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Performance, Subjectivity, and Experimentation
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Performance, Subjectivity, and Experimentation (Orpheus Institute Series)
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Gathering Storm Magazine, Year 1, Issue 6: Collected Tales of the Dark, the Light, and Everything in Between
Da: Revaluation Books, Exeter, Regno Unito
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Performance, Subjectivity, and Experimentation
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
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Performance, Subjectivity, and Experimentation
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Condizione: New.
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Performance, Subjectivity, and Experimentation
Lingua: Inglese
Editore: Leuven University Press, BE, 2020
ISBN 10: 9462702314 ISBN 13: 9789462702318
Da: Rarewaves.com USA, London, LONDO, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. Performance in the fields of contemporary music, subjectivity and identityMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents "an" individual or "a" group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpää (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Th?y Nguy?n (Malmö Academy of Music, Lund University/Vietnam National Academy of Music), Stefan Östersjö (Piteå School of Music, Luleå University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
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Performance, Subjectivity, and Experimentation
Da: PBShop.store US, Wood Dale, IL, U.S.A.
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Voices, Bodies, Practices : Performing Musical Subjectivities
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Performance, Subjectivity, and Experimentation
Da: Revaluation Books, Exeter, Regno Unito
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EUR 24,65
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Aggiungi al carrelloPaperback. Condizione: Brand New. 01 edition. 240 pages. 11.50x8.00x1.00 inches. In Stock.
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Performance, Subjectivity, and Experimentation (Paperback)
Lingua: Inglese
Editore: Leuven University Press, Leuven, 2020
ISBN 10: 9462702314 ISBN 13: 9789462702318
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
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Paperback. Condizione: new. Paperback. Performance in the fields of contemporary music, subjectivity and identityMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpaeae (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Thuy Nguyen (Malmoe Academy of Music, Lund University/Vietnam National Academy of Music), Stefan OEstersjoe (Pitea School of Music, Lulea University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Performance in the fields of contemporary music, subjectivity and identity Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Voices, Bodies, Practices (Paperback)
Lingua: Inglese
Editore: Leuven University Press, Leuven, 2019
ISBN 10: 9462702055 ISBN 13: 9789462702059
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
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Paperback. Condizione: new. Paperback. Identity and subjectivity in musical performancesWho is the I that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense of self is manifested through musical performance has been neglected. The authors of Voices, Bodies, Practices are all musician-researchers: the book employs artistic research to explore how embodied performing voices can emerge from the interactions of individual performers and composers, musical materials, instruments, mediating technologies, and performance contexts.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Identity and subjectivity in musical performances Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Voices, Bodies, Practices : Performing Musical Subjectivities
Da: GreatBookPrices, Columbia, MD, U.S.A.
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EUR 39,24
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Performance, Subjectivity, and Experimentation (Orpheus Institute Series)
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Performance, Subjectivity, and Experimentation
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Performance, Subjectivity, and Experimentation
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Performance, Subjectivity, and Experimentation (Orpheus Institute Series)
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
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paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.
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PERFORMANCE SUBJECTIVITY AND EXPERIMEN
Lingua: Inglese
Editore: University of Nebraska Press, 2020
ISBN 10: 9462702314 ISBN 13: 9789462702318
EUR 52,74
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VOICES BODIES PRACTICES
Lingua: Inglese
Editore: University of Nebraska Press, 2020
ISBN 10: 9462702055 ISBN 13: 9789462702059
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The Practice of Practising
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Aggiungi al carrelloPaperback. Condizione: Brand New. 1st edition. 92 pages. French language. 9.37x6.54x0.39 inches. In Stock.
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Performance, Subjectivity, and Experimentation
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Voices, Bodies, Practices: Performing Musical Subjectivities
Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Brand New. 01 edition. 323 pages. 11.00x7.55x1.00 inches. In Stock.
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Performance, Subjectivity, and Experimentation (Paperback)
Lingua: Inglese
Editore: Leuven University Press, Leuven, 2020
ISBN 10: 9462702314 ISBN 13: 9789462702318
Da: AussieBookSeller, Truganina, VIC, Australia
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Performance in the fields of contemporary music, subjectivity and identityMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpaeae (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Thuy Nguyen (Malmoe Academy of Music, Lund University/Vietnam National Academy of Music), Stefan OEstersjoe (Pitea School of Music, Lulea University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Performance in the fields of contemporary music, subjectivity and identity Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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EUR 44,57
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Performance, Subjectivity, and Experimentation
Lingua: Inglese
Editore: Leuven University Press, BE, 2020
ISBN 10: 9462702314 ISBN 13: 9789462702318
Da: Rarewaves.com UK, London, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. Performance in the fields of contemporary music, subjectivity and identityMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents "an" individual or "a" group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpää (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Th?y Nguy?n (Malmö Academy of Music, Lund University/Vietnam National Academy of Music), Stefan Östersjö (Piteå School of Music, Luleå University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
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Performance, Subjectivity, and Experimentation
Lingua: Inglese
Editore: Leuven University Press Jul 2020, 2020
ISBN 10: 9462702314 ISBN 13: 9789462702318
EUR 54,65
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware.
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Voices, Bodies, Practices : Performing Musical Subjectivities
Lingua: Inglese
Editore: Leuven University Press Nov 2019, 2019
ISBN 10: 9462702055 ISBN 13: 9789462702059
EUR 57,68
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware.
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EUR 81,24
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Aggiungi al carrelloCondizione: New. Sealy & Worthington s Text, Cases, & Materials in Company Law is well-established as one of the foremost texts in its field. Vital extracts are supplemented by sophisticated commentary and well-chosen notes and questions, taking into account the most recent.
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Headaches Among the Overtones: Music in Beckett / Beckett in Music. (= Faux Titre, Vol. 391).
Da: Antiquariat An der Vikarie, Grafschaft-Leimersdorf, Germania
Membro dell'associazione: GIAQ
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EUR 119,00
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Aggiungi al carrello508 pp., binding slightly sunned, else good and clean, text in English, Sprache: Englisch Gewicht in Gramm: 1000 original hardcover (no dust jacket),
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Headaches Among the Overtones : Music in Beckett / Beckett in Music
Da: GreatBookPrices, Columbia, MD, U.S.A.
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EUR 241,79
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