lemercier m (48 risultati)

Condizione: New.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.

PF. Condizione: New.

Condizione: New. In.

Abondamment illustré dans et hors texte en couleurs. Série sciences et nature. Broché. 120 pages.

PF. Condizione: New.

Cartoné (tapa dura cartón). Condizione: New. Condizione sovraccoperta: Nuevo. 01. LIBRO.

gute Erhaltung 42 & 68 & 23 & 56 & 75 Seiten Sprache: Französisch.

Half-Leather. Condizione: Very Good -. No Jacket. 1818, 74pp, 56pp, 1803, 112pp, 1808, 136pp, 1808, 70pp, 1809, 91pp, 1816, 112pp, 1816, 62pp, all bound together w/ marbled boards & eps, leather spine, minimal lib. markings, corners bumped, some rubbing & shelfwear to cover, a few pgs w/ light foxing, contents clean. Ex-Library.

Hardcover. Condizione: Brand New. 192 pages. Spanish language. 12.60x9.06x0.51 inches. In Stock.

LEATHER BOUND NAVY BLUE. Condizione: VERY GOOD. FIFTH ED. Gold gilt on spine and covers.Bumped corners.Remains of bookplate on front inside cover. Previous owner's markings on the 3rd page.Cracking to spine. Clean pages. DATE PUBLISHED: 1852 EDITION: FIFTH ED 236.

Cloth. Condizione: Good. Not stated (illustratore). An very scarce and fascinating history of Louis de Bourbon, in decorative cloth binding. An fascinating history of Louis de Bourbon.Louis de Bourbon (1530-1569) was a leading Huguenot figure whose nephew became Henry IV of France. He is suspected of being involved in the Conspiracy of Amboise in 1560. In decorative paper covered boards. Externally, sound with bumping to extremities. Loss to head and tail of spine. Personal signature to front pastedown. Internally, firmly bound. Pages with light foxing throughout which does not affect the text. Occasional tidemarks. Good. book.

Couverture souple. Condizione: bon. R160226535: 2009. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages - couverture contrepliée - nombreuses photos en couleurs dans et hors texte. . . . Classification Dewey : 582.13-Fleurs (ouvrages généraux).

Couverture souple. Condizione: bon. R320167088: 1996. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages - couverture contrepliée - nombreuses photos en couleurs dans et hors texte. . . . Classification Dewey : 582.13-Fleurs (ouvrages généraux).

Condizione: Fair. Envoi rapide couverture défraîchie charnières et bords légèrement frottés rousseurs sur tranches intérieur assez propre bonne tenue. in12. 1849. Relié. Fair.

Cartoné. Condizione: New. Condizione sovraccoperta: Nuevo. 01. En la ciudad de Cadanla, los semielfos viven en un gueto donde deben ocuparse de todas las actividades impuras, como ocuparse de una terrible epidemia que se está extendiendo por el barrio de los mataderos y que acabará convirtiéndose en todo una asedio. Pero qué relación tiene esta epidemia con la misión de los elfos azules? Mientras, en Elfo negro, corazón oscuro, Gaw yn ha abandonado la fortaleza de Slurce, donde ha recibido el entrenamiento necesario para convertirse en un verdadero elfo negro, en un asesino implacable y sin piedad. Su primera misión: acabar con la familia heredera del torono de la ciudad de Scarande. Las líneas argumentales de la saga Elfos, hasta ahora distintas, van uniéndose a partir de este volumen, en el que vemos las consecuencias para las otras razas de lo sucedido en el volumen 3 de la serie. Imprescindible para todos los aficionados a la fantasía heroica! LIBRO.

Couverture souple. Condizione: bon. RO30314399: 1996. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 145 pages. . . . Classification Dewey : 610-Sciences médicales. Médecine.

Couverture souple. Condizione: bon. R150141612: 1989. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 371 pages. . . . Classification Dewey : 372.65-Livre scolaire : langues.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

XVIII,137 S. Mit 9 Tafeln. Kartonierte Deckel vom Brosch.-Ausgabe mit eingebunden. // Camille Le Mercier d`Erm, Rennes 1888 - 1978 Dinard./// Ecken bestossen. Einband am Rande wenig gebräunt, Rücken stärker. Besitzervermerk auf dem Vorsatz. Sprache: Französisch Gewicht in Gramm: 180 17,5 x 11,5 cm. Orig.-Leinenbd., illustriert. Ganzfarbschnitt.

Couverture souple. Condizione: bon. RO30366113: Non daté. In-8. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Papier jauni. Paginé de 332 à 361. Nombreuses rousseurs. Deux colonnes de texte. Quelques mouillures. . . . Classification Dewey : 792-Théâtre.

Condizione: Assez bon. Eusk-405.

Couverture rigide. Condizione: bon. RO60038788: Non daté. In-12. Relié. Bon état, Couv. légèrement passée, Dos frotté, Quelques rousseurs. 206 pages. Texte en français. . . . Classification Dewey : 870-Littératures des langues italiques. Littérature latine.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Couverture rigide. Condizione: bon. RO20207630: 1852. In-12. Relié plein cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 236 pages - annotations - tampon sur la page de garde - titre, fleurons, filet dorés - tranches, plats et contre-plats jaspés - 2 illustrations en noir et blanc. . . . Classification Dewey : 940-Histoire générale de l'Europe.

Marseille, directeurs: Marcel Pagnol et Jean Ballard. Un volume 16,5x25,5cm agrafé, de 32 pages avec deux planches hors texte de Carlo Rim et Jean-François Canepa. Fortunio fut fondée à la veille de la première guerre mondiale par Marcel Pagnol et Gabriel d?Aubarède. En 1925 la revue devient Les Cahiers du Sud, animée par Jean Ballard jusqu?en 1966. Fortunio compte trois séries: la première en 1914 (4 numéros), la deuxième en 1920 (5 numéros). Celle-ci, relancée en 1921 comptera 71 numéros avant de prendre son titre définitif de Cahiers du Sud (391 numéros). Ce fut la seule revue provinciale à tenir la dragée haute à ses rivales parisiennes au premier rang desquelles La Nouvelle Revue Française. Livres.

Cloth. Condizione: Very Good. M. Ch. Lemercier (illustratore). French edition of Johann David Wyss's popular novel in two volumes. French edition of this novel by Johann David Wyss, originally published in 1812, dated from the copy held at the British Library catalogued on Copac. Translated to from the original German by Mme Elise Voiart. Complete in two volumes.With an introduction by Charles Nodier.The story follows that of a Swiss family of immigrants whose ship wrecks in the East Indies on its way to Port Jackson in Australia.Illustrated with a frontispiece and further engraved vignettes by M. Ch. Lemercier.Prize bookplate to front pastedowns from the Collegiate School for Ladies of North-East London, dated 1875. In the original publisher's uniform full cloth bindings, gilt to edges. Externally very smart with minor shelf wear only, lightly bumped to head and tail of spine. Internally, firmly bound. Light minor spotting to first and last few leaves, affecting only occasional leaf. Pages otherwise generally bright and clean. Very Good. book.

Couverture rigide. Condizione: bon. RO30123666: 1846. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 238 pages augmentées de quelques illustrations en noir et blanc dans le texte- gravure en noir et blanc sous serpente, en frontispice- plats ornés en monochrome- doré- CARTONNAGE ROMANTIQUE. . . . Classification Dewey : 386-Marine.

Condizione: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déja? utilisée pour Les Vues de Provins. Cet intérêt s'explique par la facilité d'exécution offerte par la lithographie, qui n'exige pas des artistes l'apprentissage d'une technique de gravure particulière. Cette simplification d'exécution permet non seulement de réduire le temps nécessaire a? la réalisation d'une estampe, mais aussi d'acquérir rapidement une renommée grâce a? la diffusion quasi immédiate de ces images. Cette avancée technologique explique pourquoi la lithographie est devenue rapidement une alternative intéressante, tant sur le plan financier que commercial, par rapport à d'autres procédés.PROVENANCE; Bookplate of M.C.D. Borden in each volume. Matthew Chaloner Durfee Borden was born on July 18, 1842 in Fall River, Mass., the son of Col. Richard and Abby W. (Durfee) Bordon. He was educated at Phillips Academy in Andover, and graduated from Yale University in 1864. At Yale he was a member of Delta Kappa Epsilon and Skull and Bones. Later that year he entered one of New York's leading dry goods house as a stock boy. In 1865, he married his relative, Harriet M. Durfee, and they had seven children.Borden came to New York after graduation, working as a clerk in a dry goods jobbing house. Three years later he became a partner in a commission firm and represented the American Print Cloth Works of Fall River. This concern failed in 1879, but Mr. Borden reorganized it in 1880 as the American Printing Company. In 1869, Borden decided to manufacture his own cotton rather than buying it from others to supply his printing mills. He built three mills to begin with, and ultimately the Falls River Iron Works Mills was a thriving business. He was a compassionate man regarding his employees, raising wages in times of depression, and his mills were not struck by the labor unions when his relatives' mills were.Borden also kept a home in New York City at 25 West 56th Street, where he had many financial interests, being a director of the Manhattan Company Bank, the Lincoln N.

Soft cover. Condizione: Good. No Jacket. 1st Edition. [DAGUERRE, LOUIS J. M. (1787-1851)]. LEMERCIER, LOUIS J. N. (1771-1840). Sur la découverte de l'ingénieux peintre du Diorama. In: Institut Royal de France. Séance publique annuelle de Cinq Académies, du Jeudi 2 Mai 1839, preside par M. Chevreul, Président. Paris: Didot, 1839. FIRST EDITION, special copy. 4 to. Orig. self-wrappers, uncut. (2), 81, (1) pp. Similar to other copies, this copy does not have the 6th part, a note on an old château in Madrid, printed on a single leaf and intended for attachment to the stub following the last leaf. See: U.C. Berkeley digital copy on Google, a copy which also lacks its title page. PRESENTATION COPY with an initialed holograph inscription from Michel Eugéne Chevreul (1786-1889), the famous French chemist, president of the Institut Royal de France and l'Académie de Sciences, to J. B. J. d'Omalius d'Halloy (1783-1875), the Belgian geologist (see D.S.B. 10: 208-210), who was a foreign member of the French l'Académie des Sciences. Partial fraying of the backstrip paper, lacking original thread that held the signatures together; a good to very good large copy. Little known and among the earliest notices of Daguerre's new sensational advance in photography is Lermercier's (the French dramatist and poet) long poem, 'Lampélie et Daguerre', on the subject presented as a lecture before the Institut at the beginning of May, 1839. Here it is published with a short introductory essay on pages 21 through 37. For 'The Arcades Project' of Walter Benjamin a small section of the poem is available in English: As, menaced by the birdcatcher's pitiless nets, The meadowlark, rousing the muses of morning, Flutters and foolishly comes to alight on a Lark-mirror, reef of its dalliances, So Lampélie's (= sunlight's) flight is cut short By the chemical snare of Daguerre. The face of a crystal, convex or concave, Will reduce or enlarge every object it marks. Its fine, lucid rays, through the depths of the trap, Catch the aspect of places in rapid inscription: The image imprisoned within the glass plate, Preserved from all threatening contact On Chevreul and photography, see plate 269 of Gernsheim. It reproduces Chevreul's participation in the first photo-interview in August 1886.