephemera are collected together for the first time. The anthology concludes with a roundtable discussion working out the knotty paradoxes of Radigue's continued "ethos of resistance." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Edited by Lawrence Kumpf with Joe Bucciero. Contributors and featured artists include Masayuki Takayanagi, Louise Landes Levi, Joseph Jarman, Catherine Christer Hennix, Charles Stein, Henry Orlov, Maryanne Amacher, Alan Cummings, Bill Dietz, Peter Kastakis, Art Lange, Leo Svirsky, Satoru Obara, and Tomoyuki Chida. Aspirations of Madness, Blank Forms' fifth collection of archival, unpublished, or newly translated texts, takes its title from a series of interviews with Japanese free jazz pioneer Masayuki Takayangi that were published in Japanese in 1975-76 and are published here in English for the first time. The interviews provide a rare look at Takayanagi's eccentric practice and personality, both long under-recognized by audiences outside (and often, inside) of Japan. In this respect, the interviews speak to the goals of Blank Forms' publication enterprise, that is, to expand upon our work in performance programming, record production, and archival preservation, and to foster new dialogues on vanguard art and music from the past 50-plus years. The postwar Japanese history that Takayanagi describes also surfaces in this publication's opening piece, a poetictribute by the writer and artist Louise Landes Levi to one of Takayanagi's contemporaries, the poet Kazuko Shiraishi. Aspirations of Madness includes a second Levi poem as well, "A Deep River," written while at La Monte Young and Marian Zazeela's Dream House in 2003, while Charles Curtis was rehearsing Just Charles and Cello in the Romantic Chord, a composition by Young that Blank Forms plans to present in Spring 2020. Complementing this tradition of Japanese free improvisation and poetry is the republication of a 1977 interview with Joseph Jarman, the great composer, poet, and multi-instrumentalist. The interview took place a few months after the publication of Jarman's book Black Case Volume I and II: Return from Exile, a collection of writings from 1960 to 1977 that Blank Forms had the honor of publishing in a new edition in Fall 2019. We also feature Charles Stein's introduction to Being = Space x Action, a crucial supplement to another recent Blank Forms publication, Poësy Matters and Other Matters by Catherine Christer Hennix. In its specificity and rarity of focus, Stein's text offers valuable information on a vibrant artistic network of the recent past, as well as an extended look at the evolution of Hennix's complex practice. Further along, Aspirations of Madness features an excerpt from The Tree of Music, a cross-cultural treatise by the Russian musicologist Genrich "Henry" Orlov, the English translation of which has never been published before. The Tree of Music is a sweeping philosophical study of global music and cultures with universalist and spiritualist ambitions, excerpts of which are here selected and introduced by the composer and pianist Leo Svirsky. Aspirations of Madness closes with one of Maryanne Amacher's final pieces of writing, "The Agreement," from 2009. The.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.