Kuspit donald foreword (11 risultati)

Hardcover. Condizione: Very Good. This book has some damage, which is usually a tear, a scratch, dents or stain on the edge, pages are clean, no missing pages.

Soft cover. Condizione: Very Good. This magnificent book of art criticism by a leading thinker in the field of cultural analysis is "The New Subjectivism : Art in the 1980s" by Donald Kuspit. With a Foreword by Diane Waldman, this is the trade paperback reprint published by Da Capo Press. It's the First Da Capo Printing, issued in 1993. In her Foreword, Diane Waldman says: " Donald Kuspit illuminates some of the most pressing issues in the art and culture of our time. In tackling a bold range of subjects, he brings a new and provocative voice to contemporary criticism. His psychoanalytical approach tells us much about both the artist and his or her art. It is also particularly relevant to an art that has returned to a form of representation and to subjects that deal with some of the more disturbing aspects of our interior and exterior world." The book is now Out of Print. CHAPTERS : PART ONE : EUROPEAN SELF-ASSERTION * Acts of Aggression : German Painting Today * The New (?) Expressionism : Art as Damaged Goods * The Night Mind * When Collage Was Young : Kurt Schwitters * Psychotic Realism in Max Beckmann * Chaos in Expressionism * Diagnostic Malpractice : The Nazis on Modern Art * Transmuting Externalization in Anselm Kiefer * The Archaic Self of Georg Baselitz * Pandemonium : The Root of Georg Baselitz's Imagery * At the Tomb of the Unknown Artist : Sigmar Polke's Art * Arnulf Rainer : Self-Exposures * Imi Knoebel's Triangle * Alive in the Alchemical Emptiness : Janis Kounellis's Art * Hysterical Painting * Victor Hugo's Ink Drawings PART TWO : THE SUBJECTIVITY OF AMERICAN ARTISTS * Arshile Gorky : Images in Support of the Invented Self * The Pascalian Spiral : Robert Smithson's Drunken Boat * Dan Graham: Prometheus Mediabound * Bill Viola : Deconstructing Presence * From Existence to Essence : Nancy Spero * James Rosenquist : The Fragments of a Romance, the Romance of the Fragment * Voyeurism, American Style : Eric Fischl's Vision of the Perverse * The Rhetoric of Rawness : Its Effect on Meaning in Julian Schnabel : The Last Rarefied Romantic * David Salle's Aesthetic of Discontent * Jacopo Borges's Creation of Potential Space * Louise Bourgeois : Where Angels Fear to Tread * Lucas Samaras : Master of the Uncanny * Lucas Samaras's Death Instinct * Robert Arneson's Sense of Self : Squirming in Procrustean Place * The 'Ars Moriendi' According to Robert Morris * Inside Cindy Sherman ? Andy's Feelings * Beuy's on Warhol? * Regressive Reproduction and Throwaway Conscience * Crowding the Picture : Notes on American Activist Art Today * Chris Burden : The Feel of Power * Young Necrophiliacs, Old Narcissists : Art About the Death of Art * 'Suffer the Little Children to Come unto Me' : Twentieth Century Folk Art * Robert Kushner's Happy Consciousness PART THREE : TOWARD A SUBJECTIVIST CRITICISM * Art, Criticism and Ideology * Avant-Garde and Audience * Collage : The Organizing Principle of Art in the Age of the Relativity of Art * The Emptiness of of Pluralism, the End of the New * Archaeologism : Postmodernism as Excavation * The Narcissistic Justification of Art Criticism * The Subjective Aspect of Critical Evaluation * Artist Envy TITLE : The New Subjectivism - Art in the 1980s AUTHOR : Donald Kuspit FOREWORD : Diane Waldman IMPRINT : Da Capo Press PLACE : New York DATE : (1993) EDITION : Reprint - First Da Capo Printing STATUS : Out of Print - OP PHYSICAL DETAILS : Contains a few black-and-white halftone illustrations; has a foreword, a Preface, and an Index; xxiv + 578 pages; 5 7/8" x 9"', decorated wraps, glued. CONDITION - VERY GOOD - This is a previously owned book that remains clean and attractive, with the following particulars noted : EXTERIOR : Spine has shallow reading crease; soft bumps with attendant shallow creasing to fore-edge corners; cover surface rub is mild, & color is bright. BINDING : Solid INTERIOR : Clean & free of marking - no signatures.…

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. First Edition. 304 pp., 500 illustrations 80 in full color. Published on the occasion of the exhibition from The Equitable Gallery, New York NY November 4, 1999-February 26, 2000, Historisches Museum der Stadt Wien, Vienna March 22-June 25, 2000, Binghamton University Art Museum, Binghamton NY July 28-October 20, 2000 and the Passage de Retz, Paris November 22, 2000-January 12, 2001. Dustjacket is protected with a mylar cover.…

Soft cover. Condizione: Very Good. 1st Edition. 1st printing (2008). 271pp. French flaps. VG copy but for small tears to cover at each front spine corner.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition. Fine in near fine dust jacket with light rubbing.

Softcover. First Edition; First Printing. Very Good+ in wrappers.; 4to - over 9¾" - 12" tall.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: FINE. First edition. Catalogue for the 1992-93 exhibitions in Bonn and Los Angeles. Includes three essays on the work of Laib, plus 51 full-color plates. SIGNED by Laib on the title page. Bilingual edition with the text in German and English. Includes a biography, listings of solo and group exhibitions, and selected bibliography. Large square format. 145 pp. Very near fine in a like dustjacket.…

Condizione: Sehr gut. Erstauflage / First edition. Bll. + 72 einseitig bedruckte Farbtafeln mit Bildunterschriften auf den gegenüberliegenden Seiten. 189 Seiten inkl. Anhang. Vorzugsausgabe ohne Nummerierung (50 / 100 ?), die der Künstler mit einer feinen Originalzeichnung in brauner und schwarzer Tinte auf einem dünnen Korkblatt verschönert hat, die einzigartige Zeichnung (signiert, datiert) wird mit einem schützenden Blatt Pergamentpapier zwischen zwei Blättern des Vorsatzpapiers eingeklemmt und zwischen dem endgültigen Textblatt und dem normalen Vorsatzpapier eingefügt. Die fünf Tafelabschnitte sind: "Fresco tempera 1977-1995"; "Öle auf Leinen 1995-1996"; "Industriefarben auf Leinwand 1983-1985"; "Pigmente auf vorbereiteter Oberfläche 1976-1994"; und "Pigmentierung auf Kork 1993-1996". * Jamali (Gebor. 6.2 1944 in Peshavar, Pakistan) ist ein pakistanisch-amerikanischer Avantgarde-Künstler. Sein künstlerischer Stil wurde vom Kunstkritiker und Historiker Donald Kuspit als mystischer Expressionismus bezeichnet. Er ist bekannt für seine einzigartigen, organischen Texturen, experimentellen Techniken und figurativen Gemälde. Derzeit sind seine Bestseller Pigmente auf Kork. Er ist ein Sufi- Muslim und seine Spiritualität ist eng mit seiner Kunst verbunden, seine Bildsprache ist auch der traditionellen Malerei Indiens entlehnt und mit einem großen Gespür für Oberfläche und Material versehen. Sprache: Englisch Gewicht in Gramm: 2545 4° (29 x 29, 8 cm), O(Dkl.-Braun)-GanzLnw. mit goldgepr.-Titelung u. mit OIll.-Umschlag im Or.-Karton.-Schuber mit dünnes Korken-Überzug u. Blattgold-Illustr. - minimale Absplitterungen d. Korken an d. Ecken. Sehr gut erhalten. No sales to the UK.…

Hardcover. Condizione: New.

Condizione: Very Good. Condizione sovraccoperta: Very Good. Signed by Jamali dated 2012 to the half title page (see image). Chocolate brown cloth with a dust jacket wrapped in mylar. Some brochures of the artist are also included. A clean copy with no previous owners' names or other defacements. 11.75 x 11.5 in (30 x 29.5 cm). …