Le hay jacques (23 risultati)

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch. …

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- teils leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- partly slightly stained, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.…

Folio. (21 x 13 1/2 inches). Cars's edition. [2] [I]-[XVI] [1-210] 228 pp. 114 ff. 102 hand-colored engraved plates extensively heightened with gold and mica chips, numbered 1-100, 2 unnumbered, and 3 are double-page. The engravings are by Bernard Baron (1696-1762), Charles-Nicolas Cochin (1688-1754), Jacques de Franssieres (fl.1670-1730), Claude Du Bosc (1682-1745), Jean-Baptise Haussard (c.1680-1749), Pierre de Rochefort (1673-1728), Gerard Scotin the Older (1643-1715) and Younger (c.1698-1755), and Philippe Simmoneau (c.1685-1753), after Jean-Baptiste Van Mour. Title, Preface, Anecdotes de l'Ambassade, Explication des Figures, Music Sheet, 102 hand-colored engravings. Quarter green morocco with tips, straight-grain paper boards with gilt roll-tooled borders, spine in seven gilt-ruled compartments with title in second compartment and gilt device of a lyre in the rest, edges uncut A beautiful example of the expanded edition, uncut with all the plates finely colored and many luxuriously heightened with gold and mica chips, of Le Hay, de Ferriol, and Van Mour's landmark Turqurie work depicting the costume of the Ottoman Empire. The greatest color-plate book of the Ottoman Empire, the Recueil has 99 typological portraits and 3 scenes of Ottoman life at the dawn of the Tulip Era after paintings by Jean-Baptiste Van Mour. Van Mour was a Flemish-French painter who studied with Jacques-Albert Gérin (d.1702) and lived in Constantinople from the early-1700s until his death in 1737. One hundred of Van Mour's highly successful paintings were commissioned by the Marquis Charles de Ferriol between 1699 and 1709, while de Ferriol was the French ambassador to the Porte. De Ferriol represented Louis XIV in the Ottoman Empire at Hungary and Constantinople from 1692-1711 during the rule of Sultan Ahmed III. De Ferriol then worked with the artist and publisher Jacques Le Hay to have a roster of well-regarded printmakers execute engravings after Van Mour's paintings, and to publish the resulting collection. The project was so well-received that Van Mour was granted the unique post of "Peintre Ordinaire du Roi en Levant" in 1725. The plates after Van Mour depict Ottomans in the costumes of the Turkish court, nobility, and military, as well as of the distinctive regional, religious, and ethnic identities found in the diverse Empire. These include portraits of the Chief Eunuch; a Turkish man cutting his arm to prove his love for his mistress; Turkish women playing a form of backgammon; Dervishes whirling; an Albanian soldier; and a merchant in a bazaar feeding six cats. Van Mour's paintings, and the plates which were derived from them, show Constantinople as a cosmopolitan cultural center where Muslims and non-Muslims unite in shared Ottoman pleasures. Armenians, Franks, Greeks, and Persians drink coffee, make music, and dance together. The diverse peoples depicted here include Greeks (10); Armenians (5); Barbary Coast (4); Jews (3); Wallachians (3); Albanians (2); Hungarians (2); Bulgarians (2); Persians (2); Indians (2); Crimean Tartars (1); Arabs (1); and Moors (1). The Recueil enjoyed widespread popularity and dissemination and became the "basic prototype for Levantine costume plates." [Atabey] It was in part responsible for the vogue for Turquerie, or European images of Turkish Ottoman life, a form of exoticism popular in the Rococo period, which prefigured the Orientalist craze which would come to dominate much of European painting in the 1800s. The Recueil's use as a sourcebook by artists and publishers of other European texts was rampant. The work was translated into at least five languages, including the German edition printed at Nuremberg in 1719-21, and Italian and Spanish pirated editions. The plates were used by Thomas Jeffreys in his Collection of the Dresses of Different Nations in 1757 and by Viero in his Raccolta, published in Venice in 1783. Most copies were issued uncolored, and these are still the majority of copies seen today. A few w.…

Hardcover. Condizione: Good. Folio 19 x 13 1/2 inches, full period calf, spine repaired. 2 parts in one volume. Engraved title, (iv) pages and 102 FINE ENGRAVED PLATES (3 double page) plus one engraved sheet of music. 2nd title page to Explication and 26 pages of descriptive text. One leaf of text repaired in the blank margin. Complete. Fine dark impressions of these iconic costumes plates of the peoples and customs of the Levant in the eighteenth century. The females and males being equally represented. A good copy. Commissioned by Charles de Ferriol French ambassador to the Porte between 1699 and 1709, Le Hay's work was widely appreciated and became the template for future prints of regional costumes of this area. The Levant - a large area of the Eastern Mediterranean including Turkey and the Greek Islands. Reference Atabey 430; Blackmer 591: Colas 1819-1820.…

An exceptional example. Most copies were issued uncoloured. Few were sold with hand-colouring and a smaller number were issued heightened with gold and mica. Very few copies, however, have as many engravings heightened with mica as the present one. This important work forms the 'basic prototype for Levantine costume plates' (Atabey). The most luxurious edition, with hand-coloured plates, many enhanced with gold and mica, arguably the finest colour plate costume book of the Ottoman Empire. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costumes, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French Ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Istanbul for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Istanbul with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Istanbul as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. Folio (49 x 33 cm approx.), engraved throughout, comprising: title with preface by Cars on verso, 'Anecdotes' (pp.I-II), 'Explication des figures' (pp.III-XIV), leaf of music (printed recto only), and 102 engraved plates (3 double-page), all with fine contemporary hand-colouring, 30 plates heightened with gold and mica; full contemporary French red morocco, boards & spine richly tooled in gilt, with superb floriated endpapers; some restoration to extremities of spine; a particularly fine example. Koç 105; Atabey 430 (uncoloured); Brunet 947-48; Blackmer 591; Colas 1819-20.…

Folio. (19 3/4 x 13 inches). Engraved title, 102 engraved plates (comprising 100 numbered plates and 2 unnumbered, 3 double-page), one leaf of engraved music. Contemporary red morocco, covers ruled in gilt, spine in eight compartments with raised bands, black morocco lettering piece in the second compartment, the others with an overall repeat decoration in gilt, marbled endpapers (expert restoration to the joints) Provenance: Jacob Bouverie, 1st Viscount Folkestone (armorial bookplate on verso of the title) A beautiful copy bound in 18th-century red morocco of the greatest illustrated book of the Ottoman Empire, featuring portraits and scenes of Ottoman life and significantly influencing European perceptions of Ottoman culture and sparking the Turquerie vogue in Rococo art. The greatest illustrated book of the Ottoman Empire, the Recueil includes portraits and scenes of Ottoman life at the dawn of the Tulip Era after paintings by Jean-Baptiste Van Mour. Van Mour was a Flemish-French painter who studied with Jacques-Albert Gérin (d.1702) and lived in Constantinople from the early-1700s until his death in 1737. One hundred of Van Mour's highly successful paintings were commissioned by the Marquis Charles de Ferriol between 1699 and 1709, while de Ferriol was the French ambassador to the Porte. De Ferriol represented Louis XIV in the Ottoman Empire at Hungary and Constantinople from 1692-1711 during the rule of Sultan Ahmed III. De Ferriol then worked with the artist and publisher Jacques Le Hay to have a roster of well-regarded printmakers execute engravings after Van Mour's paintings, and to publish the resulting collection. The project was so well-received that Van Mour was granted the unique post of "Peintre Ordinaire du Roi en Levant" in 1725. In 1707, Ferriol commissioned Jean Baptiste van Mour to paint one hundred pictures of the Turkish court, nobility, and military, as well as of the distinctive regional, religious, and ethnic identities found in the diverse Empire. These include portraits of the Chief Eunuch; a Turkish man cutting his arm to prove his love for his mistress; Turkish women playing a form of backgammon; Dervishes whirling; an Albanian soldier; and a merchant in a bazaar feeding six cats. Van Mour's paintings, and the plates which were derived from them, show Constantinople as a cosmopolitan cultural center where Muslims and non-Muslims unite in shared Ottoman pleasures. Armenians, Franks, Greeks, and Persians drink coffee, make music, and dance together. The diverse peoples depicted here include Greeks (10); Armenians (5); Barbary Coast (4); Jews (3); Wallachians (3); Albanians (2); Hungarians (2); Bulgarians (2); Persians (2); Indians (2); Crimean Tartars (1); Arabs (1); and Moors (1). The Recueil enjoyed widespread popularity and dissemination and became the "basic prototype for Levantine costume plates." [Atabey] It was in part responsible for the vogue for Turquerie, or European images of Turkish Ottoman life, a form of exoticism popular in the Rococo period, which prefigured the Orientalist craze which would come to dominate much of European painting in the 1800s. The Recueil's use as a sourcebook by artists and publishers of other European texts was rampant. The work was translated into at least five languages, including the German edition printed at Nuremberg in 1719-21, and Italian and Spanish pirated editions. The plates were used by Thomas Jeffreys in his Collection of the Dresses of Different Nations in 1757 and by Viero in his Raccolta, published in Venice in 1783. Atabey 429; Blackmer 591; Colas 1819-20; Brunet III, 947-8; Cohen-de Ricci 392l; Lipperheide 413, 414.…

Hardcover. Condizione: Very Good. 1st Edition. Two-volume German edition of Wahreste und neueste Abbildung des Türckischen Hofes, printed in Nuremberg in 1719 and 1721. Charles Ferriol, French ambassador to the Ottoman Empire, oversaw the creation of this work based on portraits produced during his mission to Constantinople. Illustrated by Jacques Le Hay, the engravings document the outward presentation of court officials and ethnic representatives within the Ottoman world. The continuation volume issued in 1721 includes additional scenes and is introduced with its own title page. Volume I: [16], 112 pages. Volume II: [16], 102 pages (final leaf missing). Includes 118 engravings. Format: Octavo (8vo), two volumes. Very Good. Leather bindings show expected wear; some rubbing to edges and boards. Pages with minor foxing. Volume II lacks last page. Plates clean and well struck. #28988. PHOTOS AVAILABLE UPON REQUEST.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1719 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 281 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 281 Language: English.…

Softcover. Condizione: New. Reprint. Langue : Français. Environ 232 pages. Français : Réimpression à la demande. Édition originale : 1714. Ouvrage en français. Ce recueil illustre différentes nations du Levant à travers cent estampes colorées, offrant un témoignage visuel précieux sur les cultures et costumes de la région au début du XVIIIe siècle. L'ouvrage, richement illustré, est un document historique et ethnographique de grande valeur. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1714. Text in French. This collection features one hundred engraved plates depicting various nations of the Levant, providing a valuable visual record of regional cultures and costumes in the early 18th century. Richly illustrated, the work is a significant historical and ethnographic document. Book images are non-contractual. Cet article est imprimé à la demande et expédié depuis l'atelier de nos partenaires d'impression le plus proche de la destination. Ces ateliers se trouvent principalement aux États-Unis, au Royaume-Uni et au Canada.…

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1719. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 281, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 281 281.…

Leather Bound. Condizione: new. Language: German. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1719. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages:- 276, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 276.…