Lee sohl c (34 risultati)

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paperback. Condizione: New. This is a new book. All orders ship by next business day! We are a small company and very thankful for your business.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and… performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. Emerging as multifaceted cultural activism, the minjung (peoples) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung arts history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, p…rint, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Koreas globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular. Sohl Lee traces how South Korea's minjung art movement of the 1970s and 1980s forged decolonial protest aesthetics that helped galvanize democratization and why its practices continue to resonate with artists and activists today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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Paperback. Condizione: New. Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and… performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.

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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2026. paperback. . . . . .

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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.

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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 440 pages. 9.00x6.00x9.00 inches. In Stock.

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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 42,79
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Taschenbuch. Condizione: Neu. Neuware - Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images…, print, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 440 pages. 9.00x6.00x9.00 inches. In Stock.

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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
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EUR 40,14
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Paperback. Condizione: new. Paperback. Emerging as multifaceted cultural activism, the minjung (peoples) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung arts history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, p…rint, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Koreas globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular. Sohl Lee traces how South Korea's minjung art movement of the 1970s and 1980s forged decolonial protest aesthetics that helped galvanize democratization and why its practices continue to resonate with artists and activists today. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Da: moluna, Greven, Germaniamoluna
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EUR 40,95
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Condizione: New.

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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 54,75
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Paperback. Condizione: New. Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and… performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.

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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 75,77
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Paperback. Condizione: new. Paperback. Emerging as multifaceted cultural activism, the minjung (peoples) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung arts history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, p…rint, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Koreas globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular. Sohl Lee traces how South Korea's minjung art movement of the 1970s and 1980s forged decolonial protest aesthetics that helped galvanize democratization and why its practices continue to resonate with artists and activists today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

- Rilegato
Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Da: preigu, Osnabrück, Germaniapreigu
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EUR 46,40
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Taschenbuch. Condizione: Neu. The Minjung Art Movement | Decolonization and Democracy in South Korea | Sohl C. Lee | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Duke University Press | EAN 9781478033233 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anb…ieter: preigu.

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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and… performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.

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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 158,94
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Hardback. Condizione: New. Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and…performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.

- Rilegato
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 175,34
EUR 14,55 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Hardcover. Condizione: Brand New. 440 pages. 9.00x6.00x9.00 inches. In Stock.

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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 193,05
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Hardback. Condizione: New. Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and…performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.